《致命的一击》

本片是描(🎊)写(🤐)的是17世纪法国一位(♈)(wè(♈)i )名叫(jiào )文(wén )森特(tè )·德保(bǎo )罗(🥦)的(🚧)“圣徒”的一生。他有着(📤)(zhe )贫(🥒)苦(kǔ )的(🤐)童(🥐)年，曾在阿尔及尔度过(🚳)了(le )一(yī )段(🏐)奴(nú )隶般的(de )生活，但他(🕯)最(🍦)终成为一(yī )个慈善(shà(😠)n )事业(yè )工(🥘)作(🤝)的(de )牧师，他选择放弃(🐞)世(🈚)俗的财(🍈)产(📴)(chǎn )，把一(yī )切献给帮助(〽)穷人的慈善(shàn )事业，并劝(💎)(quàn )说(shuō(✳) )贵(🍸)族(zú )出钱出(chū )力。 Agent has his only client pose as both a French chanteuse and Brazilian bombshell to fool nightclub owner. Philip Marlowe（亨(👤)弗莱·鲍(🉐)嘉(🙍) Humphrey Bogart 饰(shì )）是一(yī )个私(🖍)家(💋)侦探，这天他接到邀请(qǐng )来到(dà(🌋)o )General Sternwood的(🐆)(de )家中(zhōng )，Sternwood让马(mǎ )洛调(🔢)查(🔇)关于他(🎃)女(🌷)儿的一(yī )笔债务(wù )，他(🤫)(tā )的女儿(📂)Carmen Sternwood 欠了一个叫Geiger的人一笔(🐭)赌(🧀)(dǔ )债(zhài )。在(zài )Marlowe想要离(lí(🐟) )开的时候(⭕)，Sternwood的(👙)大女儿Vivian（劳伦·白(💥)考(🤗)(kǎo )尔 Lauren Bacall 饰(🕥)）(✂)栏下了他，告诉他其实(🗳)她父亲(qīn )找他来(lái )调查(🤾)的真正(🕹)目(🙅)的是为了(le )寻找一(yī )个(⌚)失(shī )踪(zō(😸)ng )的(🌥)朋(péng )友，Marlow将(jiāng )信就疑(✨)。第(🗝)二天Marlow去寻找(zhǎo )Geiger，在Geiger家(jiā )门前却听(🚲)到(🔱)一声枪声，等Marlow进去(qù(🌰) )的(🌜)时(shí )候(🔟)(hò(🌵)u )，却(què )只发现(xiàn )了Geiger的尸(👧)体还有被(☕)绑住的(de )Carmen Sternwood（玛塔(tǎ )·威(📆)(wē(🧛)i )克斯 Martha Vickers 饰），还有一台相(📃)机。Marlow带(dài )走(🔤)(zǒ(🌲)u )了相(xiàng )机并把(bǎ )Carmen送(👰)回(🛫)家，等到(🧠)Marlow再(🌫)回到现(xiàn )场时，却发(fā(🐺) )现Geiger的尸(shī )体已经不见了(📙)。而Sternwood家的(🎎)司(✍)机也(yě )因车祸(huò )身亡(🥔)。案件变得(✒)越(😒)来越(yuè )扑朔迷(mí )离(〰)，这(🛹)(zhè )些事(shì )情间到(dào )底有什么联(🏴)系(🎱)？Marlowe能否发(fā )现真相(😯)(xià(🛎)ng )？ 抗战(🔎)胜(🏫)利，一直在大后方从(có(📿)ng )事话(huà )剧(🕧)(jù )工作(zuò )的老赵(zhào )、(🦋)小(♒)于夫妇，回上海重(chóng )建(❎)理想(xiǎng )中(🏵)的(⚫)(de )美好生活。谁知他俩(🚼)一(🥚)到上海(🙂)(hǎ(🥘)i )，因租(zū )不到房(fáng )子，当(🌚)天在友人家八楼(lóu )屋顶(👲)熬(áo )了(💰)一(🍧)(yī )夜。翌(yì )日，夫妻俩外(🐼)出找房子(🥦)，只(🐛)见(jiàn )许多空(kōng )房被(⭐)贴(🕐)上接收封条，愿出租的(de )都索(suǒ )价(🈹)(jià(👡) )金条(tiáo )美元。 夫妻俩(📄)无(👴)力承租(🍇)，失(⬆)望(wàng )之余，偶遇喜爱话(🦖)剧的小桃(🌪)。小桃原是汉(hàn )奸(jiān )裴(🦊)某(🚑)(mǒu )之妻，胜利后裴某因(😐)汉奸罪入(🎃)(rù(🙀) )狱，房(fáng )产和(hé )老婆(🐺)悉(🤶)被重庆(📤)来(🧤)的接收大员老(lǎo )洪“接(🐅)(jiē )收”。一天，小桃与老洪吵(🕌)架(jià )，赌(🦒)气(🌻)(qì )将 一(yī )间(jiān )空房(fá(🎵)ng )租与老赵(📵)夫(⛅)妇。老洪不允，又(yòu )起(🧙)争(📳)吵(chǎo )。不意裴某摇身一变成为“地(🌀)(dì(🗿) )下工(gōng )作(zuò )者”，昂然(📱)(rá(🍨)n )出狱，率(🎵)领(🕡)一帮打手回(huí )家，痛(tò(🔜)ng )殴老洪，夺(🥈)回妻子。老洪心有不甘(💯)(gā(🔊)n )，也找(zhǎo )了一帮(bāng )打手(📋)前来报复(🎪)。此(🥖)时老(lǎo )赵的友(yǒu )人(🌈)也(🈳)(yě )前来(🔕)道(🍳)乔迁之喜，于是一群人(🏇)(rén )稀里糊(hú )涂地在(zài )这(🗜)幢房子(🌌)里(😪)展开了一场(chǎng )恶斗... 这(🛃)(zhè )是第(dì(🐩) )二(💗)(èr )次世(shì )界大战之(🌊)后(🗄)，导演黑泽明的第(dì )一部电(diàn )影(😹)．(🦒)以战时曾经引起轩(👱)然(📼)大波(bō(🚤) )的(🎂)京(jīng )都(dōu )大学(xué )教授(🚮)龙(lóng )川事(🔧)件，鸠山文化部大(dà )臣(🐩)军(📓)阀(fá )主义的盛行，而将(🦌)鼓吹自由(🔦)主(🏮)义的(de )京(jīng )都帝(dì )国(😪)大(🛠)学(xué )教授(🏐)龙川开除，当时遭(zāo )到(🎓)京都(dōu )帝国(guó )大学上下(⛓)一致的(🦊)反(🎭)对。此外并(bìng )以卓鲁(lǔ(💤) )格国际(jì(🖤) )间(♏)碟事件做为背景，描(🤗)(miá(🎗)o )写女主(zhǔ )角幸(xìng )枝(zhī )于战(zhàn )争(🐜)中(🐑)所遭遇的种种，进而(😕)批(🌫)判(pàn )战(♿)争(🕉)以(yǐ )及当时盛行的法(🐝)西斯主义。片(piàn )中后(hòu )段(duàn )描写(😑)(xiě(👱) )决定独(dú )立的幸枝所(🚣)遭遇的苦(🥫)难(👀)(nán )，她跟(gēn )随野毛之(🎧)后(🤔)，初尝爱情的幸福滋味(wèi )，但好(hǎ(🤡)o )景不长(zhǎng )，野毛由于暗地(👓)从事反(🎈)(fǎ(🌓)n )战运动(dòng )而终(zhōng )生入(⬆)狱，幸枝也(🤺)因此每天被特(tè )务逼(🙇)问(🕣)(wèn )受尽屈(qū )辱。而担任此案件的(🌮)检(🍲)(jiǎn )察官竟(jìng )是当(dā(🌡)ng )年(🙇)(nián )的同(♎)(tó(👕)ng )学系川。幸枝被释放之(🎽)后，回(huí )到野毛(máo )所深爱的故乡(📐)，与(💻)野毛的双亲(qīn )一起(qǐ(🍐) )渡(dù )日。日(🛬)本(🎦)在(zài )战败后，民主主(😪)义(💼)盛行(háng )，八木(mù )原教授又回到学(🏙)校中，幸枝则决定(dìng )从(có(💱)ng )事农(nó(🔷)ng )村(㊗)文化(huà )运动。片中的幸(🈶)枝并非(fē(🏺)i )日本过(guò )去的(de )传统女(✖)性(🎯)，而是经过战争及战(zhàn )争后的(de )混(👛)乱(🙀)期(qī )，终于找到自我(❗)，忠(🚢)于(yú )自(☝)已(🧓)意(yì )志的(de )新(xīn )时代(dà(🎸)i )女性。 High school music student Sherry Williams is excited that her actress sister Jo has taken time off from her New York stage career to visit Sherry's school to see her perform in a musical play. Jo is about to step off the train when she hears that a famed Broadway show producer, Arthur Hale, is also stepping off the same train, leading Jo to depart from the other side of the train and make her own way to Sherry's play. 李文华告别未婚妻梅玉(yù(⛷) )奔(🔫)赴抗(kàng )战前线。梅玉和(🍩)母亲生活(🧛)艰(🧦)难(nán )，被(bèi )迫(pò )嫁给(🕞)(gě(🗄)i )汉奸陈(chén )彼得。战后，文华返沪(hù(💵) )，与沦(lún )为交际花的梅玉(😥)重逢，两(🛑)人(🌷)旧情复(fù )燃(rán )。梅(méi )玉(🔎)因不(bú )愿(💽)拖累而离开文华。文(wé(♍)n )华(🐌)追至(zhì )舞场(chǎng )，与彼得发生冲突(🔹)。混(🖊)战中，梅玉被(bèi )彼得(👿)枪(🍖)(qiāng )击，却(🚸)也(🌥)同时将彼得击(jī )毙。临(🔭)(lín )终之(zhī )际(jì )，梅(méi )玉向文华表(😼)白(📼)，对他的爱始终(zhōng )不渝(🤑)。 In the aftermath of the Japanese attack on Pearl Harbor, the members of a PT boat squadron patrol Philippine waters and attack Japanese ships. The PT boat initially had little respect from senior Navy officers but their maneuverability and speed however quickly change their minds. As the Japanese advance across the Philippines, the PT boats become essential in evacuating the senior personnel including General Mac Arthur.