电影文艺

ニ(🐁)ューヨ(🐇)ーク市(🧛)警にお(📧)いて、(💰)空手師(🎅)範の座(👊)(zuò )をめぐる争いに巻き込(rù )まれた沖(🏗)縄空手(🎉)家(jiā )・(♑)檜垣一(👿)真は、(🕊)悪徳(dé(🌖) )空(kōng )手(🖕)(shǒu )家・(👉)二階堂弘宣の(👅)襲撃に(🛣)遭った(🍾)。一真(zhēn )は(🎵)応(yīng )戦(zhàn )するものの、娘・(🌼)由美の(🔈)目の前(🐙)で片(pià(🚬)n )腕(wàn )を(💾)失って(🍌)しまう(🤧)。それか(👐)ら10年後、由美は空(kōng )手(shǒu )家生命を絶(🕋)たれて(🚺)しまっ(😁)た父親(👬)の後を(🌔)継(jì )い(🌆)で、檜(🎛)垣流空(🎚)手の達(dá )人に成長していた。由美は父(🌲)親の復(✖)讐を果(🎟)(guǒ )たす(🌄)ため、(📧)今では(🤺)空手界(🌅)の大物(🌖)となった二(è(🐌)r )階堂の(💷)いる東(🏯)京に向か(💳)ったのだが…。 Middle-aged businessman Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon’s unscrupulous business rival Lépidon offers to save him from bankruptcy by buying his company, at a discount rate. Reluctant to fall into Lépidon’s trap, Simon decides to resolve the crisis himself. A prostitute, Mado, provides him with the solution to his problems…(🍕) 该片故(🍍)事取材(🏡)于真人(🐸)真事。这(🐔)(zhè )一(yī(🌤) )故(gù )事(🕖)曾被法(🥈)国两位电影(yǐng )者先后采用过。一(yī )是(shì(🔚) )青(qīng )年(👬)导演克(✳)里斯纳(📋)·李(lǐ(🏌) )宾斯卡(🤚)于1974年拍(🔙)过影(yǐ(🍆)ng )片(piàn )《我，比埃尔·李维(wéi )尔(ěr )》，一是雷纳(👈)·阿(ā(🎎) )里(lǐ )奥(♐)1976年拍成(🙂)的本片(🙋)。1935年(nián )，在(⏯)法国南(🤭)部的诺(🙋)曼(màn )地，发生了一场异(💖)常(cháng )轰(🎸)(hōng )动(dòng )的(🤵)谋杀案。青年农(nóng )民比埃尔·(🚘)李维尔(🌜)先(xiān )后(💯)(hòu )杀(shā(🦗) )死了他(🏂)的母亲(🤲)，姊姊和(🌁)弟弟。如(🐕)此残忍(rěn )无(wú )道(dào )的谋杀自己的亲人(🐬)，到底是(🏅)为什么(🛀)？这(zhè(💂) )引(yǐn )起(❎)(qǐ )了当(👺)局的特(📵)大关注(⏸)，派遣警方进行调查(chá )和(hé )研究。对比埃(🚚)尔·李(😁)(lǐ )维(wé(🆘)i )尔进行(🔼)耐心的(🚚)交谈(tá(🦎)n )。根据他(🏓)在监中(🍇)的陈述(shù )，他杀死三人(🔟)的原因(📐)(yīn )是母亲(🌘)和姊姊仇恨她(tā )的(de )父(fù )亲，而(🎧)他本人(🕢)却十(shí(🥜) )分爱他(💍)。至于杀(🚃)死其(qí(Ⓜ) )弟(dì )弟(😪)(dì )的原(😲)因，是“免得父亲感到遗憾。”事(shì )发(fā )被(bè(👔)i )捕后，法(🤰)医认为(🥌)他精(jī(🖤)ng )神有病(📉)。李维尔(➗)被(bèi )判(🦌)(pàn )无(wú(🐊) )期徒刑。但是他在狱(yù )中自杀身亡。留下(xià )了(le )自(🎳)己的遗(🏩)书，遗书(📣)的(de )开(kā(🎿)i )头是这(🏇)样写道(🐶)的：“我(👗)，比埃尔·李维尔(ěr )…(😘)…” 阿茂(🍽)是市政府(fǔ )清潔工人，為人憨直(zhí )善(shàn )良(liáng )。某(🍷)日，匪徒(🦊)意外(wà(🍽)i )地將糧(📸)款袋掛(🈚)在阿茂(🕚)(mào )的(de )垃(🎅)(lā )圾車上。茂下班時見袋，但因匆忙赴女(nǚ )友(yǒ(🗽)u )琳(lín )琳(📷)之約，乃(🌰)不經意(🖌)將(jiāng )之(😇)置放床(😬)下。茂至(🎁)(zhì )琳(lín )琳(lín )家做客，向琳母提親(qīn )，琳母要送女(🌮)家六(liù(🌜) )十(shí )桌(🏥)酒席。茂(📸)為了儘(🚲)早(zǎo )解(💲)(jiě )決六(😪)十桌酒席費用(yòng )，和同(🚵)房阿福(💁)往找兼職(zhí )，二人做收租員，按(àn )址收租，發現原(🛍)來全(quá(🍟)n )是(shì )大(🔂)(dà )檔，色(🤓)情架步(❔)…… 一(🎽)段不堪(🌨)回首的中国(guó )近(jìn )代(dài )历史，由大导演张彻娓(😺)娓道来(🚄)。清朝末(❄)(mò )年(niá(🤷)n )政(zhèng )局(📁)腐败，社(💯)会民不(💈)聊(liáo )生，慈禧太后与一(yī )群(qún )愚(yú )昧无知的权(🦖)贵大臣(🌵)不(bú )但(🧥)毫无抵(🧚)御外国(👮)列(liè )强(🌗)(qiáng )侵占(🚐)，以及保护人民(mín )的(de )能(🀄)力，反而(💯)迷信以(yǐ )吞(tūn )符念咒，自称无坚不(bú )摧(cuī )的「(🐄)义和团(🦑)」可以(🍾)(yǐ )抵御(⌛)洋人，决(🎆)意向列(👪)(liè )强(qiá(👟)ng )宣(xuān )战。结果导致八国(guó )联军攻陷北京，慈禧(xǐ(🔌) )太(tài )后(🌜)(hòu )仓 惶(🚦)逃难；(🗝)人民这(🌩)才醒悟(🚝)到，只有(🐕)孙(sūn )中(zhōng )山(shān )先(xiān )生领导的革命运动，才是挽(🚤)救中国(🕧)的唯(wé(🔟)i )一(yī )希(🧘)(xī )望。本(🌉)片于台(🍪)湾实景(😇)(jǐng )拍摄，战争场面浩(hà(🚽)o )大(dà )，并(🛤)由钻石级演员压(yā )阵(zhèn )，包括「影坛长青(qīng )树(🙎)(shù )」李(🍢)丽华饰(😱)演慈禧(🤰)太(tài )后(🛠)(hòu )、「(🕜)功夫小(🔁)子」傅(fù )声饰演刀枪不入的「义(yì )和(hé )团」(🙃)铁汉曾(🤦)献汉、(🍥)性感尤(💁)物胡锦(❎)饰演一(🕣)(yī )代(dà(✂)i )名(míng )妓赛金花、红歌星甄妮饰演赛金花义(yì(👿) )妹(mèi )小(👥)(xiǎo )菊(jú(🕚) )，编写出(🕣)一阙英(📃)雄儿(é(🐁)r )女的壮(👘)志悲歌。 维(wéi )斯(sī )康(kā(🕐)ng )蒂压卷(🧒)之作，也翻译(yì )作《无辜的人》，直(zhí )至其去世后方(😔)才上映(🥁)(yìng )。影片(✂)依然是(📮)他最为(🥧)(wéi )心(xī(🎳)n )仪的贵(🗨)族没落主题，由(yóu )意大利著名影星吉(jí )安尼尼(😜)领衔，扮(👝)演一(yī(🤥) )位(wèi )好(🥒)(hǎo )色公(🚓)爵，经常(🐾)在外(wà(🥋)i )招蜂引蝶；不料后来(lái )他(tā )得(dé )知妻子与人(🍏)有染并(😪)生下一(💷)子时，恼(📈)羞(xiū )成(🐙)(chéng )怒(nù(⛹) )，竟然将(🤬)孩子在寒风中(zhōng )冻死(😅)。最为讽(🚄)刺的(de )是(shì )，他并不恼怒妻子与人(rén )私通，而是因(🤴)为她(tā(⚽) )的(de )情人(🧠)并非贵(😗)族，而是(🚤)(shì )贫(pí(💮)n )苦作家(🏬)！最后公爵(jué )因(yīn )放不下面子而自杀。豪(háo )华的(🎑)美工设(🧔)计、还(😨)(hái )原贵(✍)族生活(🥠)的奢华(🕖)摆(bǎi )设(😎)(shè )是(shì )维斯康提晚年创作(zuò )中不可或缺的一(🛬)环，出(chū(🌀) )生(shēng )于(〽)贵族世(🔫)家而又(🥧)对贵族(👐)腐朽陈(🥗)旧的生(shēng )活(huó )方(fāng )式(🐈)(shì )进行(🗝)唾弃批判，想彻(chè )底革新而又无法割(gē )断(duàn )世(♿)(shì )袭的(🍍)高雅文(🐃)化格调(🏔)，是维斯(🤷)康提一(👏)生所(suǒ(😮) )困(kùn )扰的话题，也是他电(diàn )影(yǐng )主要的创作方(👂)向。 Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.