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高远(⛴)（谷尚蔚 饰(🐏)）(🌵)从小就失去了(le )父母(🕌)，遭人拐(guǎi )卖被训(xù(✋)n )练(🐋)成为了黑市(🦍)拳(🌒)击(jī )手，莎(shā )莎（崔(🕌)(cuī )允素 饰(shì )）虽然(💘)(rá(🛠)n )父母双(shuāng )全(🌲)，但(dàn )却被狠心的两(🚏)人(👥)卖(mài )到了妓(jì )院沦(🕔)为(🚌)妓女，一场意(🍍)外让这两个(gè )身世(😼)相(⏰)(xiàng )似的人(rén )相遇了(📣)(le )。随(🍟)着(zhe )时间的推(🥏)移，两人(rén )坠入了(le )情(📑)网(💱)，然而，黑老大(dà )（梁(🌿)家(⛺)(jiā )仁 饰）牢牢控制(🖌)着(zhe )莎莎，令她(😭)身(🔶)不由己。 A survivor of a pit bull attack, Donna Lawrence, adopts a pit bull-mix puppy, Susie, that has been beaten, set on fire, and left for dead. Together, they lead a historic effort to seek justice and protection for all animals. When the daughter of a Cambridge professor is brutally killed while out jogging, Lynley and Havers are assigned to the case. The young woman was deaf and on the evidence, it appears the attack was deliberate. There are any number of suspects: the girl's father is divorced, re-married to a much younger woman who suspects him of having an affair; another Cambridge professor known for being a bit too friendly with students and against whom she was about to make a formal sexual harassment complaint; her ex-boyfriend, with whom she had recently broken up; a student advisor who was very attracted to her, but in whom she had little interest. While in Cambridge, Lynley takes the opportunity to get in touch with Helen Clyde who is staying locally with her sister. At home, Havers continues to deal with the effects of her mother's Alzheimer's disease and the need to provide ever more care. 根据被提名(⛴)美国普利策(cè )文学(🤢)奖(✒)(jiǎng )的Christopher Shinn的同(tó(🏧)ng )名(🙇)戏剧(jù )“4”改编，讲述在(🏦)(zài )7月4日这(zhè )一晚，四(💤)个(🎶)关(guān )系错综(🎬)(zōng )复杂的(de )人之间(jiā(🥦)n )的(🀄)情欲纠葛。已婚(hūn )但(😝)并(🧚)不(bú )幸福的(🔣)中年教授与网上认(👸)识(🎣)的少(shǎo )年，教(jiāo )授叛(🦖)逆(⏭)(nì )的女儿(é(🔘)r )和前高(gāo )中明星如(🎓)今(🙋)的毒贩(fàn )：四个(gè(🚛) )人(📦)赶赴(fù )两个约(yuē )会(📱)，结(jié )果无意(😏)(yì(👒) )撞到。在发生各种(zhǒ(🐬)ng )情感碰(pèng )撞后他们(👙)决(🌈)定划出一条(😠)界(➿)线，让自己在(zài )这个(🐨)国(guó )庆夜彻(chè )底放(🐨)纵(🤣)(zòng )一次...◎QAF A retired professor, Lagoo, suddenly disappears one day. His family is worried especially when he doesn’(🗡)t return after months, and then years. His wife, children and friends, then try to remember him through reconstructed memory, providing the film’s flashback structure. Some critics saw this as Mrinal Sen’s most personal film. As Sen said: “Life didn’t stop even for a moment. It carried on. But his family – his wife, his children – keep looking back, into the past. Each constantly reconstructs the man in their own minds, aided by fragments of memory. That man and I, that man and you, that man and the rest of us…one among many. “…Believe me, irrespective of who you are and how talented you may be, you are possessed of mediocrity. The minute you are conscious of this within you, your ‘crisis’(🤱) deepens. This is the thought that prompted the film. And perhaps the greatest tragedy in man’s life is that he has only that one life.” Winner Best Supporting Actress, President’s Award, India, 1989