60岁的立(🔈)花源(yuán )也(🌘)和28岁的(🔌)摄影(yǐng )师井田恭二(🚵)不(bú )远千(🌎)里跋山(🎚)涉(shè )水上门去拜访(🛬)隐居了(🦌)三(🔷)十年的(❣)(de )一代影星藤原(yuán )千(🏔)代子，为(🗞)了(🐌)(le )给她拍(♊)摄一生(shēng )自传的纪录片(pià(🥧)n )。款(💨)款前来(⛲)的(de )千代子虽然已界75岁高龄(🍹)，但仍(réng )然(🌩)优雅美丽，左眼下标志性(xì(🎎)ng )的小痣也(🎺)仍然(rá(🌨)n )俏皮。立花双(shuāng )手递(🍈)上一把钥(🦖)匙，千代(🌷)子深受震动，称这把(🐿)(bǎ )钥匙是(😨)开启一(⬆)(yī )个秘密的关键(jià(👶)n )，当年她不(💏)慎(shèn )丢(🍤)失，今日竟(jìng )还能再(🚑)回手中(👶)。千(🖕)代子的(🍉)思绪(xù )飞到老远。
这(zhè )部电(🎼)影(〰)可以说(👥)(shuō )娱乐价值十足(zú )。塞斯•(🏓)杰(🍼)科(kē )（(🏳)乔治•克鲁(lǔ )尼 George Clooney 饰）恶贯(📮)满盈，被判(🥩)刑多年(🤷)(nián )；弟弟理查德(dé(🗣) )（昆汀•(🚫)塔伦(lú(🕙)n )蒂诺 Quentin Tarantino 饰）打通(tōng )关(🉐)节帮他成(🥒)功(gōng )越(🔗)狱。为了能顺利逃往(🔘)墨西哥(gē(🤩) )，兄弟俩(🐶)挟持(chí )了牧师一家(🅿)人(rén )，一路(🤧)上以他(🏮)(tā )们作掩护。最(zuì )终(😵)经过重(🖕)重(🕖)关(guān )卡(🈸)，他们顺利逃到了墨西哥。
Jean Nevers is a solitary middle-aged bachelor whose apartment is next to that of Cora Elbaz, an erotic dancer who lives alone with her five year old son Antoine.
早(👪)已(🍮)功成名(🌽)就(jiù )的女性神秘小(xiǎo )说家(💋)莎(👪)拉•莫(🏳)(mò )顿（Charlotte Rampling 夏洛特•汉普林 饰(🚓)）却为新(🐺)作烦恼(🌇)不已，在出版商约(yuē(🦖) )翰•布兰(🌡)德（Charles Dance 查(⛰)理士•当斯(sī ) 饰）(😏)的建议下(🗃)(xià )，她来(🎎)到约翰(hàn )的家乡别(🛵)墅，一面休(🍼)养，一面(🗜)(miàn )寻找灵感。乡(xiāng )间(😑)的悠哉生(💩)活(huó )使(🏖)莎拉从久居(jū )伦敦(🥈)的疲惫(🌩)中(🍝)(zhōng )解脱(🤳)出来，尽(jìn )情享受着难得的(👎)休(👊)闲时光(⛵)。
日(rì )本名导木下惠(huì )介执(👹)导并与人(🦈)(rén )联合编剧的本(běn )片，主要(🏾)讲述(shù )铁(😋)工厂主(😗)人唯一的儿子遭少(🎵)年流氓杀(📳)死，但(dà(🛫)n )凶手仅被判5至(zhì )10年(🎊)的不定期(💻)徒(tú )刑(💘)。丧子之痛(tòng )却得不(🏧)到公理(lǐ(🥓) )的父亲(🗃)对此深感忧愤，于是(🏿)不(bú )惜倾(😩)尽所有(🚞)，四处奔走以呼(hū )唤(⏳)修改法(🎊)例(😢)，为日后(🍤)类似的(de )案件能得到公(gōng )正(🧡)的(🥘)裁决。然(🔀)而，直到多年后(hòu )他积劳成(🔺)疾而(ér )死(🎓)，仍未能达(dá )成这正当的心(⛎)(xīn )愿。影片(🏙)对不(bú(💓) )健全的法制以及不(🥔)合理的旧(💤)有权势(🤞)有所批判(pàn )。
Nam-do and Nam-shik are two brothers who were raised by their poor grandmother on a mountainside in a remote region of Kangwon Province. Hoping to receive a salary to support his family, Nam-do takes the airforce entrance exam but he fails. He is forced to move to Seoul to earn a living. Nam-shik remains to care for their ailing grandmother and decides to make a go at improving their small farm Written by Anonymous
In this symbolic and philosophically weighty film, all of the inhabitants of a Portuguese mental asylum suffer from religious delusions of one kind or another -- even the cynic who denies the value of any religions at all. One couple re-enacts the story of Adam and Eve in the Garden, and then the woman who played at being Eve plays at being St. Teresa de Avila. Another man thinks he's a character from a Dostoyevsky novel, and yet another claims to have in his possession a fifth gospel from the Bible. Everyone has a point of view and is not shy about stating it, defending it in debate with the others with great sincerity, though (the reviewers claimed) with very little elegance or wit. (Clarke Fountain)