随(suí(💟) )着BANDAI公司推(🚷)出 “超(chāo )合(🎆)金(jīn )魂”玩(💷)具系列，铁甲(🛠)(jiǎ )万能侠(🔴)这(zhè )部当(🍸)(dāng )年经典(💠)热血励志(🤺)机器(qì )人(💺)卡通又(yò(📂)u )勾起(qǐ )了(🏳)人们怀旧(🚸)的情结，各式各样(yàng )的铁(tiě )甲万能侠Cosplay层出不(bú )穷。
"The Tuner" is Muratova's brilliant portrayal of a sick society on the verge of complete moral collapse. Her protagonists are the little people so removed from reality that at times they seem unrealistic, invented, and their actions unmotivated. In the end, their weakness and crushing defeat by the petty con artist gives them moral power that vindicates their social marginality. Their quirkiness, their refusal to live by the rules, or, as in the last scene, to accept their own defeat even when their very survival is at stake, becomes, paradoxically, the last hope for humanity. Against the context of the Orange revolution, "The Tuner" becomes Kira Muratova's prophetic vision of the return of human dignity in her home country.
赌城(❗)拉斯加斯(🐺)被龙卷(juà(🔋)n )风袭击,所(💎)(suǒ )到之(zhī(🤙) )处天昏地(🎦)暗,一切都(💅)夷(yí )为平(🍫)地;而(ér )芝(🌪)加(jiā )哥也(🐳)已经持续(💻)了6个星(xī(👾)ng )期的高温(🍂)(wēn ).这一(yī(🕖) )切突如其(📦)来的不(bú(🖥) )正常(cháng )天气影响(xiǎng )着(🏗)美国各地(📚).更糟的是(📇)(shì )气象(xià(🥜)ng )学家安迪(📒)·古德曼(🔶)根(gēn )据自(🥏)己的(de )研究(📚)(jiū )数据推(🥣)测飓风正向芝(zhī )加哥靠近(jìn ),而将(jiāng )与另外两股正在(🍀)迅速(sù )集(🦁)结力量(lià(⛪)ng )的气(qì )团(🛐)的前锋相(🍶)遇,形(xíng )成(🍹)一(yī )股历(🤮)史上没有(🥚)记载的(de )超(⚓)级飓风(fē(📔)ng )……然而(🍽)市民们因(💽)为全城(ché(🤬)ng )大停电无(🎚)(wú )从得(dé(🔨) )知,对前面(🔇)等待着他们(men )的命运一(🦕)(yī )无所(suǒ(⏯) )知……面(🦑)对无可(kě(📢) )抗力(lì )的(📕)天灾,他们(⏫)是否能够(🛤)"人定胜天(🔢)(tiān )"、还(hái )是将在飓风的无情摧(cuī )残下永远(yuǎn )沉在(zài )水中呢?
俗(😎)话说：”自(💕)(zì )古好汉(🐂)无(wú )好妻(🔴)(qī )，赖汉娶(🥨)个娇滴滴(👻)“。本片的(de )男(💽)主(zhǔ )人公(😗)阿里亚就(➕)是(shì )这样(🏈)(yàng )一个”赖(📘)汉“。当他(tā(🐗) )遇了被校(🍠)(xiào )霸阿(ā(🔵) )杰纠缠的(🍷)美女基塔(👢)时(shí )，对其发(fā )动了(le )”赖(🕧)汉攻略“。而(🔖)身(shēn )陷烦(😾)恼的(de )基塔(🌂)(tǎ )对阿里(🏭)亚的各种(🖼)(zhǒng )骚扰(rǎ(🎫)o )不胜其烦(🧟)，对她来说，爱情简(jiǎn )直变(biàn )成了一种巨大的折磨(mó )。”赖汉(hàn )攻略(🏓)(luè )“还能发(🐂)挥作用吗(💬)？
In Uruguay, they don't say cheese in front of the camera - they say whisky. Beneath the artificially photographed smiles, however, is a blueprint for the "South American Gothic," minus the farm and the forks. These Montevidean folks' stony expressions belie a life gripped frozen by accustomed routines. So it goes with an old Jewish bachelor who owns an ageing sock factory. When his estranged younger brother decides to visit for their mother's burial, he asks his employee Marta to pose as his wife. The resulting encounter creates clumsy silences that are uncomfortably comic. Grand Prize, Tokyo Film Festival and FIPRESCI prize from Cannes.
一位是(🏟)遭(zāo )毁容(🎺)(róng )，但仍坚(🔸)毅过活(huó(🍣) )的美(měi )女(🐟)阿岩。一位(👣)(wèi )是同情(🚇)女儿遭遇(🗳)(yù )的同(tó(🌃)ng )时，又怕家(✂)门断後的(😳)(de )父亲。还(há(🍝)i )有一(yī )位(📸)入赘後就没(🙅)露过笑(xià(😙)o )脸的浪人(♓)(rén )伊右(yò(💘)u )卫门。故事(🥐)周旋在这(💝)(zhè )三个人(🥓)物(wù )间的(🍖)(de )爱怨与接(🏟)踵而来(lái )的事(shì )件，包含爱与恨、美与丑、现(xiàn )实与(yǔ )疯狂，不(🍒)断渗出在(📸)黑(hēi )暗的(🛵)江户(hù )时(💏)代(dài )，阿岩(🏿)与伊右卫(💳)门在(zài )作(🎄)者笔下(xià(👮) )幻化(huà )成(👧)又一个诡(⏮)异凄(qī )美(😒)的(de )爱情故(🍘)事(shì )。