上海“一(🚙)二八” 事(🏕)变后(hòu )，龙啸天带领(lǐng )“抗日救(jiù )国决(jué )死军”配(pèi )合十(🙉)(shí )九军(🧟)，给(gěi )日(🎦)寇以沉(💒)重的(de )打(📯)击。龙啸(🌵)天组织(❕)偷袭日(🏢)(rì )军司令部成功(gōng )，日军恼(nǎo )羞成(chéng )怒，最后(hòu )派白(bá(🧓)i )川大将(🏦)接(jiē )任(➗)上海日(❔)军司(sī(🦅) )令官并(🕷)将司令(🗜)部转移到军舰上。 提起白(bái )川，龙啸(xiào )天想(xiǎng )起之前与(🐚)(yǔ )白川(👩)(chuān )有过(🥓)交手(shǒ(💰)u )，他在给(🕘)东北(bě(🤹)i )抗联运(🎹)送一批(pī )善款的时候，无意中经过(guò )司令官白(bái )川的(🍱)(de )住所。目(📺)(mù )睹东(⛩)(dōng )北同(📂)胞遭(zā(🐺)o )受日(rì(🚪) )军蹂躏(🉐)，龙啸天(👇)决定伺(sì )机干掉白川。但由于条件(jiàn )所限，仅将白(bái )川(☕)击伤。 现(🏪)在(zài )得(🕟)知白川(😐)(chuān )又到(🧘)(dào )了上(😙)海，并将(👰)司令部驻(zhù )扎在军舰上，龙啸天决定炸掉军舰！他(tā )积(🍜)极联络(🚙)(luò )十九(🕜)(jiǔ )军和(📺)爱国(guó(🐯) )人士(shì(🌭) )，经过周(⏫)(zhōu )密筹划，在日(rì )本人宣布成立(lì )伪满洲国的当天，实施炸(zhà(👗) )舰。但是(📚)(shì )，就(jiù(🐕) )在车队(🍈)载(zǎi )着(🤘)水(shuǐ )雷(🥝)行进途(🔉)(tú )中，日军谍报(bào )官松下芳子的(de )车队也悄然出现。龙啸(🐰)天(tiān )设(🅰)计将松(😶)下芳(fā(😽)ng )子引入(🗯)歧(qí )途(🚡)…… 一(🚗)声巨(jù )响后(hòu )，“出云(yún )号”军舰被炸(zhà )沉。白川被炸身亡(🖤)。而松下(🎿)芳子也(😓)被龙(ló(🏠)ng )啸天以(🌴)另(lìng )外(🧒)一(yī )种(😄)方式所(suǒ )处置(zhì )，这个双(shuāng )手沾满鲜血的(de )刽子手也受到(dào )应(🏋)有的惩(⛄)罚！
Back in the 80s, five friends cause raucous in their schooldays. Twenty years on and they've got jobs they don't want and wives who don't want them. The leader of the gang, Frankie, is now dying in Yorkshire. The others find out and they get together for one last sad, mad, bad road trip to Dewsbury, before it's all too late. Mix in a dollop of The Inbetweeners' intellectual wit, add a pinch of bromancing from The World's End, and then stir in a few ladles of The Hangover's vomit and you've got Destination: Dewsbury, destined to be one of 2018's funniest releases.
On the Oaxacan coast of Mexico, rumblings of previous times are never far from the surface. Tales of shapeshifting, telepathy and dealings with the Devil are embedded in the colonization and enslavement of the Americas. Characters from the Faust legend mingle with the inhabitants, while attempting to colonize and control nature through a seemingly never-ending building project. Through literature, myth and local entanglements, the frontier between reality and fiction, and the seen and unseen, no longer apply.
Day after day in a forgotten corner of the Caucasus Mountains, a family of lumberjacks trudges through the impassable landscape to chop down and bring home wood in order to fulfil their contract with the local sawmill. When the father is seriously injured by a falling tree, his place must be taken by the youngest of the brothers, who left the impoverished region years before. His arrival opens old wounds and fuels conflicts within the family and in the hostile village. Stifled emotions and an oppressive image of a fragmenting society highlight themes of ineffectual communication and xenophobia. The heightening animosity visually and emotively underlines the threat of destruction from nature itself, which could, at any moment, strike at the very foundations of the family home. This exceptional debut by Vladimir Bitokov was created under the watchful eye of Alexandr Sokurov.
电影(🍠)《幕间(jiā(🌚)n )休息》是(♑)(shì )一部(🔧)(bù )探索(🎴)性影(yǐng )片，全篇采用(yòng )航拍(pāi )器拍摄。所有镜头皆为(wé(🏑)i )一镜到(😑)底。故事(🐫)以西北(📼)婚(hūn )骗(😝)题材为(🧛)背景(jǐ(🏣)ng )，讲述了(le )一场(chǎng )西北农村(cūn )婚礼(lǐ )上发生的(de )诡异事件(👫)。影(yǐng )片(💈)采用运(😂)动长镜(👜)头的组(💖)接，表现(📷)婚礼中(💚)(zhōng )灵异事件(jiàn )的现(xiàn )场虚实结(jié )合的(de )多种可能(néng )性。
一对夫(🚘)妇(fù )被(🌋)困在孤(🍖)岛上，一(🐣)股不可(⚓)预见的(🖕)力量找(🗂)(zhǎo )上了他们(men )，而(ér )女人正在(zài )变得(dé )越来越脱(tuō )离自(💝)(zì )己，她(🛏)不(bú )再(🏋)是自己(⏱)了……(🤟)