谢天华电视剧

A French orphan who grew up in a convent sets out to see Paris. It turns out that she is the heir to a fortune but doesn't know it, and has been lured to Paris by one of the heirs who does know who she is; he plans to swindle her out of her inheritance so he can have everything. Written by frankfob2@yahoo.com A masterpiece of comic cinema that shows how the medium can transform and distort, as well as record, reality. Swedish cinema in the period 1917-21 was arguably the most sophisticated in the world, its major figure being the actor-director Victor Sjostrom, whose magnificently downbeat films combined literary adaptation, action, melodrama and astonishing natural backdrops. There are some of us, however, who prefer comedy to action melodramas, Lubitsch to Ford, and for this we turn to Sjostrom's contemporary, Mauritz Stiller, unfairly relegated in history to 'The Man Who Discovered Greta Garbo'. 富(🗳)翁杨寿昌晚(🆕)(wǎn )年(🆓)丧子(zǐ )。为占家(jiā )产(🥓)，侄子(🐘)道培与陆守(🤘)敬狼狈为(wé(💒)i )奸，诬(🦕)告(gào )儿媳余蔚如不(💠)贞，致使蔚如(💹)(rú )扫(🥁)(sǎo )地出门(mé(🥣)n )。数月后(hòu )，蔚如生下一子(💦)，取(qǔ )名余璞(📫)(pú )。余(🚝)璞十岁，就读(🎐)寿昌所建学校。寿昌(🛤)(chāng )亦(🧡)(yì )居住于(yú(🎗) )此。祖孙互不相识(📑)，然余璞(🔫)彬(bīn )彬有礼(🕣)(lǐ )，胆(🖋)识过人，颇得(✴)寿昌喜爱。余璞亦(🖨)常(💋)(cháng )到(🐐)(dào )其居处(chù(🥣) )玩耍。一日，道(🥏)培守(🐅)(shǒu )敬到寿(shòu )昌(chāng )处(♏)要钱(🍒)(qián )，遭斥责后(😎)，意欲行凶，恰(🥎)好(hǎ(🚼)o )余璞来到(dào )。守敬被(💱)捕。道培重伤(🦈)，余(yú(🍛) )璞(pú )亦受伤(🙁)(shāng )。道培临(lín )终悔悟，说出(🐘)实情。一家人(🏟)(rén )终(📐)(zhōng )得团聚。 全(🍄)球首部剧情片 IMDB Plot This charming film is practically unknown, but it is one of Klein-Rogge's best performances, as he plays a romantic lead with a dash of villainy. Klein-Rogge is the feared Master who lives in a bleak castle on top of a mountain, and the villagers in the valley below dread his ill-omened arrival at every wedding. The story concerns one couple who marries despite the master's baleful influence, only to have him crash their wedding party and bring about the death of the bride. The bride's sister, seeking revenge, tries to kill the Master but instead they fall in love, as she realizes that he is not really evil, but blighted by a loveless existence. Their love is ill-starred, however, as the Master kills an insolent guest at their wedding who takes liberties with his bride, and this is followed by a peasants' revolt, where the castle is stormed and the Master captured. In the end, the lovers escape, but their love is finally doomed. The year before this film, Klein-Rogge had his great triumph as the evil Dr. Mabuse in Fritz Lang's 'Dr. Mabuse, Der Spieler', and his most memorable roles have been as villains. This movie demonstrates what a really wide range he had as an actor - he starts off with his very characteristic glowering villain, but once the girl enters his life he demonstrates both joy and tenderness, as well as grief and pain when he thinks he has lost everything. I don't know if such an obscure film could be a candidate for restoration, but it would be a worthy project, as the sets, costumes and many of the performances are as classic examples of expressionism as one could hope to see. In the castle Vogeloed, a few aristocrats are awaiting baroness Safferstätt. But first count Oetsch invites himself.. Everyone thinks he murdered his brother, baroness Safferstat's first husband, three years ago. So he is rather undesirable. But Oetsch stays; arguing he is not the murderer and will find the real one... 导(💟)演：(🐈)巴(bā )士(shì )比(✏)·柏(bǎi )克莱的魅(🍳)力与梦(😬)境之外 Irma, sentenced to life imprisonment, has been sent to St. Lazarus’ prison. A transfer order is sent to the prison to send Irma to a penal colony in Algeria. On the day of her departure, Irma finds out that Moré(🔺)no has been executed. 本(bě(🕵)n )片又译(yì )作(🦁)(zuò )《党同伐异》，是D．(🔡)W．(🐛)格里(🎻)(lǐ )菲思最具(✊)(jù )创(chuàng )作野(💝)心(xī(✖)n )的作品。由于受到《国(🙇)家的(🌱)(de )诞(dàn )生》惊(jī(🕎)ng )人卖座的影(🔃)响，格(🕎)里菲思遂再(zài )接再(🦅)励拍(pāi )摄一(👤)部场(🐺)面更大，内容(🧒)更有(yǒu )深(shēn )度的影(yǐng )片(🏉)(piàn )。他花(huā )了(🦅)一年(🚝)半的时间，动(🔼)(dòng )用了二(èr )百(bǎi )万(👐)美元(💱)的(de )制作费，拍(💾)摄成片长220分的巨(🦌)(jù )片(pià(💪)n )（原版(bǎn )长(⭐)480分）(🌒)。可惜本片在(🥂)1916年9月于纽(niǔ )约公(🥓)映(🥧)(yìng )时(🐇)(shí )，并没有受(🌽)到预期的欢(😄)迎。本(👗)片所以(yǐ )卖(mài )座失(🧢)败(bà(🕓)i )，原因很多，最(🏈)主要(yào )是格(🖕)里(lǐ(📿) )菲(fēi )思在本(běn )片所(😀)采用的故事(🐖)结构(🎾)太复杂，导演(💅)手法(fǎ )已超越当时观众(🚙)的接受能力(🎧)(lì )。加(🐃)上主(zhǔ )题(tí(😕) )过于严(yán )肃，其中提(🍂)倡的(🥣)宽容(róng )和反(📧)对(duì )暴(bào )力的论(⤵)调(diào )跟(🕗)当时美国的(🥢)高昂(😠)参战情绪(xù(🐑) )引(yǐn )起冲突(tū )，因(👢)此(🔵)未能(🍋)受到普遍欢(💏)迎。不(bú )过，人(🛩)(rén )们(🎯)(men )却不能否认这是一(💝)部电(⭕)影艺(yì )术上(🌩)的不(bú )朽(xiǔ(🦗) )杰作(🧒)。《忍无可忍》由四段(duà(🎢)n )不同时(shí )代(🖼)(dài )发(🔛)生的(de )故事组(🛅)成：巴比伦的没落、耶(🎲)(yē )稣基督的(🚸)(de )受难(🗓)、法国的圣(⏮)巴托罗米宗(zōng )教(jiā(🚊)o )大屠(📥)杀(shā )，以及二(😨)(èr )十世纪初美国(🌿)的劳资(🥢)(zī )冲突。格(gé(👠) )氏描(🌫)述他(tā )自己(⬆)的构想：“四个大(💆)循(🧢)环(huá(🏩)n )故(gù )事好象(🛅)(xiàng )四条河流(🧙)，最初(🥜)是分散而平静(jìng )地(🆓)流动(😩)(dòng )着(zhe )，最后却(🔬)汇合成一条(🍯)强大(🎑)汹(xiōng )涌的急流(liú )"。本(💀)片一(yī )开始(🏹)，是一(🏸)个母亲推(tuī(🥑) )摇篮的(de )镜(jìng )头，插(chā )入惠(♉)特曼的诗句(🦕)：“如(❎)今如同(tóng )昨(🌅)日，世(shì )间的人情变(🍬)化循(🔕)环无穷。摇(yá(💝)o )篮(lán )摇动着(zhe )，为人(🍚)类(lèi )带(💮)来同样的激(🏹)情，同(🧓)(tóng )样的优(yō(🤵)u )乐(lè )悲欢。"这(zhè )字(♓)幕(🍦)之后(🆖)，展开第一个(🌾)作为(wéi )全(quá(🏻)n )片基(✖)调(diào )的现代篇故事(🙆)。随着(🔧)剧情的进(jì(🌩)n )展，导(dǎo )演(yǎ(💌)n )经常(🗜)切入另外三段故事(⛰)，成(chéng )为四段(🆚)平(pí(😥)ng )行(háng )发展。最(🔐)后，画面仍回到母(mǔ )亲和(🛫)摇(yáo )篮(lán )，呈(🏪)现(xià(🐊)n )出“人类从不(💲)容异已到宽容的(de )进(♏)化"的(💃)主(zhǔ )题。作为(🚯)故事核心的现代(👚)篇(piān )“母(🎉)与法(fǎ )"，内容(👶)描(miá(🧒)o )述四个失业(🏒)的男女工(gōng )人从(💔)小(🚕)(xiǎo )镇(🐋)(zhèn )来到都市(🖱)(shì )中找工作(😞)，有人(🏒)误入歧途，有(yǒu )人渴(👫)望(wà(🔩)ng )过正常的家(📼)庭生活。正派(🤞)的男(nán )主角被(bèi )诬(wū )陷(🗿)为杀人凶手(🏒)，被捕(🔔)后判处(chù )死(🈳)刑。行(háng )刑(xíng )之日，真凶良(🐅)心发现，在最(🕛)(zuì )危险的(de )一(yī )刻(🔛)将男(nán )主角救了出(🏧)来。从(🚪)这个故事中(🚵)(zhōng )，可以看(kàn )出二(📦)十世纪(💡)初期美国的(🦈)一般(bān )社(shè )会状(📫)况(kuàng )：农村不(bú )安(📏)定，都(🕖)市阴暗而复(🌨)(fù )杂、劳(lá(🤺)o )工(gō(🐱)ng )生活困苦(kǔ )、法律(💋)问题重重等。格里(🏦)菲(fēi )思(sī )在(🌫)本片(piàn )中进一步表演他(🀄)在“平行剪接(☕)(jiē )"方(🧗)面的(de )杰(jié )出(😟)才能。他利用四段故事中(⛲)(zhōng )的类似情(🌪)(qíng )景(jǐng )作比较(jià(⬇)o )剪接，使分散的情节(🚧)(jiē )显(🤝)得统(tǒng )一(yī(🕯) )有力，并因类似镜(🕗)头的多(🔹)次重复而使(🎈)(shǐ )剧情产生(shēng )出(💳)热情奔放的情绪高(🤢)潮。譬(🍸)(pì )如(rú )有一(👊)段(duàn )镜(jìng )头(🥜)是这(🛎)(zhè )样剪接的：一、(🚷)耶稣(sū )基督被(bè(📄)i )士(shì )兵押着(😮)前(qián )进；二、巴比伦的(🛠)村女向情(qí(🐀)ng )侣(lǚ(😩) )奔告国(guó )王(🍋)的危急；三、现代的少(💟)女拚(pīn )命为(🚨)救(jiù )她(tā )的爱人(🐏)而奔走；四、在巴(💿)黎(lí(🎦) )大屠杀中(zhō(⬅)ng )，新教徒(tú )企图在(🍽)群众骚(🥫)乱的街(jiē )道(💫)上援(yuán )救(jiù )未婚(🦀)妻(qī )。格氏利用移动(🕞)摄影(📁)、镜头、划(📨)过镜头(tóu )等(🛣)技巧(🗳)连接四段平行发展(📡)的(de )情(qíng )节，节(jiē )奏(🗓)(zòu )紧凑流(liú(📜) )畅。格氏甚至在个别(bié )的(🐀)故事(shì )片(pià(♍)n )段中(🌎)使用(yòng )短短(🥎)的倒叙技巧（FLAXHBACK）来交代(💣)(dài )情(qíng )节，显(📃)(xiǎn )见他的“电影文(🌙)法"的确比同时(shí )代(🌵)的导(🔭)(dǎo )演(yǎn )高出(🍐)很多。除此之外，格(🎉)氏(shì )在(🧞)本片中(zhōng )亦(📯)(yì )首创“大特写"和(🧠)“大远景"的(de )镜头，以(yǐ(😑) )加强(🏜)观(guān )众的心(🍬)理感觉（如(🤞)：特(🏐)写女人(rén )紧握的手(✖)(shǒu )，表现她在听到(🏊)丈夫判死刑(❣)的(de )消息时(shí )的(de )焦急；以(🛳)大远景拍摄(🏖)资本(🍵)家(jiā )独坐办(🍠)(bàn )公(gōng )室中，暗(àn )示他庞(🤪)大的支配权(💹)力）。他(tā )又(yòu )利(🌿)用影(yǐng )片染色的方(🐯)法来(🐻)加强各种特(👖)殊(shū )效果（如(rú(🤑) )夜景用(🏛)染青色的影(🈂)片、点灯(dēng )的房(👺)内用(yòng )染(rǎn )黄色的(✂)(de )影片(🥝)、巴比伦城(🃏)火烧(shāo )时用(🚛)染(rǎ(🔄)n )红(hóng )色的影(yǐng )片）(💻)。这种影片染色方(🛃)法虽非(fēi )格(🎑)氏首创(chuàng )，但却没有人像(🛋)他这样在一(👚)部(bù(🔢) )电影片(piàn )中(💹)(zhōng )大胆的(de )全面采用。令人(👻)惊异(yì )的是(🌛)，这(zhè )样一部内(nè(✌)i )容复杂(🏯)的大制作竟(🎚)然由(🍽)始至(zhì )终(zhō(🛤)ng )没有一(yī )个完整(🌦)的剧本(⛺)，而只是靠格(🆎)里(lǐ )菲斯的(de )临(lí(🗞)n )场即兴创作而成。此(🍑)外，本(👄)(běn )片也没有(🌧)(yǒu )任(rèn )何布(😰)景(jǐ(💇)ng )的设计图，但格氏却(🦁)(què )能够命(mìng )人(ré(🆑)n )搭盖出(chū )宏(💒)伟得哧人的巴比伦布景(🔴)。在(zài )拍摄巴(🌲)比(bǐ(⬆) )伦攻耶路撒(🏥)冷的场面时，更在(zài )一天(🗑)之(zhī )内(nèi )同(📐)时动(dòng )用一万五(👯)千名临(🎺)时演(yǎn )员和(🏅)二(è(🧠)r )百(bǎi )五十辆(🚇)战(zhàn )车。他这种大(🌈)手笔使(🤨)得当时(shí )意(🔄)(yì )大利出(chū )品的(🏴)历史巨片也瞠乎其(🦗)后，由(👆)(yóu )此也可(kě(🤺) )以(yǐ )看出格(🎙)氏对(🕶)自己的创作能力(lì(👽) )如何自信(xìn )。或许(🌚)正(zhèng )如格氏(😘)自己的格言所(suǒ )说：“艺(🔵)(yì )术经常(chá(🕔)ng )都是(🏸)革命性的、(📢)爆炸性的，以(yǐ )及轰轰烈(🧛)(liè )烈的"。看《忍(⛩)无可忍》一片幕(mù(🤨) )前幕后(♈)(hòu )的(de )表现，可(🧞)知格(☕)里菲思的确(🚟)是(shì )一个身体(tǐ(📌) )力行的(😻)艺(yì )术家。