花形敬は少年(🌥)時からすでに不(🚷)良として名が通(🏎)っていた。いつも(🥛)相棒の松田と一(💚)緒で、ふたりは(🐰)成人(🎑)しても定(dìng )職を(😤)もたず場末のク(✋)ラブに出入りし(🆔)ては気ままな暮(📆)らしを送ってい(🌠)た。花形はそのク(🌛)ラブでピアノを(🐭)弾く美佐子に一(💺)目惚(🍭)れして、結婚し(🌝)た。同(tóng )じ頃、花(👝)形(xíng )と松田は新(🕜)(xīn )興ヤクザ・安(🏪)藤組が経営する(🖋)渋谷興業(yè )の組(〽)員となった。やが(🗒)て美佐子が妊娠(🏋)、彼(🧖)女(nǚ )はヤク(🍣)ザか(⛴)ら足を洗うよう(👿)頼むが、花(huā )形(🚓)にとってヤクザ(🐒)稼業(yè )は生きが(🥥)いだった。しかし(🤾)、美佐子の不安(👫)は現実(shí )となり(🐨)、花(huā )形は傷害(👸)事(shì(📧) )件を起こし、刑(🎗)務所へ服役する(👙)ことになる。美佐(🎸)(zuǒ )子は子供のた(🈲)めに愛する花形(👵)と別れる決心を(🎪)し、彼は獄中で(🆎)離婚に応じた。出(🕗)所後(🌒)(hòu )世の中は一(yī(🍯) )変していた。松田(🚹)は安藤組(zǔ )の大(🚽)幹部となり、ヤ(🚬)クザ社会も喧(xuā(🔽)n )嘩よりビジネス(📔)の時代になって(💥)いた。しかし、喧(📰)(xuān )嘩に明け暮(mù(🏘) )れる(🏜)花形は再び傷害(😡)事件を起こし、(📩)対立する組に追(⛺)われることにな(🧗)る。逃走の途中(zhō(🏍)ng )、花形は美佐子(🍼)と再会、息(xī )子(🤟)と対面を果たし(😁)た。が(🤩)、やがて花形は(🔳)凶弾(dàn )に倒れ、(🆕)33歳の人生を終え(😱)た。
This film dealt with a lot of inner conflicts that African-Americans where unwilling to deal with at the time. Class struggles, light skinned vs. dark skinned and greeks vs. non-greeks. I just purchased it on DVD, but I remember seeing this film when it first came out in February of 1988 and it is just as powerful and entertaining now as it was then. It's amazing to look at this film now and see all of the actors who went on to successful careers afterwards, like Laurence(then Larry) Fishburne, Tisha Campbell, Giancarlo Esposito, Roger Guenveur Smith, Kadeem Hardison, Jasmine Guy, Darryl Bell, Rusty Cundieff(director of "Tales From The Hood"), Bill Nunn, Branford Marsalis, and of course I can't forget Samuel L. Jackson. Three years after this film came out a cousin from Seattle came to visit, I showed him this film and he was surprised to discover that there were actually historically black colleges and universities(HBCU's) in this country. He later attended Southern University here in Baton Rouge. That was the effect this film had and continues to have on young African-Americans and their views of HBCU's.
In 1987, American director Cornfield travels to Germany for shooting a documentary film. Surprisingly he has neither a concept nor a script about the production. Soon it becomes clear that he wants to film his own life story. In Second World War, Cornfield, a Hungarian Jew, was an inmate of a concentration camp. There he had to perform in an anti-Semitic Nazi film. Another trauma is also affecting his life.
Lilian Huckle was admitted to a mental hospital at the end of the 1920's. But was she really insane? Or was she just an original, a very different and slightly anarchistic woman? Sixty years have passed and the hospital is to close down so Lily's nephew arrives to collect her. But how will she and his wife Harriet get along...?
在一次营(yíng )救(🔒)战俘的行(háng )动中(🗽)，约翰(hàn )尼和他的(🌁)手下因为美国退(📖)出战争而被越(yuè(😍) )军俘虏。约(yuē )翰尼(🚾)只身(🏛)逃(táo )出战俘营，并(🖍)找来一群帮手一(🛤)起去援救他的手(🌬)下
此(cǐ )为以动荡(🔪)的(de )上海为背景(jǐ(🏁)ng )拍摄的民初(chū )动(🚉)作片，描述四名曾(🔍)经一齐(qí )被俘虏(☕)的军(😶)(jun1 )人在解甲归(guī )田(💺)后各散东(dōng )西，其(🚳)中梁(liáng )家辉做了(🛀)上海的巡捕，他找(🏑)(zhǎo )来昔日战友(yǒ(🕒)u )李子雄、郑(zhèng )浩(🔊)南一齐加(jiā )入天(👃)罗地网小组，合力(👙)对付大毒贩，而(é(🗄)r )此人(🗝)正是昔(xī )日俘虏(💄)他们(men )的军官郑少(🤣)(shǎo )秋。导演黄志强(👃)采取鲜艳的映象(💧)设计和(hé )激烈火(🤭)爆的(de )动作场面来(♓)(lái )包装这部怀(huá(💐)i )旧电影，使它的外(🕰)观显(😅)得相当有吸引力(🕥)(lì )，可惜故事(shì )未(🥓)能摆脱同(tóng )类电(♈)影的老(lǎo )套，以致(👘)形过于质。
她是豪(➿)(háo )门淑女，美(měi )艳(💑)动人，在(zài )结婚前(🥞)夕，结识粗犷狂野(🚯)的派瑞，两人沉迷(〰)在男(🐢)欢(huān )女爱中，她(tā(🧑) )展露玲珑身(shēn )段(🍇)和淑女激(jī )情撩(♓)人姿态，泡饭影视(🤸)情与欲的交叉使(🔀)(shǐ )她难以选择(zé(😏) )，派瑞将有(yǒu )性命(🆚)危险，她的婚礼是(❕)否有(🤼)变？这部最具美(🔢)感的激(jī )情佳片(🔚)，使(shǐ )你终生难忘(🥇)(wàng )。
In the 1930s a horror-comic artist's creations come alive and kill him. Years later a new cartoonist revives the creatures in his house, now part of an artist's colony.