吴君如的喜剧电影

一对男(nán )女相爱(🥥)(à(🚊)i )，男(🐿)主人公(⛎)，开(🧑)车(📩)（(🎀)好像(xiàng )是摩托(tuō )车）带女的出外(wài )游玩遇(yù )到下雨(yǔ(👩) )天(🔌)躲(🥎)进一个(😰)似(🗃)乎(🔮)是(🤖)(shì )山洞的(de )地方避雨（里面(miàn )有些怪(guài )异的塑(sù )像），两(🥃)人(💻)在(🥏)那里发(🍫)生(😑)了(🔋)(le )关系，就在这时(shí )一个鬼(guǐ )魂上了(le )女方的身，怀上了鬼胎，鬼(🌂)胎(🌴)出(chū )生后(👦)长(💛)大(🤼)(dà )到5 6岁时(shí )候有人(rén )欺负她的母亲这个小女孩(hái )就在(🐝)晚(🎬)(wǎ(🦁)n )上杀这(🥩)个(🏣)(gè(🌏) )坏(🛀)人（还杀过(guò )其他人），女孩杀人前都(dōu )是爬在(zài )自己(👩)的(🕖)房(〽)间的地(🚃)(dì(🐰) )板(🎵)上(⏱)身(shēn )材变大(dà )的。面相很恐怖两(liǎng )颗白色(sè )獠牙漏在唇(🍪)外(💈)。后(🍓)来似(sì(💎) )乎(🙅)把(⛴)他(tā )父亲也杀了，但是没有杀(shā )她母亲(qīn ) 本片为著(zhe )名导演(🏆)(yǎ(🤰)n )何梦华(huá(🗨) )与(🕟)编(🍽)剧倪匡於1978年的作品。故事讲(jiǎng )述，奸相(xiàng )秦权(谷(gǔ )峰 饰)身(🐅)(shē(🍑)n )患(🕳)恶疽，危(😱)在(🕟)旦(🍛)夕(💑)，指使(shǐ )首席护(hù )卫司马骏(jun4 )(罗烈饰(shì ))往药师(shī )处取长生(🌄)藤(🎀)治(💧)疾。药师(🙌)知(🗝)(zhī(🧕) )是(💧)秦权(quán )要用，坚决不予(yǔ )，司马(mǎ )骏无奈(nài )将药师杀害，掠(🔝)走(🥒)其(🏁)藏有(yǒ(📅)u )长(🔗)生(🐺)藤(🍙)之宝盒。司马骏(jun4 )师弟铁(tiě )二郎(刘永饰)出於义愤，伺(sì )机将(🤩)长(🐰)(zhǎng )生藤盗(🌵)去(🙈)(qù(🙍) )，司马(mǎ )骏愤然(rán )将铁母杀害，仍无法搜到(dào )长生藤(téng )。二(🍻)郎(📶)见(🏣)(jiàn )母遇害(🎌)(hà(🗃)i )，悲(🍌)慟(tòng )欲绝，联合药师之女谈丽(lì )(燕南希(xī )饰)，与司(sī )马骏(🦏)展(🔥)(zhǎ(🦑)n )开殊死(👪)(sǐ(👼) )之(🏒)战(🔼)…… 汤玛斯（大卫•鲍伊 David Bowie 饰(shì )）和其他人看起(qǐ )来并(🔦)没(🤥)(mé(🔝)i )有什么(🔻)(me )不(🌟)一(🗽)样(👔)，但其实，他是来(lái )自另一个文明高(gāo )度发达(dá )的星球(qiú(🥛) )的(⛄)人类。汤玛(🔵)斯(🐚)原(🚒)本在他(tā )的星球(qiú )里有着自(zì )己的家(jiā )庭、亲(qīn )戚和朋(😌)友(✝)们，一次他(💷)发(🔳)现(🚤)(xiàn )了地球(qiú )这颗充满(mǎn )水的星(xīng )球，出(chū )于对水的迷恋(🤯)，他(🛣)离(♏)开了(le )自(🚳)己(📻)那(🌝)(nà(😫) )个缺水的(de )星球，来到了(le )地球。在这里，汤玛斯利(lì )用他所(suǒ(🔋) )掌(⛩)握(🦆)的先进(🎮)技(🐲)术(🗯)(shù(🚤) )创办了(le )公司，很快就成了百万富翁。在(zài )地球上呆的时间(😝)(jiā(💺)n )长了，汤玛(🥠)斯(🎓)(sī(🕍) )开始想念自己原来的星球(qiú )、原来(lái )的家，但(dàn )地球对(duì(🏅) )他(💞)的诱(yòu )惑(🎒)实(⤴)在(🌋)太大了，汤玛斯最(zuì )终将如(rú )何选择？ "In a town in southern Sweden, Sven Klang decides to enliven his dance combo with a new sax player, Lasse from Stockholm. At first all goes well; but bit by bit Lasse brings into question all the rigid values, musical and social, by which the faintly supercilious Sven has set his life's course. Gunnel, the vocalist, falls for the newcomer's charms and finds herself pregnant when Lasse and Sven eventually part in high dudgeon. The daily round continues. Eventually Lasse pops up again, and disappoints all save Sven by turning tail in the face of Gunnel's love and his sense of guilt at having fathered her child....The appeal of Sven Klang's Combo lies in its utter lack of pretension, in its small town atmosphere and its vivid characterisation. One imagines that the actors were able to improvise their lines and contribute personal touches that fleshed out their roles. Their autobiographies become fiction; but fiction, as so often, also becomes truth. This film recognises that big emotions stem from small incidents and that one is forever a prisoner of one's generation." (Peter Cowie, 1978 International Film Guide) This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. Simpleton and honest village farmer, Dharamchand alias Dharam is overjoyed when his wife, Radha gives birth to a baby boy who is christen with the name Raju. He comes to the rescue of three city-bred men, Ajit, Suresh and Sujit when they are at the mercy of a man-eating tiger; please with this they decides to offer Dharam a job in Bombay whenever he needs it. Delighted and when things are not quite rosy in the village Dharam, Radha, Raju and his sister, Laxmi decides to move to the city where-by the duo provides living quarters and appoint Dharam as the managing director of their warehouse along with a fat pay packet. Unfortunately calamity destructs when Dharam is arrested by the police for smuggling goods and is placed before the court where-by he pleads his innocence but his bosses testify against him resulting in Dharam getting 18 months imprisonment as well as an additional 6 months for contempt of court. After completing his sentence Dharam goes to his residence to find that ... Colt 38 special squad is a rare breed in the poliziotteschi genre. Excellent shot and filled with great casting, cinematographer/director Massimo Dallamano really comes trough on this one. Known for his outstanding camera precision on the Sergio Leone trilogy Colt 38 grapes you all the way. Of course there are a lot good examples for movies in those Italian cop/crime films.Like Milano Calibre 9 or The big racket. But Colt 38 special squad belongs among those films. Rather than just focusing on the usual violence this one delivers also a other angle, those of the mental-pain and struggle. Like a real pro Massimo let's you get involved in those characters and start to care form them. With all well paced storytelling we follow French crime lord Ivan Rassimov as the Dark angel in his mad rage against the city and his cops. Expeccialy against Marcel Bozzuffi as hard boiled Capitan Vanni. An old beef is going on between the two of them. Personal as can be, Vanni and his special crew of cops now not only arresting the locals bastards but are also mix up in the personal vendetta between Vanni and the crew of Dark Angel. The result is well packed storytelling with some brutal, but subtle action. Colt 38 is a well crafted movie with memorable scenes. Think in the line of city bombing and care chases. Rassimov is one's of the most cool killers. But really, Vanni is stealing the show in my opine that is. Of course also in real life those guys competing. Both are die hard actors. Dirty rotten by all those amazing scripts in there carrier. Kinda like De Niro and Pacino in Heat. Do not make the mistake of thinking less about this movie in budget ways. It's great cinema and a prime example of Polliziotesschi madness. Not to be missed