An experimental film about peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the Eve of Italian occupation of the country.
Since this is the very first user-comment submitted for "Date for a Murder", I was really hoping to enlighten all you readers about another totally forgotten and fascinating Italian cult film from the late 60's! Sadly, it didn't turn out to be the undiscovered gem that I was desiring to see (with the recent popularity towards for Italian cinema, I assume all the greatest films have already been identified), yet it's nonetheless an interesting crime/thriller with some raw action sequences and a fairly compelling plot. Two American friends coincidentally meet each other in the Italian countryside and agree to get back together again a couple of days later in Rome, after they both settled some private affairs. When one of them doesn't show up, the other one gets concerned and fears that something suspicious happened. He investigates the case himself and it doesn't take long before he's entangled in a network of industrial espionage, blackmail and even cold-blooded murder. The story, especially towards the finale, is rather predictable and the obligatory love-story is completely pointless. The heroic duo (the American and a local police commissioner) are likable characters and all the villains look effectively menacing, most notably the creepy guy in motorized wheelchair! To finish up, the film contains several beautiful images of Rome, the soundtrack is exciting and the action scenes (on rooftops, on remote highways, in dark alleys, ...) are well choreographed. "Date for a Murder" was written by Fernando Di Leo – who's really an expert in the genre – but perhaps it also needed a famous and experienced director to make it more memorable.
英(yīng )国老牌男生寄读学校。新(🏟)学年开始了，低(dī )年(㊙)(nián )级学(xué )生米克·(🔊)特拉维(🔻)(wéi )斯(sī )（马(⚫)尔科姆(🚻)·麦克(kè )道(🐤)威(wēi )尔 Malcolm McDowell饰）(😕)和他的(🕷)一群(qún )年轻(🙀)朋友们(😳)整日心神不(😑)(bú )宁(ní(🥫)ng )、无所事事(👛)。两(liǎng )位(👎)(wèi )死党(dǎng )约(🏸)翰尼（大卫(⤵)·伍(wǔ(😕) )德 David Wood饰）和华(🎛)莱士（(🕗)理查(chá )德·(🤚)沃里克(🍠) Richard Warwick饰）跟(gēn )米(📪)(mǐ )克一(🍴)起喝酒聊天(📮)，打(dǎ )发(fā )空虚而压抑的生(shēng )活(huó )。一(yī )日(😀)，在观看橄榄球(qiú )比(🎮)赛后，米克与约翰尼(🏂)(ní )偷偷(🍇)溜出学校去(📎)咖(kā )啡(🥦)(fēi )馆和(hé )女(🌅)招待调情嬉(👢)笑(xiào )。此(🛺)事让二人受(🏹)到校(xià(📧)o )方严(yán )厉的(💨)处罚。米(🌽)克等(děng )人怀(🦍)恨在心(🛫)，决心报复(fù(📱) )学(xué )校的粗(🌠)暴与野(🍟)蛮(mán )。然而(é(👿)r )校方对(❄)米克等人(ré(🔲)n )进(jìn )行(🤲)了更加暴力(💈)的侮(wǔ(🍀) )辱与(yǔ )虐待(🏄)，米克等人与(yǔ )校(xiào )方的关系愈发紧张。米(😿)(mǐ )克领导着低年级(⚡)(jí )学(xué )生反(fǎn )抗着(🥎)高年级(📪)学生的(de )压制(💗)与欺辱(🚿)，更竭力对(duì(⭕) )抗着来自校(👻)方的独(🚌)(dú )断(duàn )专横(🈺)(héng )和非(🎀)人的压迫。
인(🚪)형연구(🗻)가인 미망인(📍)의 집에(👓) 노총각 화가(💕)가 세를 든다(🏟). 깔끔하(👖)고 새침한 미(🈴)망인과(💤) 수수하고 털(🧠)털한 노(🎒)총각 사이에(🍊)는 자주(✍) 말다툼이 벌(🤠)어지나 그것은 서로가 은근히 사랑하고 있(🐽)기 때문이기도 했다(😤). 그무렵 미망인의 딸(📢)을 좋아(🏋)하는 젊은 총(🛎)각이 찾(🌙)아드는데 그(👝)는 화가와 함(🌜)께 미망(🏋)인을 놀린다(🎭). 그동안(✡) 딸은 젊은 총(🌘)각과 결(👫)혼하고 노총(💸)각 화가(⛳)는 미망인이(♐) 만류함에도(🚊) 불구하(💋)고 아쉬운 정(🥅)을 남기(⏫)며 그집에서(🦃) 나간다(🦂).
一艘出发自(🏏)二(èr )十(😜)(shí )世纪的宇(🥊)宙飞船经(jīng )过6个(gè )月的近光速飞行，相(xià(💯)ng )当于经历了七百年(🚇)时(shí )间(jiān )，船长泰勒(⏺)（查(chá(🕟) )尔(ěr )登•海(🎵)斯顿 Charlton Heston 饰(🔞)）设定自(zì(🧚) )动飞行状态(💐)后，飞船(🌧)最(zuì )终坠落(😖)在公元(😶)3978年的(de )一(yī )颗(💟)陌生星(🕴)球上。泰勒(lè(🛂) )和(hé )两(🤬)名幸存队员(😤)发现(xiàn )该星(🔧)(xīng )球与(♏)地球环境相(🥙)当(dāng )，而(🎣)且竟然存在(🗺)没有语(🙂)(yǔ )言(yán )能力(💢)靠采集(🧥)为生(shēng )的(de )人(🌄)类(lèi )，不待泰勒进行(háng )进(jìn )一步的考察，一(🛥)群(qún )具有(yǒu )智能的(💐)人猿突然出(chū )现(xià(💝)n )将一众人类捕获。原(🎇)(yuán )来(lá(⛎)i )这颗星球的(👃)主人(rén )是(shì(🤰) )人猿(yuá(🤑)n )，人类只不过(🤮)是供(gò(🏤)ng )他们捕猎研(📟)究的野(🔕)兽，人猿博士(🚿)基拉（(👫)金(jīn )•亨特(🤷) Kim Hunter 饰）和男友(🐨)康奈(nà(🆓)i )利(lì )分别进(🖨)行着人(📙)类行(háng )为学(🈴)(xué )和人(🚲)猿历史的研(👍)究(jiū )，喉(🐴)部受伤的泰(🤧)勒暂时(shí )失(shī )去语言能力，但(dàn )他(tā )的沟(💐)(gōu )通行为很快引起(❌)(qǐ )了(le )基拉的注意，在(😣)顽(wán )固的(de )人猿学术(🦌)界引发(🦆)了(le )争(zhēng )议。一(🥣)直设法争取(🚻)自(zì )由(🛂)(yóu )的泰勒不(🍆)久终于(☕)(yú )发(fā )现了(🌕)(le )人猿星(🏉)球的真相…(🍸)…
丽塔(🔞)·海华斯饰(🚹)演前(qián )百老(🤤)汇明星(📫)玛莎，他(tā )的(🥟)两个儿(🥜)子不学无术(📹)(shù )，成天(🚇)只会偷窃谋(🕝)杀(shā )。如(⌚)(rú )今玛莎住(😽)到亚利桑(sāng )纳，竟然和儿子狼狈为(wéi )奸。杰(📉)森刚抢了珠(zhū )宝(bǎ(🔠)o )店，杀了对手黑帮成(🍢)(chéng )员(yuán )，如今母子三(➖)人必(bì(🈺) )须躲(duǒ )避黑(🏛)白两道的追(💚)击(jī )。
パ(📅)トリック・(⚽)クエン(🛹)ティン原作(🙄)、新藤(💊)(téng )兼(jiān )人脚(🚘)(jiǎo )本、(🐳)増村保造監(🍑)督(dū )。岡田茉(💫)莉子共(🍶)演。二(èr )大女(🚿)優が火(🏙)花を散(sàn )ら(🔖)す、と(📳)言っても同(📰)じフレ(🚚)ームに映る(🚌)のは２シーン、そ(🕒)れも同じ場所でしか(🎐)ない。二人(rén )が逆の(🐞)役をやっていても(😃)、もちろん一局(jú(🙈) )の碁だ(😍)ったろうけ(🌟)れど、ここ(🏧)での若(🎚)尾ちゃんは(🦋)全く隙(👰)のない硬質(🃏)(zhì )な演(🍱)技で、清く(🛷)正(zhèng )し(🌆)くを心情と(🐑)する女性が(🈵)、醜く(💛)不正にまみ(🚱)れた現(👋)実を知った(🏭)時にど(🛸)うそれと向(🚏)き合う(🚼)かという難(📠)しい役になりきっ(🐳)ていた。
There's a woman for every taste.
Armchair Theatre: Season 7, Episode 11