98分钟亚洲第一

SYNOPSIS 故事发生在1982年(nián )。退休建筑工(⛱)人葛全德(💹)师傅倡(chà(🌭)ng )议(yì )组建(🥕)了街道知青(qīng )建(jiàn )筑队，又带领青(qīng )年(nián )们承包了一座居(jū )民(mín )住宅(🛐)楼的修建(🌉)任务(wù )。市(📆)公安局(jú(🎖) )局长的(de )二儿子高振(zhèn )武和他(tā )的铁哥们儿(ér )小胡子(zǐ )等人也在这(zhè(🍳) )个建筑(zhù(🐬) )队工作。这(📯)(zhè )些人流(😒)(liú )氓成性，整(zhěng )天惹事生非，经常(cháng )不(bú )上班，发工资的(de )时(shí )候倒一个都(🎦)不少(shǎo )来(🆒)(lái )。因没完(🐢)成承包定(🕴)额，队里(lǐ )决定每人少发五元(yuán )，高振武一伙又大(dà )闹(nào )起来。葛师傅实(⚫)(shí )在(zài )气(🛐)急了，仗着(🥩)自己(jǐ )有(💋)一身好武艺，他(tā )狠狠地把这(zhè )些家伙(huǒ )教训了一顿(dùn )。葛全(quán )德一家(🏑)四口(kǒu )，老(🔈)伴(bàn )儿善(🖲)良、贤(xiá(✋)n )慧。儿(ér )子玉龙诚实(shí )、耿直，在酱油厂(chǎng )当工人。"文革"中，原(yuán )商业局局(📏)长许维(wé(🕑)i )昌(chāng )下放(🥧)到他们厂(🏑)"改(gǎi )造(zào )"，因干重活，病倒在地，玉(yù )龙不避嫌疑将他送(sòng )到(dào )医院抢救(🚄)。于是(shì )，玉(📞)龙与许局(🏜)长的(de )女(nǚ(🚒) )儿许晶晶相识，他(tā )们成了挚友。后来(lái )许维昌父女(nǚ )去了干(gàn )校，玉龙(🐲)与(yǔ )晶晶(⏭)分(fèn )别多(🔯)年。如(rú )今(🐼)，许(xǔ )维昌官复原(yuán )职，父(fù )女又回到这(zhè )个城市，玉龙和晶(jīng )晶确定了(🤮)爱情关系(🥑)(xì )。好景不(🍒)长，玉龙(ló(💃)ng )的(de )朋友看见晶晶最(zuì )近(jìn )经常和一个"小白脸"男人进出(chū )高级宾馆，立(🕟)即报(bào )知(🐕)(zhī )玉龙。玉(🔸)龙追到(dà(❇)o )宾(bīn )馆，看见晶晶和(hé )那(nà )男人竟然同住一室(shì )，气得差点儿昏过(guò )去(📫)。他痛苦(kǔ(👧) )地离开(kā(🔁)i )宾馆，来到(🕳)(dào )海边徘(pái )徊。原来，许晶晶(jīng )随父亲回城(chéng )后，当(dāng )上了市歌舞(wǔ )团的(🈳)报幕员。由(😡)于(yú )爱慕(🛬)虚荣，想当(🤙)电(diàn )影(yǐng )演员，上了那个(gè )"小(xiǎo )白脸"的圈套。那(nà )人叫戴征，是本市戴市(🍴)长的二(è(🛁)r )儿子，他玩(🤧)弄女人(ré(👫)n )，投机倒把，无所(suǒ )不(bú )为。他冒充电影(yǐng )导(dǎo )演，诱奸了晶晶。晶晶有苦难(😦)言，无(wú )奈(🔷)只得中断(🔽)(duàn )了与玉(🤴)(yù )龙的爱情，委身于(yú )戴征。婚后(hòu )没多久(jiǔ )，戴征又勾(gōu )引上另(lìng )一个(🔤)女人，同时(🍌)还纠集团(🗿)伙大(dà )搞(🤕)走私等违法勾当(dāng )。晶晶和他离了婚(hūn )，又回到父亲身边(biān )。许局长理解(🧣)女儿的痛(🌫)苦，知(zhī )道(🗝)他仍然爱(🆗)着玉龙(lóng )，真心希望他们重(chóng )新(xīn )和好。玉龙的妹(mèi )妹(mèi )葛秀娟待业一(💧)年多(duō )，刚(⛺)刚分配到(🌡)商业(yè )局(✳)托儿所工(gōng )作。过(guò )去，高振武(wǔ )曾拦路(lù )调戏过她。这一天(tiān )，高和小胡(🕊)(hú )子到托(🍱)(tuō )儿所偷(🔈)东西(xī )，在(🈵)院子里又和她(tā )相遇。高振武对秀(xiù )娟(juān )污言秽语，欲施(shī )无(wú )礼。托儿(😯)所所长(zhǎ(⏱)ng )和老师们(⚓)闻声出来(📟)，所长一面(miàn )阻拦，一面训斥，小(xiǎo )胡子用匕首将老(lǎo )所(suǒ )长刺成重伤，一(🎪)(yī )秋(qiū )人(🎼)趁乱而逃(➿)。戴市(shì )长(🎗)的大儿子戴寻是(shì )个诚实、正(zhèng )派的中(zhōng )年知识分子(zǐ )。妻子(zǐ )是公(😿)安局长(zhǎ(💸)ng )的女儿(é(🏳)r )是个仗义(🍴)执(zhí )言，敢(gǎn )于抵制不正(zhèng )之风的记者，后因(yīn )车祸死去。戴寻的(de )小(xiǎo )女(💳)儿得到托(⛷)儿所(suǒ )葛(🚘)(gě )秀娟阿(🎫)姨无微不(bú )至的关怀，戴寻也逐渐地和秀(xiù )娟产生了爱慕之情(qíng )。戴市(🤷)长和高局(😆)长(zhǎng )都(dō(⏹)u )是秉公无(🌁)私的好(hǎo )干(gàn )部，当他们得知自(zì )己的儿子背着他们(men )干了许多坏(huài )事(♍)时，果断地(👫)下令(lìng )逮(😸)捕了(le )戴征(🚝)和高振(zhèn )武这两(liǎng )个败类，平(píng )了民愤(fèn )。 A group of vacationing waitresses visit a resort hotel on the Canary Islands, only to find that the former monastery's monks nearby have returned as living blind dead. Ernest (Stick) Stickley returns from prison, and very soon he gets involved with his old friend in a drug-running deal that goes sour. Hired by a rich investor, he tries to walk the line, but trouble follows him throughout as he tries to collect a debt and make up for lost time with his daughter. Stick also finds a new flame with a lady financial wizard (Kyle) and gets set to enjoy a new life, but Chucky and Nestor, the two hoods that owe him the debt, have other plans for Stick. 19世纪的英(yīng )国，阶级隔阂还十(🙃)(shí )分分明(🎍)。这天，英(yī(🚌)ng )国(guó )上层(😔)出身的露西(xī )（海伦娜•邦汉•卡特 Helena Bonham Carter 饰）和表姐夏洛特一起佛(fó )罗(🖲)伦撒度假(🚧)，不巧(qiǎo )，露(🤼)西住的酒(🧥)店的(de )房(fáng )间看不到风景。同(tóng )时来住店的英国父(fù )子两乔治（朱利安(🐃)(ān )•桑兹(🏬) Julian Sands 饰）和他(🧜)父(fù )亲见(♓)状，热(rè )心的父(fù )亲要和露西(xī )换一间(jiān )房，因为他(tā )的房里(lǐ )能看到(🥜)风景(jǐng )。露(🦍)西开始不(🌏)同意(yì )，在(🌇)好心的店主的(de )劝(quàn )说下最终她同意(yì )了(le )。 On the tropical island of Manioca, during a MardiGras-like festival, the child of the former president is kidnapped by the thugs of a communistic dictator. A large corporation in Miami finances an expedition to recover the child, and thus hopes to put the democratic nominee back in power. To this end, they send four mercenaries into the jungle, all of whom are masters of warfare. However, while the four mercenaries are fighting their way through the green inferno, new developments are occurring back in Miami. It seems that the corporation has changed its stance, and is now trying to work out a deal with the communistic dictator. This is sadly one of Umberto Lenzi's most neglected films--and for no good reason at all. Perhaps the lack of distribution has contributed to the obscurity of this gem; but, for all serious fans, it remains to be rediscovered. This film is not remarkable insofar as it is extraordinary, but that it so keenly represents the ending of an era. Never again will we see the likes of Antonio Sabato, Ivan Rassimov, Werner Pochath, and Franco Fantasia, all teaming up together in one great film such as this. Besides being well-directed, this movie is augmented by a very nice soundtrack by Stelvio Cipriani, as well as a surpise appearance by Andrea Aureli. Of course, it has its drawbacks as well. For instance, Ivan Rassimov's character is killed off much too soon (the same fate he suffered in Ruggero Deodato's "Atlantis Interceptors"). However, this movie contains some genuinely wonderful scenes that recall all the glory of Lenzi's earlier films. Highly recommended!