又称《四神奇(qí )》《不(bú(🌈) )莱梅(🈸)(méi )四(🕕)重奏》
For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence.
A French captain persuades a rich widow to become his mistress, but it is a scheme to test her love.
美国南北(bě(👤)i )战争时(shí(⛪) )期，南方庄园主卡(👟)梅伦一家(🏌)原(yuán )本过(guò )着安(⏹)逸的生活(😋)。卡梅隆和(hé )斯通(🤡)(tōng )曼家的(📮)(de )孩子同在一所寄(🌡)宿(xiǔ )学校(🤱)念(niàn )书，接触中，年(🐿)轻的本(bě(🐸)n )杰明·卡梅(méi )隆(💿)（亨利·(🔕)B·沃斯奥 Henry B. Walthall饰）和(🐾)埃(āi )尔西(🐜)·斯通曼（丽莲(🔃)·吉(🎟)(jí )许(🤵) Lillian Gish饰(shì )）互生(shēng )情(✨)愫。然(⬇)而不(🍄)久南(nán )北战(zhàn )争爆发(🥏)(fā )。本(🈂)杰明(👫)参加了南(nán )方军(🍌)队(duì )，奔(bē(🍗)n )赴前线，与北方的(🌸)(de )昔日好(hǎ(🏖)o )友斯(sī )通曼（拉(🐨)尔夫·李(📡)维斯 Ralph Lewis饰(shì )）成(ché(🐀)ng )了敌手。战(📎)后，黑人烧杀(shā )抢(🍿)掠(luě )。本杰(🛹)(jié )明组织三K党，对(🚜)黑(hēi )人进(🗼)行(háng )报复(fù )，粉碎(🕗)了建立所(🏗)谓(wèi )的“黑(hēi )人王(🥤)(wáng )国”的阴(🎧)谋。本杰明与埃(ā(🦏)i )尔西(🤕)(xī )这(📺)对患难情侣也终(😩)于走(🎰)到(dà(🔱)o )了一(yī )起。他(tā )们的结(🔹)合，预(🚿)示着(🚉)(zhe )一个(gè )新的国(guó(🐑) )家的(🎤)诞生(🦔)和统一。
反正不(bú(😵) )是什(shí )么(🃏)精油和香皂
阎瑞(🚏)(ruì )生是个(🍤)(gè )大学(xué )生，却吃(🗯)喝嫖赌样(🌶)样都来(lái )。年(nián )关(🦆)将至，阎瑞(💪)生和吴春芳(fāng )方(😮)日(rì )珊等(👧)人(rén )到跑马厅决(🐈)定再赌(dǔ(🍃) )一把，补一(yī )补往(🚰)日亏空。几(🌨)人(rén )走出跑(pǎo )马(♈)厅(tī(⛸)ng )的时(📥)候两手空空，他们(🤢)想(xiǎ(💈)ng )起了(🍝)(le )王莲英。王莲英是上海(🍶)名(mí(🎼)ng )妓，奕奕生辉地周旋于(🐚)富商(🚓)大(dà(🛴) )贾之(zhī )间，与(yǔ )瑞(📲)生亦有一(📻)面之缘(yuán )。翌日(rì(🕗) )傍晚(wǎn )，瑞(🌊)生驱车来到王(wá(🚏)ng )的妆阁(gé(🌺) )，拿(ná )出了浑身解(💠)数。莲英受(💞)不(bú )住百(bǎi )般的(🥗)甜言蜜语(🌏)，做低做小(xiǎo )，被(bè(⏮)i )瑞生拥(yō(😛)ng )上了汽车。汽车驶(😕)(shǐ )至荒野(♌)(yě )停住(zhù )，车外只(🦇)有大片的(🤴)(de )麦田，两个(gè )人从(📳)黑暗(🎲)中窜(🏙)了出(chū )来……
《活(huó )动(💞)写真(🌬)》（日语：活動写(xiě )真(🎂)）指(✔)的是(💐)一部日本动画短(🛋)片(piàn )，据(jù(📪) )信是日(rì )本动画(📂)史上最古(🌽)老(lǎo )的作品(pǐn )。短(🤒)(duǎn )片的主(🚎)创人员未知(zhī )，有(👼)证(zhèng )据表(🉐)(biǎo )明其制作时间(🦀)是在1907到1911年(🌫)间(jiān )，有(yǒu )可能比(🏄)西方动画(🎰)开始在日(rì )本放(🤩)(fàng )映的时(🕋)(shí )期还要早。这段(🕛)短(duǎn )片是(💹)于2005年在(zài )京都市(🌠)的一(🔢)台家(🙊)用(yòng )放映机(jī )中发(fā(🃏) )现的(🦕)。
After 16 years' experience on stage, the actor and playwright Curt Goetz (1888-1960) made his debut as a film director and producer with the silent movie Friedrich Schiller - Eine Dichterjugend (1923). Writing razor sharp dialogue was his profession; acting comic parts in the theatre - without having to renounce speech - was his craft. And that is why the silent cinema presented such a special artistic challenge to Goetz, a task whose accomplishment was prompted by a difficult subject: the poet Friedrich Schiller's adolescence. An enthusiast of the spoken word makes a movie about the early life of a powerfully eloquent poet, but has to eschew the cadence of poetry. Under such circumstances, the artistic potential of a film director must prove itself.
故事发生在(zài )新年来(🛀)(lái )临(👙)之(zhī(🍔) )夜，传说每年的这(🎽)个夜晚(wǎ(🏎)n )，死(sǐ )神就会来到(🥔)人间挑选(😥)一个(gè )罪孽(niè )深(📺)重的(de )人来(🍸)驾驶他的马车(chē(🚔) )。这次(cì )被(🏏)选(xuǎn )到的是个抛(🐛)妻弃子(zǐ(😙) )又嗜酒(jiǔ )如命(mì(🌵)ng )的流浪汉(🔙)，在流浪汉由于(yú(🙋) )自己(jǐ )的(🖋)作风问题而即将(🌞)被夺走(zǒ(🐌)u )生命(mìng )时，一(yī )个(🚹)孱弱(🏎)的修(😅)女用基(jī )督之爱拯救(🚦)(jiù )了(🆑)他