他是谁在线

The film Days of Eclipse is based on a novel by famous Soviet science fiction writers — brothers Arcady and Boris Strugatsky. The action has been transferred to the Central Asia where a young Russian doctor gives treatment to children and tries his hand at writing. Introducing us a young contemporary at the crossroads (for the first time in Sokurov's work), this film becomes the first part of a cinema trilogy. 湿婆(pó )夷(yí(🐸) )（阿贾耶·德乌干饰）是一位生活在喜(xǐ )马(🚎)(mǎ )拉雅山(shān )南(🎽)麓的登山导游(🅿)，同时又是一(yī(🗣) )位(wèi )忠实的(de )湿(⛱)婆神信徒，用他自己的话说(shuō )，来此攀(pān )登的人(✋)或是来寻找自(🍄)我或是来(lái )寻(🔲)(xún )找神(shén )灵(lí(🙂)ng )，他以能为其引路为荣。直到(dào )有(yǒu )一天(tiān )，一位名叫欧尔伽（(🌭)伊瑞卡·卡尔(⏩)(ěr )饰）的(de )保(bǎ(🕸)o )加利亚女留学(🏴)生来到他的团队(duì )，在(zài )英(yīng )雄(xióng )救美的过程(😥)中双双陷入爱(📚)河并结下爱(à(🥚)i )情(qíng )的果实(shí(➰) )。在湿婆夷的苦(💿)苦哀求下，欧(ōu )尔(ěr )伽决定(dìng )生下高拉（阿比(🦗)盖尔·埃姆斯(🔟)(sī )饰(shì )）并留(📍)(liú )给了湿婆夷(🥫)，然后返回家乡寻(xún )找(zhǎo )自己(jǐ )的(de )梦想。 一直以来，小雨燕都把(🛳)(bǎ )自(zì )己当(dā(🤘)ng )做(zuò )海鸥。逐渐(🉑)成长的过程中(🕺)，他发(fā )现自(zì )己(jǐ )并(bìng )不会像海鸥一样飞。震(🚞)惊之余(yú )，它(tā(🍢) )离(lí )家(jiā )出走(🍗)了。这个过程中(🎷)它遇到了自己(🐷)的(de )同(tóng )类，并(bìng )认识到自己的真正身份。在雨(yǔ(🙅) )燕(yàn )和海鸥(ō(🚑)u )家族面临一场(🚘)巨大灾难时，小(🔇)(xiǎo )雨(yǔ )燕挺身(shēn )而出，成为英雄…… 吉姆（Daniel Allen Kent 饰(shì )）是一(yī )个(🛒)(gè )非常内向的(🏐)男人，虽然表面(🕢)看(kàn )上(shàng )去十(⛱)(shí )分(fèn )的冷淡，但在吉姆的内心里，燃(rán )烧着(zhe )一(🍳)(yī )团(tuán )对于艺(⛴)术的狂热的火(🧒)焰，这团(tuán )火焰(🌄)(yàn )灼(zhuó )烧(shāo )着他，令他终日不得安稳，走在人群(qún )里(lǐ )显得格(🈚)(gé )格不入。 许多(🏅)年前，宇宙最大(❎)(dà )魔(mó )王弗利(🤘)(lì )萨（中尾隆圣 配音）接连败在(zài )超(chāo )级赛亚(yà )人之手，他(🤒)的残党欲孽则(👹)流浪(làng )宇(yǔ )宙(😞)之(zhī )中(zhōng )寻找(🤑)那美克星人的新定居点，以(yǐ )期将(jiāng )弗(fú )利萨(🐾)再度复活。几经(🔍)周折，军队(duì )代(🛌)理(lǐ )索(suǒ )尔(ě(📽)r )贝（斋藤志郎 配音）利用地球(qiú )的龙(lóng )珠(zhū )把(bǎ )弗利萨带(🤜)回人间，而这个(🧥)刚刚复活不(bú(😗) )久(jiǔ )的魔王(wá(🌻)ng )很快展开了他的复仇计划。半(bàn )年(nián )之后，浩浩荡荡的弗利萨(🤾)大军降临地(dì(🗂) )球(qiú )，悟饭(fàn )（(🏭)野泽雅子 配音(⬜)）、比克大魔(mó )王(wáng )（古(gǔ )川(chuān )登志夫 配音(🏉)）、克林、天(💗)津饭(fàn )、武天(🕛)(tiān )老(lǎo )师挺身(🐲)而出，而孙悟空（野泽雅(yǎ )子 配(pèi )音(yīn )）和贝吉塔（堀川亮(🔝) 配音）则正跟(🗳)随(suí )维(wéi )斯(sī(💫) )（森田成一 配(💅)音）在遥远的宇宙深处(chù )接(jiē )受试炼(liàn )。 故事发生在1956年，传教(🕧)士耐特(tè )（查(👞)德·艾伦 Chad Allen 饰）(🌡)、吉姆（Sean McGowan 饰）(😊)、皮特(tè )（Matt Lutz 饰）和(hé )艾迪（Stephen Caudill 饰）千里昭昭来(🖲)到了位(wèi )于(yú(🦄) )厄瓜(guā )多(duō )尔(⬛)原始丛林中的(🚛)瓦欧达尼族的(de )领(lǐng )地，希(xī )望在这片尚未开化的蛮荒之地上(😥)(shàng )播种(zhǒng )下(xià(🧦) )上(shàng )帝的福音(♌)的种子。然而等(🎅)待着他们的(de )却(què )是凶残的土著和尖锐的长矛。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. 女儿艾(ài )玛(mǎ(🐬) )（德博(bó )拉•(🤔)温格 Debra Winger 饰）是妈(✳)妈奥罗拉（雪(🥜)(xuě )莉•麦(mài )克雷恩 Shirley MacLaine 饰）的心肝宝贝，自小(xiǎo )开(🚤)(kāi )始，奥(ào )罗拉(🔶)就帮艾玛安排(🕥)好一切，艾(ài )玛(😵)(mǎ )的言(yán )谈(tán )举止、修饰打扮、学习、玩耍、交朋(péng )友(yǒ(➗)u )等等都必须经(📯)过奥罗拉同意(✝)。