万有引力公式

本(🙇)片导演(🕺)拉迪(🐰)斯拉(⤵)·斯(sī )塔维奇(qí )，是世(shì(😩) )界上(shàng )少(shǎ(🈯)o )数值(🍬)得钦佩与赞扬的伟大动画师(💾)，他始终(😊)(zhōng )致(🕰)力于(yú )停格动(dòng )画与(yǔ )制作(❗)出许多(🔇)具艺(🏀)术性(🤶)与广受欢(huān )迎的动(dòng )画(🆔)影片(pià(🕚)n )。拉迪(💳)(dí )斯(💱)拉(lā )·斯塔维奇最初于1909年在(🤖)俄罗斯(📥)开始(🤩)了(le )他的动(dòng )画事业(yè )，但(dàn )是(🎼)(shì )旋即(🤧)便转(🔉)往法(🗞)国开始了他动画生涯(yá(🤕) )的高峰(🐓)(fēng )直(🈸)到1950年(😷)(nián )为止(zhǐ )他(tā )在那里创(🏼)作了无数的(🚃) 经典(😢)动画片。 A stern indictment of the shabby ways in which society treats it recovering ex-criminal class, Die Verrufenene follows the saga of an engineer recently sprung from prison as he attempts to rebuild his life. Having served out his three-year sentence, Robert Kramer embarks on getting back to work and living a clean, honest life. He finds that getting back into society is more difficult than he bargained for, however, when he is shunned by his father and the wealthy family of his ex-fiancee, Gerda. Scraping by in the city slum, working for an indifferent rag maker who prefers to pay in booze over cash, the dejected Robert decides to end it all. He's saved, however, by a kind-hearted prostitute named Emma, who shelters the man in the modest apartment she shares with her ne'er-do-well brother, Gustav. Eventually, Robert starts to patch his life back together through the help of Emma (who becomes enamoured with Robert) and a generous old photographer who employs him as an assistant. His world gets upended once again, however, when Gustav is implicated in the murder of one of Emma's clients. A French captain persuades a rich widow to become his mistress, but it is a scheme to test her love. Graustark needs thirty million dollars to satisfy a Russian loan. The Prince of Dawsbergen, ruler of the adjoining principality, will advance the money if the young Prince of Graustark marries his daughter. Prince Robin, however, inherits an independent spirit, his father having been an American. He refuses absolutely to marry a Princess whom he has never seen. His councilors plead in vain. With the ruin of his country imminent, the boy ruler hastily sails for America to negotiate the loan, hoping at the same time to meet the girl of his dreams. The money is readily advanced by William W. Blithers, a self-made millionaire anxious to have his daughter marry into royalty. The daughter, however, avoids the Prince and he does not see her. He rescues a girl from drowning and falls in love with her. He believes her to be Blithers' daughter, but she does not reveal her identity. Simultaneous with the Prince's departure for home comes a note to Blithers from his daughter that she has sailed for Europe to escape the Prince. Blithers is elated. He is certain they will meet on shipboard. The Prince does meet the girl he loves. In Paris he makes a tryst with her and they are arrested for speeding. Before any sentence can be passed upon her, however, a diplomatic document reaches the court and they are freed. The Prince believes the power of Blithers to be world-wide. The night of his return to Graustark with the welcome news of the loan, the Prince of Dawsbergen is a guest at the palace. A mysterious note calls the younger man to the terrace. There he meets the girl. He tells her that even though she is Blithers' daughter, he wants to marry her. Taking her into the palace he announces her to the councilors as his future bride. He cannot account for their approving smile. "There is your father," he tells the girl as Blithers, who followed them across the ocean, enters the room. She laughs. "No, my father is over there," she exclaims, pointing to the Prince of Dawsbergen. The energetic Blithers explodes when he learns the news. He recovers himself, however, and says: "Congratulations. Prince. I can be a good loser." Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? 英俊青(qīng )年麦克(kè )尔(🙎)（Walter Slezak 饰(shì(🏈) )）是(💫)画家苏莱特的专属模特，以麦(♟)(mài )克尔(🍈)为(wé(💀)i )原型(😮)，苏莱特(tè )创作出了精美(🐟)的艺术(💤)作品(🦊)，名声(🥦)大(dà )噪，登(dēng )门求画(huà )的人络(luò )绎不(😭)(bú )绝(🎫)，但苏莱特为了保存和麦克尔(🧘)的美(mě(🏪)i )好回(😩)忆(yì(🍉) )拒绝出(chū )卖杰(jié )作(zuò )。年(💙)轻貌美(👕)的女(🚛)伯爵(🏘)拜访苏莱特，请求后(hòu )者(📘)为自(zì(🎎) )己画(🎪)(huà )像(🔽)(xiàng )，麦克尔默默注视着女伯爵(🤭)，四目(mù(✌) )交投(✡)之(zhī )下，情(qíng )意暗(àn )生(shēng )，苏莱(📗)特思量(🆚)之后(💁)决定(🤼)为女伯爵作(zuò )画，但(dàn )创(🌾)作不(bú(👼) )久因(📁)苏(sū(🎗) )莱特无法描画女伯爵的眼睛而陷入(🍽)(rù )停(📵)滞，麦克尔(ěr )提笔代(dài )劳，女伯(🈲)爵美丽(🌷)的神(🈵)色跃然画上……麦克(kè )尔与(🏭)女(nǚ )伯(💠)爵相(😱)(xiàng )爱(🐋)并(bìng )逐(zhú )渐离苏莱特而(⏲)去，苏莱(⛷)特承(🐃)受着(😊)年(nián )青人的(de )欺骗和(hé )背叛(pà(🕒)n )，将内心(🐉)的悲(💱)苦呈现在画作上，受孤(gū )独煎(🏭)熬(áo )的(🔱)生命(🗻)(mìng )之(💯)火(huǒ )渐(jiàn )渐熄灭……