八百(🏇)(bǎi )年(nián )前，天(🚿)竺人(♑)(rén )罗(luó )摩来(🎂)至中(🎼)原(yuán )弘(hóng )法，其死(🌌)后尸(shī )体被人盗(💮)取并(bìng )分为两部(✳)分。传说拿到罗摩(🚤)(mó )尸体的人能练(🛹)(liàn )成绝世武功，因(🏳)此江湖上风波骤(😳)起。时(💓)有转轮王（(🐃)王学(📊)圻 饰）操控的黑(⏫)石杀手集团，专(zhuā(🎹)n )为(wéi )朝廷杀害谋(🧥)(móu )逆(nì )相左之人(🎑)。转(zhuǎn )轮王率徒众(♏)(zhòng )夜(yè )袭藏匿半(🌨)具(jù )达(dá )摩尸首(💕)的首(🌿)(shǒu )辅(fǔ )张海(📅)端（(🐹)李(lǐ )庆(qìng )祥(📽) 饰）(🦐)宅邸(dǐ )，但是他的(🚔)手(shǒu )下(xià )细雨 （(👥)林熙(xī )蕾(lěi ) 饰）(⤴)却带着残(cán )尸绝(🕍)走江湖，致令转轮(♏)王发(fā )出江湖追(🏪)杀令(lìng )，引出一阵(✝)血(xuè(〰) )雨腥风。
美国(🙊)西部(🙈)时间3月23日下午(北(⛲)京时间24日上午)，第(📎)75届奥斯卡金像奖(😲)颁奖典礼在好莱(🕐)坞(wù )的(de )柯达剧院(💷)隆(lóng )重(chóng )举行，以(🤺)下(xià )是(shì )此次颁(🚺)奖礼(🏹)(lǐ )得(dé )奖名(🍴)单：(📯)
Trilogy of Terror (original title: Trilogia de Terror) is a 1968 Brazilian horror film by Brazilian film director/actor José Mojica Marins. Marins is also known by his alter ego Zé do Caixao (in English, Coffin Joe). The film consists of 3 stories adapted from the Brazilian TV series Além, Muito Além do Alé(👄)m (Beyond, Much Beyond the Beyond): O Acordo (The Agreement), A Procissao dos Mortos (Procession of Dead), and Pesadelo Macabro (Macabre Nightmare).
Prof. Andrew Gentling, in Los Angeles to help found a new college, is inveigled by old flame Catherine Sykes into a midnight drive. Next day Catherine is missing, believed killed; friend Martha convinces Andrew that he's a prime suspect and should investigate before he's arrested. But this only puts Andrew in a more deadly kind of danger.
An ex agent of the FBI and Interpol (Tony Lo Bianco) is expelled by the CIA and he starts a detective agency in Genoa, great Italian city. Here he is known as 'The American', despite his origins are Sicilian. Dr. Mayer entrusts him to investigate on the sequestration and murder of the shipowner Mayer, as well as of the recovery of a million of Liras poured for the not happened liberation of the dead one. 'The American' has to overcome a double barrier: commissioner Lo Bianco that fears the illegal methods and a violent gang headed by the gangster called 'The French'. 'The American' gets the friendship of Lo Bianco after manifold mishaps, showing to be still an excellent police officer. In the middle of the seventies Italy lived its darker season, because victim of the terrorism. Those were the so-called 'Anni di Piombo' (Leaden Years), so many Italian films reflect the fear that could be read in the eyes of Italians. This rare crime-cop movie is an explicit example of that climate. Excellent O.S.T. by Franco Micalizzi. French version (dubbed in Italian at bcult.it) is 95 minutes longer.
Experimental film made by painting directly onto the film strip using ink, pens, sand, etc., with no camera. A film that decisively renews the tradition of painting on film. It is an abstract, silent film, with no unifying plot line, in which the only characters are forms and colours.
地处(✊)(chù )中(zhōng )原伏牛山(🌍)区(qū )腹(fù )地的桃(🥈)花村(cūn )，环山抱水(🕒)，风(fēng )景秀美。这(zhè(👳) )里(lǐ )居住着十几(⛷)户(hù )山民，他们朴(🎼)(pǔ )实善良、勤劳(🙇)(láo )友(🙎)善，祖祖辈(bè(📙)i )辈以(🕡)采药为生(shēng )。转山(🦌)走村为人钉锅箍(💇)炉的小炉匠的到(👯)来，给村里女人增(🚪)添了几分欢乐。而(🏔)就在此时，以(yǐ )龟(📳)本太郎为(wéi )首(shǒ(👽)u )的一(🥘)队日本(běn )战(📓)(zhàn )败(💐)溃兵，逃(táo )亡(🗨)(wáng )途(👩)中迷失了(le )方(fāng )向(👁)，鬼使神(shén )差(chà )的(😷)摸到了这(zhè )里(lǐ(🤜) )，打破了村(cūn )子(zǐ(🌐) )往日的宁静(jìng )。鬼(⛵)子兵在村(cūn )子(zǐ(🌈) )里疯狂掠夺，并丧(🛸)尽天(👏)良的(de )强奸了(🚘)新媳(🌲)妇(fù )翠儿，翠儿为(📨)(wéi )全保贞节，跃(yuè(🥑) )入井中含恨自缢(👻)，女人们万分悲伤(🤩)和无助。杏花欲用(🚸)酒灌翻鬼子，寻找(🚧)机会救出乡亲实(⛷)施(shī )复仇，主动(dò(🏃)ng )的(de )上(🏞)前装模作(zuò(🐖) )样(yà(🦉)ng )与鬼子周旋(xuán )，但(🌸)却招来了(le )村(cūn )里(🚀)女人不理(lǐ )解(jiě(🚬) )的咒骂和唾(tuò )弃(🚲)(qì )。当人们惭(cán )渐(😪)(jiàn )明白了杏花(huā(➕) )的(de )良苦用心后(hò(👙)u )，开始(🕰)敬佩起她(tā(⏱) )来。鬼(💤)子们围(wéi )着杏花(💰)施暴，急坏了被关(🍰)在(zài )屋内的女人(🐺)，忍无可忍的女人(🀄)们在常贵爷的带(🐌)领下，冲出屋门与(🥩)日本侵略者展开(😇)了肉博……她们(🍱)用鲜(📋)血(xuè )和生命(🚡)捍卫(⛸)(wèi )着(zhe )做人的尊严(🏙)(yán )，展示出中华(huá(🎐) )民(mín )族千百年来(👵)(lái )不(bú )畏强暴、(⛎)反(fǎn )抗(kàng )侵略，永(🌭)远(yuǎn )不(bú )可战胜(😼)的高(gāo )贵(guì )品质(🍹)！
A Greek Fisherman brings an Atlantean Princess back to her homeland which is the mythical city of Atlantis. He is enslaved for his trouble. The King is being manipulated by an evil sorcerer who is bent on using a natural resource of Atlantis to take over the world. The Atlanteans, or rather the slaves of Atlantis, are forced to mine a crystalline material which absorbs the suns rays. These crystals can then be used for warmth. The misuse of science has created weapons out of the crystals that can fire a heat ray to destroy whatever it touches. Written by {harold.lind@airtouch.com}