拍(pāi )摄过程(chéng )
描寫印度的牛(niú )奶供應(yīng )商一(🤨)同對(🏾)抗強(🐴)(qiáng )大(🥤)的牛(🏤)(niú )乳(🗑)製造(🍏)商。在(🥎)這一(📱)部(bù(🥉) )影片(💺)裡，導(🌷)演貝(🍚)內(nà(👢) )佳(jiā(⏹) )刻(kè(🏩) )畫出(🎧)了一個痛苦的(de )社(shè )會演變過程，印度(dù )於是在封建的社會制(zhì )度中慢(màn )慢(🚚)的走(🕋)出來(🕒)。
Great Italian pulp movie, a classic for the genre! "Roma l'altra faccia della violenza(trad.:The other side of violence)" is a police movie where violence, theft and rape are caught in a mixture of raving unconsciousness and pure havoc. With a great appearance by Franco Citti, this film stands up for one of the best Italian pulp movie ever made. Quite similar to "Roma Violenta" and "Milano Violenta" with Maurizio Merli yet not the same cup of tea. It deserves more rudeness, rawness and pathos for the audience...
Marco Bellocchio's trenchant VICTORY MARCH is about the madness of military life and its children's power games. It deals with the psychological ravishing of a sensitive and literate young man during the first year in his service in the Italian army. He is abused and shoved about by officers and non-commissioned personnel, and when he has the audacity to become a good soldier, he is shunned by the other trainees. The soldier, Passeri, is played by the talented Michele Placido, who was the youngest brother in THREE BROTHERS and the teacher in FOREVER MARY, both made after this film. Much of the movie treats Passeri's relationship with a strict and possibly psychotic young officer (Franco Nero) and his sluttish young wife, played by French actress Miou-Miou. The movie delves into the relationship between power and sexuality, has some scenes that are rather graphic. But it is another example of Bellocchio's exhilarating talent which can be both savage and humane, satiric and dramatic, and most certainly always fascinating.
The film tells a story of a young chambermaid from Venice who is a fan of Italian "Telefoni bianchi" cinema of the fascist era. She decides to follow her dream and goes to Rome, hoping to become an actress.
绅士(🚪)埃(āi )维拉尔多和他的家人(rén )：妻子艾维(✖)拉、(⬇)女(nǚ(💪) )儿(é(🐠)r )鲁西(🌍)拉和埃玛、儿(ér )子(zǐ )塞(sāi )巴斯蒂安住在树林(lín )中(zhōng )的一所古老的房(💷)子(zǐ(🎒) )里。埃(💅)(āi )维(🍒)拉尔(🌥)多一(👘)家(jiā(🛌) )常用(🤭)蘑(mó(🌙) )菇招(👕)待客(🕚)人，为(✌)鉴别(🧐)(bié )蘑(🕡)菇是(🥥)否有(📐)毒，他(✖)们(men )总是让穷苦的农民(mín )先(xiān )对(duì )蘑菇进行品尝，在(zài )确(què )定蘑菇无毒后再(🖊)将(jiā(🍺)ng )蘑菇(🚸)进行烹饪。这些(xiē )品蘑菇(gū )的农民即为称(chēng )为(🤭)“蘑(mó(🗣) )菇人(📫)”。一次(🎼)，埃维(🧞)(wéi )拉尔多在上山采蘑(mó )菇(gū )时捡到了一个野孩(hái )子(zǐ )，遂将其收养，并(🏛)给(gě(👹)i )他(tā(🧟) )起了(🎺)个名(✋)字：(㊗)加斯(🍶)(sī )巴(🎡)尔。随(🤢)着时(🍮)间的(🎂)流(liú(🤹) )逝，渐(🤜)(jiàn )渐(🎃)长大(🔵)的埃(🔉)玛(mǎ )疯狂地(dì )爱上了加斯巴尔，鲁(lǔ )西拉对此十分妒忌(jì )，常(cháng )暗中监视他们。埃(💹)(āi )维(💽)(wéi )拉(🍾)尔多得知后也责(zé )难女儿。家庭成员间(jiān )的矛(🗽)盾(dù(🎣)n )因为(🛰)埃维(🧥)拉尔(🌜)(ěr )多的独(dú )断专行而愈发激化。艾维拉试图引诱加(jiā )斯(sī )巴尔，一天晚(🐯)上，在(😈)(zài )去(🎰)(qù )加(🕵)斯巴(🐕)尔住(💹)处的(🏤)路(lù(🚟) )上(shà(🚅)ng )她被(🌘)埃玛(🤛)养的(🗜)一头(🐀)(tóu )豹(⏲)子咬(⚽)(yǎo )死(🤗)。在参加艾(ài )维拉的(de )葬礼后，塞巴(bā )斯蒂安(ān )将家里的珠宝偷走跑(pǎo )到了欧(🛀)洲。在(🏭)取代(🚺)(dài )了(🐹)(le )母(mǔ )亲的位置后，为除(chú )掉(diào )加斯巴尔，鲁西拉(👂)(lā )想(😃)出一(🎡)计：(🚧)让加斯巴(bā )尔当“蘑菇人”。鲁(lǔ )西拉的(de )生日到了，在宴会上(shàng )，埃维拉尔多、鲁(📊)西(xī(🤒) )拉和(🌁)客人(🙋)由于(🈷)吃了(🔘)(le )有(yǒ(❌)u )毒(dú(🦆) )的蘑(👫)菇全(🦎)部死(🍎)去，幸(📯)(xìng )存(🕸)的加(🏖)斯巴(💋)尔和(🏯)埃(āi )玛来到(dào )深山，这时，悲剧发(fā )生了：埃玛被(bèi )自己饲(sì )养的野性发作(🗾)的豹(💿)子(zǐ(🛸) )咬死(👩)。加斯巴尔将(jiāng )身(shēn )上的衣服全部脱去，赤(chì )裸(🕐)裸地(🤔)回到(📰)了森(💧)林(lín )中(zhōng )
TV第54话再编集版。
Judas, a wealthy playboy living in Hong Kong, is obsessed with snakes. His apartment is full of them, and he treats them as if they were his children. One night Judas' brother persuades him to accompany him to see a dance act at a nightclub. Judas is astounded to see that the act consists of a beautiful Asian woman who dances nude while holding a python. He is immediately smitten, and winds up hiring her to take care of his snakes while he's away on business. However, things start to take a sinister turn.