After a difficult start, Lewis and Hathaway seem to have settled back into their former relationship. But together with the new DS, Lizzie Maddox, they find themselves put to the test as they investigate the brutal murder of an American classics student. The deeper they delve, the more suspects and murky motives come to light.
本(🥑)(běn )片由《荞麦花开的日(🎯)(rì )子(🙂)》、《春(🈵)天》、《好运之日(rì )》三个(🍙)故(gù(🔬) )事组(🔙)(zǔ )成，三个故事均改编(biān )自(🚜)韩(há(🧗)n )国当(dāng )代(🌶)作家的短篇小说(💸)。《荞(qiá(⏹)o )麦花开的(🏢)(de )日子》讲述了一个(✉)上(shàng )了年(nián )纪(✍)的小贩对往事的(🐡)追忆；《春(🌰)(chūn )天(👆)》则是(shì )一个年轻(🚦)人(rén )在岳(🚚)父家(🧤)(jiā )干了(le )三年活，却始终结不(🤖)(bú )上(⛳)婚(hū(🈲)n )的喜(xǐ )剧；《好运之日(🔦)》描(miá(💍)o )绘了(👍)一个(gè )人力(lì )车夫的(📶)悲惨(🐸)遭遇(🤯)。
ある国(guó )のお姫さま(🏽)、神(🍞)野真(🐼)鈴は、魔物や悪人(rén )が増(🎖)えて(🌿)治安が悪(👡)くなった国を正(⚫)すた(🎁)めに、２(🥧)人(rén )のお供を連(🐻)れて旅を続け(🥢)てきた。だが真鈴(🥂)を慕うメ(🍯)イド(🏣)の花邑(yì )久礼(lǐ(⏺) )亜とは上(🗻)(shàng )手(🔮)にやっても、王から命(mì(👮)ng )令さ(🐛)れて(⛸)嫌々旅に付(fù )き添(tiā(🌤)n )って(😗)いる(🎢)口の悪い執事の風見(🎮)半蔵(👶)(zāng )と(🎞)は喧嘩ばかりしてい(⚓)た。そ(🏞)んな(🔎)あるとき、真鈴は、(💈)旅す(🥞)る女(🌞)を捕(bǔ )まえては売りさば(🐉)いて(🔨)いた女犯(🍻)罪者ジャーナの(⏳)一(yī )味に目を(🏒)つけられる。襲わ(🌯)れたふりをし(🏐)て真鈴に近付く(🎆)ジャーナ(🌥)。半蔵(🐨)はそれに気づきながらも(🚻)、騙(🌒)(piàn )されるのも良い経験(yà(📝)n )と、(❕)ジャ(😦)ーナの策に乗る。だが(🐶)、計(🕤)算(suà(🚪)n )が狂(kuáng )って真鈴は、(😰)ジャ(🧖)ーナ(🌶)に捕らわれて、抵抗(📿)しな(🏐)いよ(🎣)うに痛めつけられてしま(🚛)う。ジ(✡)ャーナの(📨)仲間を見つけて(🛋)、真(zhēn )鈴を救(🌟)出した半蔵と久(⏹)礼亜。半蔵(zāng )は(😔)ジャーナと、久(🕳)礼亜はジ(🥦)ャー(😊)ナの部下ゴウザと戦う。半(🗿)蔵は(🌽)ジャーナを圧倒するが、(🗺)最初(🚀)(chū )は(🚿)有(yǒu )利に戦っていた(🚈)久礼(🚅)(lǐ )亜(👭)は、魔(mó )物化(huà )した(🥜)ゴウ(💑)ザに(🎫)敗北してしまう。傷つ(🔹)いた(♐)久礼(🌈)亜を見た真鈴は、怒りに(⏬)燃え(📺)て魔物化(🙏)(huà )したゴウザと(🎈)激しい戦いを(🔉)くり広(guǎng )げるの(🚦)だった。
故事发(⌛)生澳门(mén )的秋(qiū(✔) )天，摄影师(🐋)的博(😽)允计(jì )划在(zài )七天(tiān )后一(🐪)年一(🧔)(yī )度的澳门国(guó )际烟花节(🤝)(jiē )向(📹)女(nǚ(😟) )朋友向晴求婚，而求(qiú(📮) )婚的(📅)(de )场地(🦖)(dì )是一个能看到烟花(📩)的(de )大(📱)舞台(💨)上(shàng )，求(qiú )婚当天也是(🎮)决定(😩)向晴(🦃)(qíng )去与(yǔ )留的(de )欧洲舞团选(🗻)拔赛(🏳)，距(jù )离求(👇)婚还有168个(gè )小时(🦑)，博允因为准备(🌗)(bèi )求婚(hūn )的场地(⏯)突然不能用，积(🌤)蓄(xù )用尽(jìn )的他(🦓)因此(cǐ )面(🤾)临严(🆙)重的考验，欧(ōu )洲舞(wǔ )团选(🗂)拔的(🏘)考官赵宇跟(gēn )厌倦(juàn )了当(🏳)(dāng )小(🚖)三的(🤮)空(kōng )姐壹壹也回(huí )到(💷)澳门(🐉)。
Seamstress Nutsa marries Goga, the father of her children. The ceremony is brief – both of them just give their signature and then she has to leave. Goga is in prison, where he will remain for another six years. By marrying him, Nutsa gains the right to talk to Goga once a month on the other side of the glass. Her children don't want to accompany her on her next visit: their father has become a stranger to them. One day at work, Nutsa meets another man. They have a conversation and later the man pays her a visit. At that moment, Goga phones with news that there's a change in the prison's rules: married inmates are now allowed to have their spouses stay overnight. Nutsa puts on the dress she wore on their first date. But Nutsa and Goga feel awkward with this sudden intimacy ... In her feature film debut Tinatin Kajrishvili depicts the daily routine of life in prison with strong images, the camera staying close to her protagonists. Patardzlebi is a dark film about human dignity and the repressive judicial system in Georgia. (Berlinale 2014)
That day, the time stopped, but pushed a couple to make a move. The husband looked for his wife, and the wife looked for herself. They get separated and got reunited. Again, at the same place.