射雕之我是小人物

Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. Kilas is a pimp who lives happy with Pepsi-Rita, fading sex variety starlet, and both lives at the expense of his God-mother. Kilas is the elader of a small gang of tough guys, and the police is too busy to care. A mysterious Major - eventually from the secret police - approaches Kilas in order that his gang will set up a discreet vigilance on the house of a notorious anti-fascist person. Kilas is only happy to oblige, as he is being paid for the guys' work - until the contract is upped to place a bomb in the house. Now, that's too much even for a low pimp like Kilas! But - meanwhile he has a love dispute to settle with that house's owner; and that is a real psychological conflict that Kilas would wish not to have... A Chinese village run by beautiful women turns out to be more than the local men bargained for--especially if they have any idea of seducing the local beauties, then running out on them. Drillers on an oil rig near Antarctica discover that they accidentaly brought up several prehistoric eggs. One egg hatches and becomes an unstoppable creature. Chad Everett and Jennifer Warren risk there lives to stop it 本片(piàn )由(yó(🌮)u )金(💕)馬(🕖)影帝李修賢自導自(zì )演(yǎn )，是一部80年代(🧀)初(🈂)「(🛶)烈火(huǒ )戰(zhàn )車」式的賽車片。故事(shì(🍗) )描(🍪)(miá(👢)o )述(🛋)跛足之摩托車行東主(zhǔ )師(shī )傅(fù )才(😫)（(🙄)李(💽)修賢），對學(xué )徒(tú )阿(ā )昌（麥德羅(💝)）(🙋)甚(🌮)為(🍶)賞識(shí )，更在每年一度的澳門賽(sài )車(😒)(chē(📛) )，助(👸)昌奪標。後知師傅(fù )才(cái )曾是東南亞(💐)十(💙)大(🦏)車(🐠)手之(zhī )一(yī )，因一次賽車意外受傷(shā(🌟)ng )導(💤)(dǎ(🏺)o )致(😜)(zhì )殘廢。師傅才聞悉昌參(cān )與(yǔ )非法(🚚)賽(🍌)車(😆)，忙予規勸，然(rán )昌因盛名所累，欲罷不(👽)(bú(🚣) )能(😑)(né(🏛)ng )…… 卡梅伦（斯蒂芬·莱(lái )克 Stephen Lack 饰）(🕕)没(👽)有(🐅)住所，没有(yǒu )工(gōng )作(zuò )，整日在街头闲(🐖)逛(😒)的(💠)他(📻)(tā )内(nèi )心充满了抑郁和怒火，没(méi )有(👭)人(🍛)知(🕎)道，他所拥有的(de )能(néng )够肆意操纵他人(🔀)的(🚝)可(🚈)怕(💵)(pà )超(chāo )能力。一天，在超市里(lǐ )游(yóu )荡(🥂)(dà(🖨)ng )的(🈶)卡(🚬)梅伦无意之中听(tīng )到(dào )了(le )两个女人(🌧)对(💉)他(😴)的嘲笑，盛(shèng )怒之下，他出手了。这(zhè )一(🔐)(yī(❔) )事(🍊)件(🤗)将卡梅伦带到了名(míng )为(wéi )保罗（帕(🈯)特(🤗)里(✅)克·麦高(gāo )汉(hàn ) Patrick McGoohan 饰）的医生面前，就(🥈)此(🏗)(cǐ(🏛) )改(🐭)(gǎi )变(biàn )了卡梅伦的人生。 Rob is a good man, he never promised anything or lied to either his ex or local prostitute,Lou (Davis) - he may want to keep her at arms length but he wants the best for her. He has however a detachment to life that some would find admirable, some would find strange. He and his wife live in an "open" relationship, they are quite loving and seem to have a strong relationship, but she has a young lover while he quite happily seems to stay at home reading a book when shes out. Lou, the junkie prostitute is quite puzzled, even surprised about this aspect of their relationship. He is fairly unshockable, not at all condemning of the prostitute and her lifestyle. But Lou has a very lonely life,and is looking for someone to reach out to. A quirky film from the master, John Duigan. Two outlaws: "The doctor" (Bud Spencer) and the indian Gironamo (Amidou) are helping villagers to fight a gang and a corrupt sheriff who has discover gold under the village.