This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'. Written by Sujit R. Varma
This film's German title would translate as "Journey in the Night", but that "night" is metaphoric: it refers to blindness, rather than anything nocturnal. The film's most notable merits are its photography (by Max Lutze), the direction by F.W. Murnau (a bit lighter than usual from this director) and a remarkable performance by Conrad Veidt ... an actor who never fails to impress me, yet who surpasses his own high standards in this drama.
故事发生在新年来临之(🚛)夜，传说(🤪)每年的(🌼)这个夜(💵)晚(wǎn )，死(🖲)神就(jiù )会来到人(rén )间挑选一(🐩)(yī )个罪(🧗)孽深(shē(🤞)n )重的人(🗄)来(lái )驾(🔻)驶他的(de )马车。这(zhè )次被选到(dà(🍨)o )的是个(🌨)抛(pāo )妻(🦍)弃子又(🚚)(yòu )嗜酒(💃)如命(mìng )的流浪汉(hàn )，在流浪(là(🌗)ng )汉由于(🕗)自(zì )己(🤺)的作风(💨)(fēng )问题(🙍)而即(jí )将被夺走(zǒu )生命时，一(📹)个孱弱(⛅)(ruò )的修(🐇)女用(yò(🍧)ng )基督之(⚾)爱(ài )拯救了他(tā )
电影配图(tú )是错的(🐐)，1922年的睡(🍭)美人在(🤣)IMDb上都没(🛥)有图片。这张图上的睡美人是1990年捷克(🍩)斯洛(luò(🍚) )伐克版(🏕)的(de )Sípová(🛄) Ruzenka，豆(dòu )瓣(🔩)链接在(zài )此：
For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence.
杨左(zuǒ )匋（生(🛥)辰(chén )不(🎄)详）是(📻)(shì )我国(💑)著名(mí(🚔)ng )社会学家(jiā )费孝通的(de )舅舅，费(🍷)(fèi )孝通(🌒)回忆(yì(🕙) )说：“还(📙)(hái )有一(💸)个杨(yáng )左匋舅舅(jiù )也留学美(🚸)(měi )国，后(⚓)来(lái )在(🍁)好莱坞(🙈)(wù )画动(🐊)画片(piàn )，参与有(yǒu )名的动画(huà(🆘) )片《白雪(😣)(xuě )公主(😌)与七(qī(🎀) )个小矮(🎌)人(rén )》的创作。”