三十(🎉)年(🕓)代著名的贝克妈妈(🥑)，是(🤼)一个带着几名儿子打(🥉)家劫舍的粗(💪)豪(🧕)寡妇。在不断抢劫并(🥅)跟(⌛)警方火拼的过(guò )程(🏹)(ché(🕟)ng )中(zhōng )，她(tā )跟(🗄)(gēn )几(jǐ )个(🤞)(gè )亡(wáng )命(mì(🌦)ng )之(👊)徒结成一伙，自己也(⌚)找(♑)到了一个喜欢她的姘(🔑)头。
青青（胡(🌳)燕妮 饰）是一名歌女(🏐)，一(👍)次偶然中(zhōng )，她(tā )同(📶)(tó(😓)ng )年(nián )轻(qīng )的(de )建(jiàn )筑(zhù(😾) )师(shī )汤(tāng )鹏(💑)(péng )南(nán )（凌云 饰）相(🔞)遇(✨)了，彼此一见钟情的(😵)两(💞)人很快就走到了一起(🗓)，结为了感情(🕴)十(👅)分深厚的情侣，两人(⤴)生(🍎)活在幸福之中。不幸(🔃)的(😆)是，厄运降临在了(le )汤(tā(🎷)ng )鹏(péng )南(nán )的(🏰)(de )家(😺)(jiā )庭(tíng )里(lǐ )，他(tā )的(🗨)父(🎽)亲中风倒下，需要一笔(🔴)可观的经费(🍘)才能治疗(🔜)，为了帮助男(🆓)友(🗼)，青青决定背着汤鹏(🦑)南(😬)出卖(mài )自(zì )己(jǐ )的(de )身(🛋)(shēn )体(tǐ )。
榮(ró(🈵)ng )獲(huò )1970年(nián )第(dì )8屆(jiè )金(🐏)(jī(🧓)n )馬(mǎ )獎(jiǎng )最佳彩色(🧘)美(💛)術設計
A pop music dance show with an African-American focus.
Metello struggles to escape from the poverty that led to the premature death of his parents, and that is the lot of the working class in northern Italy during the second half of the 19th century. Metello fights his way out from his condition through hard work, a determined will to resist oppression inherited from his father, but also by taking advantage of his good looks when dealing with women. Metello progressively assumes an important role in the organization of an emerging workers movement, and attempts to conciliate his risky political activities with his private life.
Carla (Carla Aulaulu), Mascha (Mascha Elm-Rabben), and Magdalena Munn (Magdalena Montezuma).[40] They perform as second-rate cabaret singers during the Nazi era, forced to disband when Carla takes a job with a Viennese theatre and Mascha has a nervous breakdown. Pilot haphazardly (and without much clarity) follows their individual activities; instead of depicting Carla's "show," for instance, we see her singing its main song while apparently working in a Viennese pastry shop. Magdalena attempts to find work for Mascha by posing as her aunt and appealing to a Nazi official; later Mascha rescues Magdalena from drowning herself. The two eventually find jobs as secretaries, after brief stints as "creative artists." Magdalena's voice-over then informs us that all three women meet again after the war at a Bruckner concert. They begin discussions about regrouping to go to the United States, this time as reformers rather than performers, to preach integration (apparently we are now in the late 1960s, the time of the film's production). Carla, nostalgic for their earlier Nazi stage career, is hard to persuade, but eventually they leave for the United States. Their rapid downfall as teachers there results from the publication of a Nazi-era photo of them; added to this is the controversy of Mascha's undepicted liaison with an American bomber pilot. We are told there is a trial (also undepicted), and the three go back to Germany where they perform for American troops. Carla has a miscarriage from the bomber pilot and suffers badly. The final image shows Magdalena supporting Carla as she walks around weakly in front of the same building we saw in the film's opening shot.
梅淑卿为了争(🍒)取自由恋爱(🌒)，摆(🍇)脱封建大家庭，选择(🎖)与(🦌)江少文这个穷教师(✨)到(❓)小镇定居结婚。婚后五(🦏)个子女在十(🚜)二(👝)年内先后(hòu )出(chū )生(🆑)(shē(🌩)ng )，儿(ér )女(nǚ )一(yī )多(duō )，经(👭)(jīng )济便有了(🥎)困难，终于(🖱)两人都先后(💢)为(🚸)儿女而过度辛劳，在(🌼)极(🥍)度贫困中死去，无法完(🏓)成父母的责(🧜)(zé )任(rèn )。然(rán )而(ér )悲(bē(🏜)i )剧(🖨)(jù )还(hái )未(wèi )终(zhōng )结(🐯)(jié(💽) )，彼(bǐ )时(shí )竟(jìng )有人肉(🙃)贩子看中他(🏆)们的大女儿……
A man plans to kill his wealthy wife for her money and so he can be with his beautiful young mistress. However, things don't turn out exactly as he had planned.