Фома Арчилович — капита(😾)н и(💮) в(📼)лад(⭐)е(🏿)лец(🆑) сухогруза «Фортуна» — жив(🐟)ё(🗿)т, пе(💘)р(🚡)еб(⚡)и(➖)ваясь случайными заработ(🏳)к(🗓)ами(🐤). Поя(💖)в(🆘)ляе(😓)тся клиент — Вадим, и они(🎆) о(⛄)тпр(👔)авл(👎)я(😔)ютс(🔠)я в путь по Волге. По дорог(😻)е В(🍍)а(💛)дим(🐅) д(🏩)олж(⬅)ен жениться на Маше. Правда(🐽), в(😄)енч(🎵)а(🥝)ни(🥚)е(🌭) на её родине не удаётся — по(🎣)с(😇)тоя(🏁)нно(😣) в(🐎)меш(🎳)иваются обстоятельст(⛳)в(🔃)а. А н(🛁)а су(😥)д(🤺)не м(🥟)олодым становится ну оч(🏁)ен(✏)ь(⭕) уж н(🌌)е(🤦)вте(🌨)рпёж, и капитан объявляет и(🖤)х(💹) муж(😱)е(🍌)м и(🏖) ж(⌚)ено(🔦)й…
Four professional women meet at an East Los Angeles restaurant called Luminarias to share secrets about their careers, love, family, and sex.
伊朗资深导演巴(bā )曼·法玛纳拉被禁(jì(😾)n )拍(🐦)片二十(🎒)年后的(📨)(de )第(🙏)一(yī )部(🚆)作(zuò )品
一个是喜欢沾花惹草的(de )电影(yǐng )制片人(😱)，一(❌)个是他(🛶)充满不(⛺)安(🏧)全(quán )感(🚱)的(de )妻子，一个是为(wéi )了在(zài )演艺界出人头(tóu )地不(🏳)惜和(🌦)制(🔌)片人(ré(❤)n )乱(⤵)搞(gǎo )的(🗺)女(nǚ )演员，一(yī )个是心怀嫉妒、忽然(rán )萌生(shēng )杀机的(🔁)女(🐚)演员的(🤾)女(🤡)友，再(🔽)(zà(💴)i )加上(shà(📦)ng )一个作品诡异、记录(lù )他人暴毙(bì )的冷(lěng )漠(🍑)艺(😋)术家，这(🤩)群(qún )人(🤝)终(🌘)(zhōng )于因(♎)为命运的(de )安排而相逢，构(gòu )成了(le )一个(gè )关于一(🌗)段(🈲)孽缘、(🏚)一宗谋(😗)杀(🌄)(shā )案和(🚂)(hé )一个好莱坞不为人知的故事……
有(yǒu )些人就(📨)是不(🎾)应(🐘)该(gāi )有(🗺)孩(🍠)(hái )子，这(🔊)个离奇(qí )的惊悚片说明了(le )为什(shí )么。杰克和安是一对(💷)生(😵)活似乎(🆔)(hū(♍) )很完(👪)(wá(🤓)n )美的(de )夫(🍻)妇。他们从未感到不够(gòu )幸福(fú )。经过几个月的(🌥)(de )尝(🔯)试(shì ),安(🛀)发现她(🥍)要(🤡)生(shēng )一(😸)个孩子了。
This is a fantastically sinister thriller about the dark secret of three old college friends brought to the surface after divers find a body secreted in a house at the bottom of a reservoir. The three friends are pursued by an obsessed ex-policeman who for ten years was the only one to believe them guilty of murder. The past and present merge as both the murder and its resolution are revealed.
该(gāi )片是(shì )押井守参与制(zhì )作的一(✅)部(🌤)动画电(🚗)(diàn )影。
러(📦)시(🚈)아 국가(♌) 안전부에서는 우크라이나 미사일 부대 소유의 AFC20045 미(✅)사일(🗺) 4개(📔)를 미-러(🖊) 군(🚶)축 협의(⛰)하에 제거하는 과정 중 도난을 당한사건의 사태가 심각(✳)해(💹)지자 러(🎛)시(🍴)아, 중(🐴)국(🤜), 한국의(🧔) 국제경찰을 비밀리에 모스크바로 파견한다.
タ(🔻)レ(🔙)ント事(👌)(shì )務所(🤨)(suǒ(🚷) )にスカ(🕜)ウトされた女子校生・奈美(měi )(田島絵里香)は(🚼)、(💹)東(萩原(💢)流行)の(🚘)忠(🤦)告(gào )も(🌭)聞(wén )かずに、契約書にサインしてしまう。だが(🛶)、そ(⛲)れ(📝)は詐欺(⛺)ま(🖖)がいの(👹)契約書で、少(shǎo )女たちの売春行為(wéi )を強要するも(🌩)の(💠)だった(👬)! ! 悪(🌦)(è )徳(🎱)な(💑)芸能プ(🤦)ロダクションの手(shǒu )口に、闇の縁切り人・(🎖)東(🌊)慶彦(yà(😎)n )が裁(cá(⏲)i )き(👿)を下す(🍴)! !
You can't hold too much against this knowing that it was made in four days, and I had expected it to be campy anyway. (It's not all that campy in reality. With the exception of Kevin Kalisher and Huntley Ritter, who don't take themselves seriously, the rest of the cast plays it halfway straight; Riley Smith is exceptionally bad.) The ridiculous story is actually paid attention to, which kind of shocked me; I assumed the whole purpose with these ultra-low-budget horror movies was to cater to the basest sexual fantasies and not give a damn about the story, but they use lots of words like "technological" and "physicality" in the script to get their point across. (Although it's possible that the story is important only to explain why there's so few cast members.) Nobody cares about this stupid storyline, and the only things that are interesting in the film are the mocking of cults and the soft-core homoeroticisms (which aren't all that edgy). I would have enjoyed it more if there were just some random killings for no reason. The film is grainy, with a TV-quality look and acting level. There are a few "sexy" scenes that are alright -- the boys writhing in bed in their boxers, feeling themselves up; or being tied down and making orgasmic faces while wine is poured on them -- and some of them are kinda funny. And I liked the digs at L. Ron Hubbard and the intended irony of a story about religious cultists told with intense gay overtones, but it still isn't any good. 3/10