电影工业

Physicist Bill Beck meets and marries doctor's receptionist Julie. Five happy years later, she develops a heart condition. Afraid of leaving Bill alone by her premature demise, Julie adopts a sirupy, fantasizing orphan, Hitty. It's an uphill battle forging a relationship between the equally self-absorbed physicist and child: will she have time? Written by Rod Crawford {puffinus@u.washington.edu} 在(zà(👈)i )香港(gǎng )闹市中有一(yī(📻) )家特(✨)(tè )别的(de )cafe店“恋恋soho”，你(nǐ )可(📊)以在这里喝咖(kā )啡(🛸)，更(🍦)可以(🕟)在这里得到心(♐)理(♟)(lǐ )咨(🐦)询——当然是(🤼)(shì )无(🧒)牌(pái )业余的咨询(xún )，但(🏈)(dàn )很真(zhēn )挚。店主阿(ā(🈂) )生（(🎉)陈柏宇 饰）和阿(🎉)(ā )晴(🃏)（钟舒漫 饰）是对(🤮)恋(📭)人，他们想储够(gòu )钱(🏨)就(🏭)(jiù )双(🏴)双(shuāng )前往北京(➰)读(dú(🕝) )书。不过(guò )今年已(➡)经是(💾)(shì )他们(men )存钱的第三年(🔑)了，原本以为存两年就(😿)能(né(🦎)ng )成功(gōng )。阿晴认为(wéi )阿(💨)生(shēng )太贪(tān )玩没有(🍬)好(🦍)好(hǎ(🏺)o )考虑(lǜ )二人的(🥄)将(🐊)来。 1946年(👸)(nián )初，东北人民(👗)解放(🥥)军一举歼(jiān )灭 了国民(🛠)党“千(qiān )里驹(jū )”师，俘获(✍)(huò )了(👀)一(yī )批 将(jiāng )校级(❓)军官(🐉)。某连(lián )指导员宋志(🥋)刚(🏉)奉(fèng )命 率一个排，押(🙋)送(📷)战俘(🥈)通过(guò )敌我交(👚)界地(🖐)(dì ) 带前(qián )往辽(liá(🎙)o )东军(😐)区驻地(dì )。伪(wěi )装成(ché(✴)ng )被俘士 兵的(de )敌特(tè )工(🙋)处长(🍱)杨子鸣逃跑求援，被 俘(🕠)的敌师长(zhǎng )孙振(zhè(🥀)n )戍(🚞)则把(⏰)一枚(méi )勋标(biā(🐞)o )丢(💟)在(zà(😿)i ) 路上，给前(qián )来(🍢)救(jiù(✨) )援的敌军指示方(fāng )向(💃)， 并暗中指使部下无理(🤧)吵(chǎ(🤫)o )闹、装病，以 便(bià(💈)n )拖延(❎)(yán )时间。解放(fàng )军指(🔆)(zhǐ(👺) )战员(yuán )巧妙地制 服(🈯)(fú(🗂) )了无(🔟)(wú )理取闹的战(🕙)俘，并(🍪)将勋标放到 另一(🌹)条大(🅱)道上(shàng )，使救援的(de )敌军(⬇)(jun1 )走错(cuò )了 路。当敌(dí )人(📅)的(de )飞(💢)机(jī )前来侦察时(shí )，孙(😔)(sūn )振 戍又企图用火(🎈)给(🐭)敌机(🍔)发信号，其阴谋(👉)(mó(💄)u ) 又被(bèi )及时识破。为(🏽)能(né(🛹)ng )得到(dào )真实情况， 杨子(💥)(zǐ )鸣冒充解放军的(de )伤(🕺)员，打(📠)入解放 军内部，并(📄)(bìng )与(🥣)孙振戍密谋，指使(shǐ(🔜) )一(🈂)个 骑兵连(lián )抢占(zhà(⚓)n )解(🐪)放(fà(⬜)ng )军必经之处(chù(🎄) )双龙(⛓)(lóng )江大 桥。宋志刚(🔛)(gāng )将(🍐)计就计，诱骗孙振戍写(⛩) 信(xìn )调守桥的骑兵连(🔏)(lián )前(😐)来(lái )抢劫，并派(pài )侦 察(🔊)(chá )排长(zhǎng )刘春海冒(📬)充(🕦)(chōng )敌(✍)人(rén )去送信，将(🥄)守(🏑) 桥的敌骑兵连引入(🏿)解放(🙄)军(jun1 )包围(wéi )圈。少 数战(zhà(🗒)n )士乘(chéng )机押(yā )送战俘(🏓)，在(zà(🚌)i )县大(dà )队的接 应(😑)下，顺(📆)(shùn )利通过大桥，进入(♏)解(💋)放军防(fáng ) 区。待敌骑(🕳)兵(🍯)连(liá(💏)n )和援(yuán )军发现(🍮)时，大(🔮)桥(qiáo ) 已被(bèi )解放(🌇)军炸(🚫)毁(huǐ )，他(tā )们束手无策(🗨)，无(wú )法过河追击。 格拉(🛰)伯里(📉)(Gladbury)是一(yī )个平凡无奇的(🚼)小(xiǎo )村庄(zhuāng )，但一个(⏪)神(👹)(shén )奇(⏳)的(de )传说(shuō )一直(😥)在(🗺)格拉(lā )伯里(lǐ )的住(😋)民中(🦋)流传：每隔25年就会有(🌾)一位天使(shǐ )造访(fǎng )格(✂)拉伯(🙃)里的(de )蜡烛(zhú )匠人(🔖)(rén )家(🔹)，并为一(yī )根新(xīn )蜡(🐽)烛(😯)施加魔法。将那根具(🍽)有(🕡)魔力(🎃)的蜡烛点燃(rá(🌈)n )的人(🖥)将会在平安(ān )夜(🦆)受(shò(😦)u )到意想不到(dào )的奇(qí(🈷) )迹赐(cì )福。这个传(chuán )说(🏪)一(yī(🛶) )直延续着，但在(zài )1890年的(♍)钟声敲响之时，大卫(🍨)·(🚌)里士(🚞)满（汉斯·麦(🏵)瑟(⏭)(sè )逊 饰）这位(wèi )年(🤝)轻(qī(👽)ng )的怀(huái )疑论者牧师(shī(🥔) )风尘(chén )而至，这一传说(🌘)也受(🎗)到了遭破除的威(🏷)胁(xié(🐩) )。格(gé )拉伯里的蜡(là(🚩) )烛(🗄)匠(jiàng )师爱(ài )德华·(🎹)海(🍦)丁(dī(🎖)ng )顿（西尔维斯(🤛)特·(💂)迈(mài )考伊 饰）要(🏩)为这(🦀)份无形的家(jiā )族遗产(😜)挺身而出(chū )。一(yī )旦蜡(😶)烛传(📘)说(shuō )不复(fù )存在(zài )，格(💥)拉伯里(lǐ )将会(huì )迎(🆒)来(🏛)史上(🍃)最为惨(cǎn )淡的(🕧)圣(📎)诞节...... 本片是Kidulthood的续篇(🦇), Sam于(yú(😎) )杀害Trife六年后刑满(mǎn )释(🍇)放(fàng ). 但他逐渐意(yì )识(🗺)到(dà(🌾)o )监狱(yù )外的生活(😽)并(bì(📀)ng )不比(bǐ )里面轻松, 并(🤧)且(🔄)他需要面对过去被(🐣)他(✒)伤害(🏄)过的(de )人... 过去的(🎰)朋(pé(💎)ng )友有(yǒu )些人(rén )继(🤫)续着(🎖)全新(xīn )的生(shēng )活, 而另(🔞)一些却为(wéi )他的所做(😒)所为(❓)而耿耿于怀, 但无疑的(🎽)是, 所有人(rén )都不(bú(🗣) )可(🔆)选择(🈲)的长(zhǎng )大了(le ). Sam在(🛑)他(tā )的内疚中挣(zhèng )扎(🐡), 同(tó(🏥)ng )时还要面对哪些(xiē )想(❕)要为Trife复仇的人, 新一代(🕍)的帮(🤽)(bāng )派在伦敦街头逐(zhú(🚎) )渐涌(yǒng )现, 而Sam则在努(🎇)(nǔ(🛃) )力想(xiǎng )告诉(sù )大家(🍆)停(⛪)止暴(➗)(bào )力,就(jiù )像多(🐪)年前(🤙)Trife想努力告诉他一样... After an unidentified badly burnt body is found near an RAF base, Gently works alongside Special Branch officers who suspect the victim was involved with the IRA. However, the discovery that a large cache of guns has gone missing turns the case into a hostage situation. 《风(🐥)雪狼道》以(yǐ )本世纪初(👈)发(fā )生在(zài )新疆(jiāng )北(🕙)部阿(🛅)勒泰(tài )地区(qū )的特大(📚)雪灾为背(bèi )景，讲述(🚑)了(🕛)我公(☔)安干警以大无(🈷)畏的忘我精神(shén )、舍(🚐)(shě )身(♓)挽救淘金(jīn )客生(shēng )命(🔩)的(de )感人故事。草原(yuán )的(👄)美丽(🛰)、雪山的(de )巍峨、马背(🦄)民族正在消失的(de )生(🥠)活(🛸)样本以及新(xīn )疆地(🥋)(dì(🥒) )区民(⚾)族音乐(lè )等等(🤛)(děng )元(🚉)素(sù )造就了这部(bù )真(🎶)正(zhèng )的中国西部大片(🍙)。影片于2006年9月在喀纳斯(🕋)风景(⛽)(jǐng )区开拍，历(lì )时４(🐅)个(👿)月(yuè )完成，是新(xīn )疆(💡)电(👯)(diàn )影(🦔)有史以来投资(🤺)(zī )最多、制作工艺标(🎽)准最(💘)高的一部电影。 Delicate and surreal. "A hora mágica" is a mix between a noir movie and a fantastic, surreal movie, dealing with the contrasts between reality as it is and reality as we want it to be. Life imitates art, but what life? What art? Is any of it worth it? The acting, the scenario, the timing, all promote an air of falsehood, and for a good reason: this is the land of fantasy, of desire, a place to try (and fail) to escape the roughness of real life and join the paradisiac land of the movies (or, as it is, of radio soap-operas). And this is why it also explicitly resembles a noir movie, the kind of movie that epitomizes the glamour of Hollywood. This game between reality and fantasy is paralleled to the shock originated with the arrival of TV in Brazil, rivaling radio, as TV virtually destroyed the radio soap-operas (the main character is a radio soap-opera actor). All in all, a delicate film, beautiful to the eyes and the soul, well-done technically, and with a good soundtrack. In particular, the final sequence is simply perfect, maybe among the most beautiful in the history of cinema; that sequence alone justifies recommending this film. Physicist Bill Beck meets and marries doctor's receptionist Julie. Five happy years later, she develops a heart condition. Afraid of leaving Bill alone by her premature demise, Julie adopts a sirupy, fantasizing orphan, Hitty. It's an uphill battle forging a relationship between the equally self-absorbed physicist and child: will she have time? Written by Rod Crawford {puffinus@u.washington.edu}