夏(🧢)令(🏈)营的营地主任特别(🙂)注(🦑)重孩子们的人身安(🛶)全(🔜)，于是定下了严厉(lì(😔) )规矩，并(🔸)且认(rèn )为一旦(dàn )违(📚)反(🧓)规(guī )条，意(yì )外就会(⤴)(huì(🌒) )发生。其中一(yī )个参加(⛲)(jiā )夏令营(yíng )的孩子(zǐ(📿) )伊(👮)诺什(shí )金破坏(huài )了(🐥)规(🛩)矩(jǔ )，被该(gāi )主任逐(🌄)(zhú(🕴) )出了(🎹)营地。但他害怕一起居(🎮)住的奶奶知道了(le )会(⛪)伤(📎)心(xīn )，没有(yǒu )回家，反(🍚)而(🌭)趁(chèn )着夜色(sè )，翻墙(qiá(🎺)ng )回(🎳)(huí )到营地(dì )并躲在(🕯)广(😵)场中央的小屋里。第(🈶)二(🗃)天早上，朋友们发现(🥂)了他，并(🦅)悄悄地帮助他，跟成(🐪)年(🚄)(nián )人斗智(zhì )，让他(tā(📰) )可(☝)以留(liú )下来。叶列姆(mǔ(💳) )·克利(lì )莫夫的(de )处女(🗂)作(📱)(zuò )，在一(yī )个真的(de )先(♿)锋(🏳)营(yíng )地现场(chǎng )拍摄(♏)，以(🎍)轻松(🤢)(sōng )幽默的(de )喜剧外衣，讨(🐯)论关于儿童教育的(🐁)深(♏)刻母题，充满童(tóng )真(🌽)与(🔑)童(tóng )趣的叙(xù )事视角(🐹)(jiǎ(🙎)o )，使得(dé )影片的主(zhǔ(🖇) )题(🔤)表达(dá )更能引起观(👞)众(👹)的反思。
罗科（让-保(🔤)罗.贝蒙(🎯)）和他的女帮凶安(🐨)吉(🙇)儿（安妮.迈尔-康(kā(🌽)ng )菲(💒)妮）在撒哈(hā )拉沙漠(🛰)(mò )中劫持(chí )了一辆(lià(💺)ng )卡(🤱)车，卡车运(yùn )输公司(🛑)(sī(🚛) )的负责(zé )人卡斯(sī(🥍) )聘(🌖)请罗(🚃)(luó )科的朋(péng )友利诺(nuò(🗝) )拉和德(dé )国人汉(hà(💅)n )斯(🔊)去追回车上价值不(⤴)菲(🥌)的物品。两伙人展开(kā(🛍)i )了(💨)一场(chǎng )喜感十(shí )足(🏒)的(🈚)冒(mào )险追逐(zhú )。
Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general, as referred to by the title. Prior to this feature, Gassman had worked with both screenwriter Ruggero Maccari and Ettore Scola (who also co-wrote rather than directed) in the 1962 feature Il Sorpasso from director Dino Risi. It was Risi and Maccari's teamwork which helped Gassman win a "Best Actor" award at Cannes Film Festival in 1974 for Profumo di Donna/Scent of a Woman. Gassman would later work with Maccari and Ettore again in episodic fashion with Signore e Signori Buonanotte/Goodnight, Ladies and Gentlemen (1976) and yet again in the drama Famiglia (1987).
A businessman organises a caper to steal the Crown Jewels from the Tower of London.
电影(👨)(yǐ(😬)ng )剧情：
抗日战争(zhē(👐)ng )较(🐻)为艰(📜)苦的1942年，胶东抗日根(🕚)据(🚇)地边缘村庄赵家庄(😾)等(👛)经常遭受日军的突袭(🍣)，为了减少损(sǔn )失，区(qū(🏹) )武(㊙)委会(huì )雷主任(rèn )（(📮)张(🎏)长(zhǎng )瑞）和(hé )赵家(🌄)庄(🥒)(zhuāng )民(🙀)兵队(duì )长赵虎(hǔ )（白(👽)大(dà )钧）集(jí )合群(🔅)众(🐍)(zhòng )的智慧(huì )，想出(chū(🌡) )应(🕕)对日(rì )军的策(cè )略：(🐮)他们联合附近几个村(🌜)庄(😰)组成民兵联防壮(zhuà(😂)ng )大(🍫)武装(zhuāng )力量的(de )同时(⛴)，用(💩)土制(🏸)(zhì )地雷组(zǔ )成各式(✡)(shì(🍉) )各样的地(dì )雷阵，将(🛣)日(🌭)军沉重打击。
When a travelling troupe of performers accept a commission from the mysterious Count Drago (Christopher Lee) and fail to heed the warnings of a local witch (Donald Sutherland), they find themselves trapped in the CASTLE OF THE LIVING DEAD. Terror ensues as they are picked off one-by-one as the Count enacts a diabolical scheme: the perversion of science to achieve immortality. A grim dwarf hero battles the Count's scythe-wielding henchman; a surreal secret museum of the Count's victims (whose number includes British horror filmmaker Michael Reeves) and the arresting Italian baroque setting all make for a uniquely cult film experience.
罗科（让(💁)-保罗.贝蒙）和他的女(🐭)帮(🧡)凶安吉儿（安妮.迈(😶)尔(🛀)-康菲妮(nī )）在撒(sā(🎻) )哈(🍝)拉沙(shā )漠中劫(jié )持了一(yī(✳) )辆卡车(chē )，卡车(chē )运(🏄)输(🌗)公(gōng )司的负(fù )责人(🍮)卡(🐙)(kǎ )斯聘请(qǐng )罗科的(de )朋(🍒)友利(lì )诺拉和(hé )德国(🥅)人(🎋)(rén )汉斯去(qù )追回车(💁)上(🙀)价值不菲的物品。两(🛀)伙(🉑)人展(🈲)开了一(yī )场喜感(gǎn )十(🔸)足的(de )冒险追(zhuī )逐。
最(📞)(zuì(🌃) )经典、影史评(píng )价最(♏)高的(de )捷克电影之一
he movie may well be one of the first 'Conceptual' film ever made anywhere in the world. It was a rather slow, but clearly defined daily motions of Kazakura, a mysterious underground figure of Japan, who is still unknown in Tokyo, yet has a strange presence in his remote area of Japan, KYUSYU island.