人工智能 剧情

"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’(🤥)s acknowledgement of Indian rights ("We’(👰)re on their land. They ain’(😙)t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better." The film's use of color was a landmark breakthrough. It was a process different and superior to technicolor. We can do it today in say, Kodacolor, and "The Red Shoes" did indeed quite approximate it but good as that was, it did not equal SF, Beautiful half-breed Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between her sons, one good and the other bad. The Black Widow is a low-budget, surprisingly entertaining adventure, science-fiction serial produced by Republic Pictures. Steve Colt (Bruce Edwards) and Joyce Winters (Virginia Lindley) battle to save the world from the evil powers of Sombra (Carol Forman), a wicked woman who intends to rule using her psychic powers. This 13-episode series was directed by Fred C. Brannon and Spencer Gordon Bennett. These episodes, released on video, were produced and shown weekly in movie theatres prior to the main features. While not of the same quality as Flash Gordon, The Black Widow is entertaining and amusing and worth viewing for lovers of the genre. This movie shows the idealized career of the singer Al Jolson. A little Jewish boy comes up against the will of his father to be in showbiz, becomes a star, falls in love with a dancer not of his religion and marries her. But in the end he chooses success on the stage. 本(běn )来宁静(🔄)(jìng )的(✈)渔村,被一恶霸入侵.渔(💱)民饱(🤑)受欺(qī )凌,终于(yú )起(qǐ(📩) )来(💈)反(❎)抗(kàng ),打倒恶霸,渔村重拾(🐠)平(♒)静. 女主角白(bái )燕,小燕(yà(⚽)n )飞(🚎)(fē(♌)i )于片中(zhōng )扮演渔家女(🐺),其中(🐧)小燕飞更演唱'捕(bǔ )渔(🎌)之歌(🗿)(gē )' 本(běn )来宁静(jìng )的渔(🈹)村(😚),被(🖇)一恶霸入侵.渔民饱受欺(🤮)(qī(🎇) )凌(líng ),终于(yú )起(qǐ )来反抗(🤜)(kà(👬)ng ),打倒恶霸,渔村重拾平静(🏾). 女主(🎪)角白(bái )燕(yàn ),小燕飞(fē(⤴)i )于片(🈹)中(zhōng )扮演渔家女,其中(🏎)小燕(✖)飞更(gèng )演唱'捕(bǔ )渔(yú(🔘) )之(🤫)歌(🛴)' 保(bǎo )罗·比尔特在柏林(👀)的(👶)某处是小人(rén )物。故(gù )事(🏟)(shì(👅) )发(⬅)生在(zài )柏林的破坏景(🛠)观的(🍸)地方，在执行(háng )儿童的(🙍)(de )英(yī(🍞)ng )勇壮举(jǔ )打在瓦砾中(🗃)的(👀)未(🐄)爆炸弹和登山。一个男(ná(🏮)n )孩(➖)(hái )与他的(de )父亲失望，回家(🍅)无(✔)力和绝望，从(cóng )战俘营(yí(👯)ng )。某处(🔙)显(xiǎn )示在柏林儿童如(🎯)何说(🚳)服这个疲惫(bèi )的(de )男人(😍)，清理(🆖)和(hé )恢复他的炸弹损坏(🏈)的(🍂)车库(kù )管理，在(zài )年底给(🥜)(gě(💈)i )他新的(de )希望。 One of the most expensive French films of the immediate postwar years, L'Affaire du Collier de la Reine is primarily a vehicle for the formidable Vivian Romance. The star plays an aristocrat in the court of Louis XVI, who helps engineer a scheme to divest the Queen of her royal necklace. On the verge of success, the "heroine" is found out, and forced to submit to whipping and torture. Mr. Grodman was a respected superintendent at Scotland Yard until a mistake in an investigation caused the execution of an innocent man. He takes the blame and is dismissed, replaced by the obnoxious, gloating Buckley. Feeling vengeful, Grodman would like nothing more than to see Buckley look foolish on the job. His friend Victor Emmric, an artist with macabre tastes, wouldn't mind either and soon a mysterious murder occurs that may provide them with the chance.