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又名Hercules in the Center of the Earth. Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo. 整形外科医(👔)师小鸟(🕥)田雄(🍾)志（加(🐂)藤雅也(🦍) 饰(shì )）(🖼)俊朗(lǎng )潇洒，医术高(gāo )明，因(yīn )曾为诸(zhū )多演艺(🎳)(yì )圈(👱)明(🛃)星(xī(🙂)ng )施行手(🔔)(shǒu )术而(🌋)声名显赫，更被公众(zhòng )称为“上帝之(zhī )手”。而这个(🔁)(gè )风(🔌)华(🛐)正(zhè(🐉)ng )茂并且(🚋)(qiě )做得(🐱)一(yī )手(🔟)好菜(cài )钻石王(wáng )老五却(què )有着鲜(xiān )为(🦍)人知(📉)(zhī(🏭) )的自(☔)卑(bēi )经(🔑)历，某天(🦖)一(yī )个(💵)不经(jīng )意的决定改变了他的人生。 Marian Martin (Crawford) is a factory girl living with her mother in a grimy railroad town. Factory boy Al Manning hopes to marry her, but Marian is determined to find a better life. When a train makes a stop in town, Marian looks through the windows and sees the wealthy passengers. She then makes the acquaintance of Wally Stuart, a New Yorker who gives her champagne and writes down his address, telling her to look him up if she ever makes it to New York. Marian, now tipsy from the champagne, happily returns home. Giggling, she tells Al and her mother that she was drinking down by the railroad tracks. Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great Southern Hawaiian Fruit Company, but Chad is reluctant. So Chad goes to work as a tour guide at his girlfriend's agency. Written by Pat McCurry {ccgrad97@aol.com} 从Oklahoma 来(🥏)到纽约(🆚)的青(🚪)年Claude和一(🏎)群以Berger为(🐎)首的嬉(🧑)皮士结下了友谊，在这期间他和来(lái )自豪门(mé(🐸)n )的姑(🏢)娘(niáng )Sheila相(🎮)爱了(le )，可(🗃)是(shì )欢(🚶)聚的(de )时光短(duǎn )暂， Claude被(bèi )卷入了美国打着维护世(🦆)界和(📵)平(😢)旗(qí(🐧) )号发动(🔴)(dòng )的越(🐉)南(nán )战争中(zhōng )，就在(zài )他将要(yào )出发去(qù )前线(📸)时(shí(🔭) )，Berger潜(🍯)入(rù(📣) )军营，把(🛃)Claude换出(chū(😷) )来和Sheila见(🌃)(jiàn )最后一(yī )面，谁(shuí )曾想部(bù )队恰在(zà(💳)i )这个时(🤺)候开(🚜)拔，眼看(🏿)着Berger一步(🐓)一步随(🆖)着队伍走向飞机……