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本片取自狄(🗂)德罗小说中(zhōng )的(👖)一个(🏇)(gè )片断(duàn )，讲(🔅)一个(🚖)上流社会女(♎)子被(🍼)情人(rén )抛弃(🅾)后(hò(👃)u )，想(xiǎng )出(chū )一招：(⭐)她鼓励对方跟一(❓)名有(yǒu )卖淫背(bè(🏤)i )景的女(nǚ )子结合(🎭)，先实行广泛的保(🌂)密(mì(🧗) )工作，事成后(🤒)(hòu )再(🚭)把这则天塌(🎆)地裂(💉)的消息公(gō(🎶)ng )诸于(🧙)(yú )众(zhòng )。 "Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’(👕) negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’(🛌)s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better." Wounded and on the run, notorious gunman Quirt Evans (John Wayne) gallops onto a farm owned by Quaker Thomas Worth (John Halloran) and his family and collapses. When Quirt urgently insists upon sending a telegram, Thomas and his daughter Penelope (Gail Russell) drive him into town in their wagon. After wiring a claim to the land recorder's office, Quirt kisses Penny and then passes out. Ignoring the doctor's advice to rid themselves of the gunman, the compassionate Worth family tends to the delirious Quirt, and Penny becomes intrigued by his ravings of past loves. 曾在西(xī )班牙(yá(👓) )杀(shā )过人的水手(🕛)Michael O'Hara（奥逊·威尔斯(🚜)(sī ) Orson Welles 饰）回(huí )到了(📢)(le )纽(niǔ(🆗) )约，一天夜里(🌸)他在(🌹)路上救了(le )遭(🦎)到打(🦗)(dǎ )劫的(de )美(mě(🐟)i )女Elsa（(🥦)丽塔·海华斯 Rita Hayworth 饰(☕)），于(yú )是Elsa让她(tā(🤦) )的丈(zhàng )夫(fū )，律师(📁)Arthur Bannister（埃弗雷特·斯(📵)隆 Everett Sloane 饰(shì )）找到(dà(👍)o )Michael，让他(🌕)(tā )来船上当(🤗)水手(🐚)。Bannister一家刚从上(📝)(shàng )海(🔒)回到(dào )纽约(🌱)，正要(✏)坐船前往旧金山(🕷)。在海(hǎi )上航(háng )行(🛅)(háng )的时候，Michael和Elsa情愫(📷)暗生。而Michael也(yě )认识(🍭)了(le )Arthur的朋(péng )友(yǒu )George Grisby（(🧔)Glenn Anders 饰）。George知道Michael曾经杀(👊)过人(👰)后(hòu )，想让(rà(🚎)ng )Michael再杀(💑)(shā )一(yī )个人(🐄)，并承(🚛)诺给他五千(👱)美元(🚽)(yuán )的(de )佣金(jīn )，而(é(🏺)r )他(tā )想让Michael杀的人(🐲)，就是George自己。原(yuán )来(🎂)George想制(zhì )造自(zì )己(🚩)(jǐ )已经死了的假(🚥)象，然(🎓)后从现(xiàn )在(🥥)的生(💷)(shēng )活和他(tā(😔) )的妻(⭐)子身边逃走(🥢)。两人(🍨)的计(jì )划看起(qǐ(➰) )来天衣(yī )无缝，George却(🤩)失手杀死了Arthur的管(🙂)家(jiā )，随(suí )后(hòu )George也(📘)真的被杀。Michael被认为(🔏)是两个死者的(de )凶手(shǒ(🤛)u )，法庭上，为Michael辩(🐆)论的(🕙)却是他的(de )情(🀄)敌Arthur，到(🐠)底(dǐ )谁(shuí )才(🃏)是杀(🌙)死George的真正凶手？(🚼) 在过(guò )度拥挤(jǐ(🉑) )的西(xī )门(mén )监狱(🌫)里，暴力和恐惧是(👏)基本(běn )的游戏(xì(🎵) )准则(🍕)(zé )。并且监狱(🤯)长比(🌮)看守和囚犯(🌦)的(de )首(😊)领有(yǒu )较少(🌈)的(de )力(🍛)量,。最难对付的的(🍺)囚犯是(shì )坚硬顽(⛸)(wán )固(🏢)的乔(qiáo )·科(🈷)林斯。重要的是，乔(㊗)怨(yuàn )恨首要(yào )卫(🚠)兵上尉Munsey, 一位狭隘独裁(🕑)的拥有绝对(🏫)(duì )权(👜)力(lì )者(zhě )。稍(㊙)微违(🤐)规违, 乔和他(👏)的伙(🕙)伴(bàn )们就要(yào )受(🏤)苦(kǔ )了(le )。但有次大(🎢)屠杀反而成就了(🐡)(le )他们的(de )逃命(mìng )计(🔡)(jì )划。 Specter of the Rose (1946) is a film written and directed by Ben Hecht, starring Judith Anderson, Ivan Kirov, Viola Essen, Michael Chekhov, and Lionel Stander and with choreography by Tamara Geva. This script rode in right off of the range that had been ridden at least twice by Tim McCoy at Columbia. Writer Elmam did little other than moving it from a Western to a big-town Eastern. Don Castle plays a newly-elected district attorney but, just before he takes office, the town's crooked political boss (Edward Keane) has his henchies (including Jeff Chandler)kidnap him with intentions of replacing him with an ex-convict(Don Castle in a dual role) who is his exact double. While the D.A.'s double/replacement is studying his mannerisms where he is being held captive, the D.A. knocks out the double, takes his clothes and manages to fool the gang boss into thinking he is the ex-con. The henchies then kill the ex-con thinking he is the D.A. The latter continues to impersonate his double until he has set and sprung the trap on the gang boss and his minions. Peggy Knudsen plays the D.A's. fiance, Patricia Knight the wife of the ex-con and Joe Sawyer pops up as a crooked police official.