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玛利亚（安(ān )娜(🎽)·(🌴)费尔南德斯 Ana Fernández 饰(shì(🌯) )）(😕)是一名清洁(jié )女工(🍱)，独(🕔)自一人居(jū )住(zhù )在(🥂)位(🚕)于西班牙(yá )的一间(♐)小(🗞)小公寓之(zhī )中(zhōng )，过着(🐎)形单影(yǐng )只的(de )生活。身(🥪)为一名(míng )清洁(🍴)女工，玛(mǎ )利亚(yà )的收(💁)入十分拮据(jù )，刚刚(🏝)够(💟)维持自己(jǐ )一(yī )人(🚓)的(🛁)生计，日(rì )子过得十(🕳)分(🔨)苦闷。玛(mǎ )利亚的男(🎠)友(🗿)是(shì )一名(míng )卡车司(🌇)机(✴)，两人(rén )之间的关系(🧦)十(💻)(shí )分淡(dàn )漠。某日，玛(🔐)利(🥖)(lì )亚发现自己怀孕(🏷)了(🎖)(le )，然而男友却并(bìng )没(🏌)有(🌃)一丝一毫想要(yào )结(🛂)(jié(🚧) )婚的打算。 在(zài )很小的(🕰)时候，一场(chǎng )可(kě )怕的(🔟)疾病夺走(zǒu )了(🧟)少(shǎo )女(📁)海伦凯勒（帕(🐺)(pà )蒂·杜克 Patty Duke 饰）的(🆓)视(⌚)(shì )力、听力和声音(🙏)(yī(🥚)n )，让她坠入了无边(biā(😔)n )无(🔽)(wú )尽的孤独和黑(hē(💮)i )暗(😇)之中，看到女儿(ér )绝(🍷)(jué(🏀) )望痛苦的模样(yàng )，海(👊)伦(😨)的父母无能为(wéi )力(🔥)。随(🥃)着时间(jiān )的推(tuī )移(🎢)，海(👌)伦渐渐长(zhǎng )大，不幸(😭)的(💹)生(shēng )活让(ràng )她(tā )的(🥕)性(🎾)格变得乖(guāi )张暴戾，犹(🏘)如一匹(pǐ )无(wú )法驯服(💎)的野马(mǎ )。 从外(💧)表上看(🈚)，蜜(mì )蜂(fēng )巴瑞(🏏)·B·拜森(sēn )（杰(jié(🌄) )瑞(🅾)·宋飞 Jerry Seinfeld 配音）和其(🚔)他(🕳)的伙伴(bàn )没有(yǒu )任(🏬)何(🍴)区别，但他(tā )对待未(🔏)来(🐔)却有着自(zì )己(jǐ )的(❕)想(🐧)法。从大(dà )学毕业后(💻)，他(🍜)和同(tóng )学(xué )被分配(🐻)到(🖖)蜂房(fáng )工业公司，成(🎫)为(⛺)一只(zhī )毕生只能辛(🤶)勤(🚞)(qín )忙碌(lù )、四处采(♟)蜜(🍥)的工(gōng )蜂。巴瑞不愿(yuà(🤭)n )过这(zhè )种(zhǒng )一眼就能(🕐)看的(de )到未来的(🎨)生活，却(👼)(què )似(sì )乎无力(💦)扭转局(jú )面。在第一(🈴)次(🗞)采蜜(mì )之(zhī )行时，巴(🔹)瑞(🌮)遭(zāo )遇一(yī )连串意(🍁)外(⛲)，更无(wú )数次险些丢(🦖)掉(🤓)(diào )性命(mìng )。 The summer of 1939. Marie, at 13, goes with her parents to visit her grandmother in a small town near Avignon. Although rumors of war reach the countryside, it's an idyllic place. Marie's parents are constantly making love. Surrounded by sexual frankness, Marie fancies herself a woman and develops a crush on Alexander, the town's young Jewish doctor. She's despondent when he treats her as if she were a child. After Marie's father abruptly leaves for a few weeks to assist with a relative's harvest, Marie's mother and the doctor disappear into the woods for hours at a time. Marie tries to spy on them. When dad returns, what will the family and the doctor do? 奥瑞（简(👎)·(😫)怀(huái )曼 Jane Wyman 饰）和埃兹(📆)拉(🚱)（格(gé )利高里·派(💺)克(🚀)(kè ) Gregory Peck 饰）本来可以拥(🔨)有(🗽)(yǒu )一(yī )个幸福的家(🌬)庭(💆)(tíng )，但两个孩子的夭(⛏)折(🔂)(shé )让奥瑞始终无(wú )法(🥐)解(jiě )开心结，将自己(jǐ(🏕) )封闭在充满了(🎳)(le )痛苦(kǔ(😶) )和绝望的内心(🥫)世(shì )界中不愿意走出(🏧)来(lái )，留下仅剩的孩(😳)(há(🈚)i )子朱迪（小克劳德(😹)(dé(🍾) )·贾曼 Claude Jarman Jr. 饰），默(mò )默(⬜)忍(👙)(rěn )受着被母亲忽视(⛺)(shì(🗜) )和冷落的孤独(dú )。 Marius has left, signed up for a five year hitch on a ship bound for the Indian Ocean. In his few letters to his father Cé(🔠)sar, he hardly mentions Fanny. When she finds she is pregnant, she considers her options: suicide, to raise the child on her own, to wait for Marius, or to marry Honoré(🏚) Panisse, the older merchant who seeks her hand. These choices are emotional: to raise a bastard, to trust in Marius' eventual return, to believe he'll want to marry her, to save her mother from shame, to fool Panisse, to give her child a name. In scenes dramatizing Fanny's honesty, she talks to her mother, then Panisse, César, and later Marius, and she makes her choices.