城市中的爱(à(🌕)i )情面(🆕)貌，特别是以女性为主体所(🔝)讲述(📎)和(👲)展示(shì )的都市百态(🔡)。片(🏎)中的(➗)演员都(dōu )是普通的城市(shì(⬅) )居民(🎲)，讲述的也都是真实的(🌠)故(🕊)事，说(🥦)它是一部电影，更象(xià(😏)ng )是一(🏠)个调(🍮)查，一种视角，一(yī )种事(😏)实(🌫)的呈(💵)现(xiàn )。
小猫妙妙和咪咪(🚭)是一(🍮)对性情相反的姐弟，一个(🍳)勤(📸)劳(🔞)听话(🚟)(huà )，一个贪玩懒(lǎn )散。太(🏨)阳出(🥘)来(lái )了，妈妈要它(tā )们起(🍥)床，妙(🛣)妙一骨碌爬了起来，咪咪却(🚸)要赖(🌖)(là(🎑)i )会床；洗脸的(de )时候(📊)，咪(🌳)咪更(📸)(gèng )是玩起了吹肥(féi )皂泡的(🥗)游戏(🔗)。
改编自文学名着《怒河(⛴)》，导(🤪)演安(🌯)东尼．曼(màn )。杰勒比带(♓)着(zhe )家(😏)人率(♑)领着一(yī )批蓬车队到(🥕)西(🚺)(xī )部(⌛)拓荒，林．克伦尼是车(🏏)队指(🈳)挥，途中救下(xià )快要吊死(🌾)的(🤯)柯(🧕)(kē )尔(🏥)二人，得知(zhī )原来他二(🔻)人是(🍈)(shì )边界区的抢匪(fěi )改行(⏸)．当(🌭)天晚上柯尔帮助克伦尼击(😦)退来(🈯)袭(📑)的(de )印第安人，于(yú )是(😔)他(🎲)们便(❗)同行(háng )，随车来到达(dá )波伦(💌)镇。在(📣)那里又结识了一名赌(🛒)徒(😈)—崔(🚗)．威尔森，在诱惑(huò )当(🥌)前，柯(🚊)尔本(🌑)(běn )性难改，背叛(pàn )了克(🤝)伦(🦍)尼抢(🗑)夺(duó )一批补给品，于是(🙆)三人(🏛)之间发生一场惊险万(wà(⏺)n )分的(🐀)生死(🖥)战。本片的故事情(qíng )节(🚀)曲折(🎹)，在描(miáo )写柯尔的心理(lǐ(🐶) )活动(🍽)时，详尽清晰，刻划人物较仔(🥣)细，三(🏤)人(📙)(rén )展开生死战时(shí(🦄) )的(🗿)场面(🚿)也十分(fèn )精采。
50年代的(de )意大(💳)利，战(🍴)争带来的恶劣余韵还(👼)在(🐖)持续(🦇)着，面对强大的生(shēng )存(📞)压力(📚)和微薄(báo )的养老金，曾(céng )经(🐚)为(🍯)政府(🔧)辛辛(xīn )苦苦工作几十(🥃)年的(🈚)退休者们终于呐喊着走(🗒)上(shà(⚾)ng )了街头，但很(hěn )快便被警察(🎟)驱(qū(🦅) )散了。在散开(kāi )的人群中(🔎)，温(wē(⛰)n )贝尔托（卡罗·巴蒂斯特(🦐) Carlo Battisti 饰）(🏧)显得格外的凄(qī )凉，他(🥥)身(😩)无分(🤯)(fèn )文又生了病，即将要因为(🚵)付(fù(📐) )不起房租而被赶出住(🐩)了(🦅)二十(🗯)年的老宅，而在他身边(🛺)一直(🙏)陪(péi )伴着他的，却(què )只有他(🈵)的(🐑)爱犬(🍼)(quǎn )。女房东凶神(shén )恶煞(👦)，但她(📢)的女佣玛利亚（玛丽娅(🕌)-皮埃(🖤)·卡(kǎ )西里奥 Maria-Pia Casilio 饰）却(què )对(🏏)温贝(✏)尔托格(gé )外关照。但是(shì(♍) )玛利(🏖)亚的力量微薄，不足以保全(🤾)温贝(🦌)尔托的住处，走投无(wú(🛸) )路(🚑)的温(🏃)贝尔托(tuō )只得牵着爱犬(quǎ(👝)n )流落(🏑)街头。他(tā )想乞讨，但放(🕌)不(🏀)下尊(🛸)严；他想自杀，但舍弃(🕎)不了(😱)人生；他(tā )想丢掉他的爱(🎚)(à(🏝)i )犬让(😮)它另寻主(zhǔ )人，但爱犬(⛸)的(de )不(👇)离不弃唤醒了他心中的(🏊)感动(👵)的希望。影片(piàn )的最后，一人(🙉)(rén )一(⤴)狗渐渐远去(qù )的画面在(👐)另一(💳)(yī )个层面控诉了生活的残(👻)酷和(🍍)无奈。
剧情描述一名红(📒)杏(👦)出墙(🚉)(qiáng )的太太与情夫(fū )合谋，在(👠)大瀑(📧)(bào )布旅行时谋杀(shā )亲(🕤)夫(⤵)，不料(👰)事机不密，丈夫反过来(🌯)先发(🛣)制人对付妻子。约(yuē )瑟夫·(💺)考(🤴)登与(👄)(yǔ )琼·彼得斯饰(shì )演(💢)各怀(🎭)鬼胎的(de )夫妻，而身材性感(🚅)的玛(🛀)丽莲·梦露则首次在(zài )本(⛩)片中(😡)饰演重(chóng )要配角，没想(xiǎ(🚝)ng )到她(⛴)的挑逗魅(mèi )力与大瀑布的(🥀)冲击(🐧)力反而吸引了大部分(🐉)观(🎺)众的(🌩)目光。
There is no way to write a "spoiler"---is there actually somebody somewhere who, ten minutes into this 1950's film, wouldn't know where it is going and will end up---since it is a strictly written-by-the-numbers corruption and redemption meller that finds: number 1, a doctor returns from the Korean War to his Pennsylvania mining hometown, (and 2) must choose between dedicating himself to treating the suffering poor (or 3) build himself a swank office and get rich by flattering wealthy women with imaginary ailments. Throw in elements no. 5,Lizabeth Scott as a rich, spoiled, twice-divorced woman with a lip stiffer than his, and number 6, Dianne Foster as a nurse bent on helping all mankind, and there are no surprises left, especially if one take note of the name of Irving Wallace among the writers, the title and Scott billed above Foster. The only surprise here is that this film wasn't from Universal-International and directed by Douglas Sirk.
灵犬(quǎn )爱乐的主人因(🕠)(yīn )拒(🌝)为小霸王运(yùn )毒而被(🔃)杀(🌰)害,少(🎠)(shǎo )主人幸为爱乐救出(👨)。爱乐(🚪)后得播音员韩玉珍及何之(📏)航(😅)帮助(🕉)(zhù ),带领群犬歼灭(miè )匪(👥)帮,为(🤪)主复仇(chóu )。
Popeye is hosting three of his western-obsessed nephews on his ranch. To get them to eat their spinach, he tells about how he arrived at the ranch and was humiliated by foreman Bluto until, of course, he ate his spinach.