剧(💤)情：特(🤗)(tè )罗哥中尉(wè(✋)i )被派往(😢)帝国边(biān )境“鞑靼(dá(🐒) )人(🎇)的荒漠”上(shàng )的巴斯(👯)蒂(🏙)(dì )亚诺城堡。满(mǎn )腔(😋)热情的(de )他渴望为国效(🕞)(xiào )力，建(🕑)立(lì )功勋；他期待(🍵)(dà(📶)i )歼灭敌人(rén )，但这期(🎽)待(⏹)已(yǐ )久的敌人(rén )却(👢)始终没有露(lù )面。特罗(🐕)(luó )哥中(🐜)尉最终与(yǔ )所(🐫)有的(🖖)前(🔽)(qián )辈军官一样，耗尽(💜)了(🆔)自(zì )己的意(yì )志和(🥢)生(🌔)命，最终(zhōng )换来的(de )只(😢)是一声(🗻)叹息。
美国内(nè(👛)i )战期间(🍠)，流寇(kòu )把乔赛·韦(👯)尔(📮)斯（克林(lín )特·伊(🦔)斯(♎)(sī )特伍德 饰）一(yī(🎭) )家的安稳(wěn )田园摧残(😺)到家(jiā(🏫) )破人亡。于是乔赛·(🍥)韦(⏮)(wéi )尔斯决定(dìng )加入(🏁)南(💱)军游击(jī )队，保护(hù(🍐) )手无寸铁的人(rén )。内战(🚤)结(jié )束(⏳)时，他拒绝(jué )向(🌁)杀害(🌅)自(🗻)(zì )己家人的北军(jun1 )投(🏏)降(⛏)，走(zǒu )上一条(tiáo )逃亡(🥗)之(🌘)路。在路(lù )上，他(tā )遇(🧑)到一个(➰)印第安(ān )切诺(🔧)基(jī )老(⛄)酋长，一个纳(nà )瓦霍(🧜)妇(📳)(fù )女，和 来自堪(kān )萨(🛑)斯(📩)的母(mǔ )女俩……
A docile black law student is possessed by a 1940's mobster in mid-70's New Orleans. The mobster seeks revenge upon the people who killed him and his sister.
Bugsy Malone希(🤺)望(wàng )一举击垮(kuǎ )纽约(🍺)的黑帮(🕖)，自己号令(lìng )全城，与(📶)Fat Sam及(🗡)Dandy Dan展(zhǎn )开一幕幕(mù )的(🔄)枪(🛂)战...
Mun-ho takes Jeong-hw for a prostitute and is very rude to her on a public street. Despite this, Jeong-hwa, who is actually very innocent, falls in love with him.
乔·迪(dí )阿马托(👱)早(zǎo )期作品。这一(yī )个(🙈)是与乔(🎶)(qiáo )治·伊斯曼(🎀)，是谁(🍟)写(⭕)的(de )电影剧本为这(zhè(🕉) )个(⚫)称号导(dǎo )演开始工(💜)作的(de )第一个例(lì )子。故(💌)(gù )事讲(🏠)述的是无辜(gū(🕰) )的孩子(🏁)(zǐ )，谁是害怕性生(shē(🏳)ng )活(🕴)，所(suǒ )以他所有的家(🏑)人(⛎)开始推(tuī )他，叫女人(🚗)说(shuō )服他。事(shì )情到这(👗)里来精(💐)(jīng )心担任猝(cù )死的(🗡)理(🏔)念和成(chéng )熟的倒行(🧡)(há(🔁)ng )逆施。比较特(tè )别的(⚡)影片(piàn )显示，但它仍(ré(👺)ng )然是一(🌷)个(gè )黑色荒诞喜剧(📁)(jù(💗) )与幽默的(de )意大利经(📮)典(⏲)Massachessi的(de )折衷性的(de )看法。难(🕤)得找(zhǎo )到不起眼(yǎn )的(🔵)标题，但(👛)我(wǒ )们推荐它(🧤)(tā )为(🤨)那(🤣)些(xiē )谁喜欢解决他(🍝)们(🌬)(men )心目中(zhōng )最疯狂的(🏛)情(🥈)况和(hé )幻想。（
Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.