黒魔(🎡)術を(🔈)操る(🍚)美少女・黒井ミサの活躍を描く人(📋)(ré(🤮)n )気(🦈)(qì(🚺) )コミック「エコエコアザラク(🍔)」の(🎄)劇場(😣)版第5弾。“破壊(huài )の悪魔・エゼキエ(♒)ル”の(🥇)復活(🚀)(huó )を予言する黒魔術教団のリ(💨)ーダ(🏀)ー(⏱)の(⛸)指令(lìng )を受け、とある田(tián )舎町(🔰)にや(🤠)って(🗒)きたミサ。この町では、1年前に(🤡)多数(❕)(shù(🍳) )の(🌛)犠(🔹)牲者を出す不(bú )可解な事故(gù(👛) )が起(😸)(qǐ )き(📨)ていた……。黒井ミサを演じるのは(👡)、(🏋)「(🎨)ラ(🔬)ブコン」「夜のピクニック」(🥖)の近(🚣)野成(💿)美。赤をイメージした本作「R-page」と(🕡)、黒(🏅)(hēi )を(✒)イメージした「B-page」が同時公開(🔁)され(🖲)る(🔫)。
边(📹)境之地，孤(gū )独的远方，旷(kuàng )野(yě )中(🈲)(zhōng )耸(🖍)立着(🏌)孤(gū )单(dān )的(de )城堡，少女优娜和她(🔺)的哥(🙆)哥(😐)在(🖱)城(➗)堡中(zhōng )顽强的生活着，少(shǎo )女拥(⏬)有不(🚣)可(kě(🌮) )思(sī )议(yì )的力量，却因此遭人排斥，内(🔓)心(⛓)封(⛷)闭(🤓)(bì )的少女就这样(yàng )一(yī )直(zhí )生(📋)活在(🚇)城堡(✊)(bǎo )中(zhōng )。但是，总是有人想得到少女(🐸)的力(🎄)量，哥(🙊)哥于是一直(zhí )保(bǎo )护(hù )着妹妹(🔓)。某(mǒ(💓)u )一(🏚)(yī(🛰) )天，一个叫戈尔德的少年来到孤独(💿)的城(🆑)(chéng )堡(⚪)，虽然他的(de )目(mù )的(de )也是带走(zǒu )优(👽)(yōu )娜(🗜)(nà(📎) )，但(🚁)是(🥛)，当他知道别人的真正目的后(hò(😆)u )，毅然(💡)选择(🏿)让优(yōu )娜(nà )脱离孤单的(de )境(jìng )地(dì )。在(🔷)几(⛷)次(🕣)对(🔄)话和互相理解之后，少女(nǚ )的封(😷)闭心(🌵)似乎(🆕)(hū )慢(màn )慢(màn )融解了。但(dàn )是(shì )少女的哥(🎞)哥(🍎)出(🔱)于强烈的保护欲而排斥少(shǎo )年(🚈)。不过(🎢)，在(🎃)(zà(🌷)i )经(jīng )历(lì )重重阻碍(ài )和(hé )危(wēi )险(🍬)后，少(🐟)年终(🌒)于带着优娜脱离了城堡，于是，少(🧔)女优(🔁)(yō(🦁)u )娜(🖲)(nà(😠) )向(xiàng )着自己的(de )未(wèi )来(lái )迈出了(🤫)第一(💙)步
80年(🐢)代的欧洲高校，同性(xìng )恋、娘娘腔永(⬇)远(🥉)(yuǎ(⚪)n )是(🗯)(shì )被欺负的对(duì )象(xiàng )。然而有个(🈶)瘦弱(🕊)漂亮(🕹)的男孩，他的目光(guāng )没有停留在人(rén )们(🏵)(men )带(🍰)(dà(🛅)i )给他的伤口(kǒu )上(shàng )。他艳羡的看(🚼)着粉(📼)红(🧞)吊(🆒)带，红唇眼影——这个叫强斯(sī )（(🌼)泰(tà(😭)i )德·(🚩)希根(gēn )布(bù )尔(ěr )克 Tad Hilgenbrink 饰）的男孩(🥪)梦想(🅱)有(🍋)天(🔣)成(🚗)为这场视觉盛(shèng )宴的主角。
身(shē(🔙)n )为(wé(🔅)i )食人(🐪)族的珍(zhēn )妮(nī )特(tè )，表面上看来跟普(🌵)通(🖊)人(🎪)没(🕗)什么两样，然而实际上，她(tā )的(de )吃(🆔)人之(🧓)旅充(🕛)(chōng )满(mǎn )了血腥。还有什么不能吃的，是家(😌)人(🖊)还(🌿)(hái )是朋友？感情(qíng )和(hé )粮(liáng )食(🅿)到底(🏌)哪(🕦)个(📔)(gè )更(gèng )重要呢？
圣诞老人遇到了(🏚)麻烦(🛏)——(🗂)他的(de )驯鹿离开了北(běi )极(jí )，跑去(✋)大城(🆎)(ché(⛹)ng )市(😊)(shì(🔕) )里(lǐ )去寻求自我价值所在。而圣(🧗)诞老(🔦)人没(💬)法(fǎ )再分辨小孩子(zǐ )的(de )好坏，不知(zhī(🔠) )道(🥥)(dà(🦃)o )该(🏔)(gāi )如何给孩子们分派礼物。处于(🦖)迷惘(📢)之(zhī(🥚) )中的驯鹿，通过(guò )和(hé )感恩节的兔(tù )子(💚)(zǐ(♊) )等(🤼)进行交流，明白了自己所做工作(🌟)的意(〰)(yì(🌜) )义(😖)。就在这时(shí )，一(yī )个本应位于(yú )好(🕯)(hǎo )孩(🐴)子名(🥘)单的小孩，却被归在了坏孩子一(🍈)(yī )列(🗻)。驯(😪)鹿(🖖)和他(tā )的(de )朋(péng )友们必须(xū )帮(bāng )助(👧)(zhù )圣(🤫)诞老(🔄)人改正这一错误……
Alfred lives with his mother in a small village, keeping chickens and selling eggs at the local market. He doesn't speak, except to his mother and to children. He has a girlfriend of sorts, although he shies away from any physical contact with her. But more than anything, Alfred wants a child. As natural fatherhood is out of the question he takes the next best option, and makes an application to adopt. With a very un-French lack of bureaucracy Alfred's adoptive son arrives, but turns out not to be the bouncing baby he was hoping for. More quietly oddball than Delphine Gleize's first feature Carnages (winner of the BFI's Sutherland Award in 2002), and filmed using a more muted palette, this is still a distinctly bizarre tale. The absurd comedy of the situation makes Alfred's efforts to be a good parent all the more touching, and our hearts go out to him as he struggles with learning how to give and receive love. Despite being almost wordless throughout, Darry Cowl succeeds in giving a wonderfully expressive performance as Alfred, but it is veteran actress Esther Gorintin who steals the show as his unconditionally loving mother.
“いたずらの王(🥩)者(😊)に(🔝)な(🐏)る”こと、そして“お城を建てて(🥖)きれ(🈴)いな(🚑)お姫さまをお嫁さんにする”こと、こ(🕋)の(👨)２(🌾)つの大きな夢を叶えるため、(👒)子分(📃)のイ(🚴)シシとノシシを従(cóng )え修行の旅(🍹) を続(⛅)(xù )け(🏇)るゾロリの活躍を描く人気Ｔ(🚕)Ｖア(🎸)ニ(👬)メ(🌺)「まじめにふまじめ かいけつゾ(🗯)ロリ(🥎)」の(🔓)劇場公開版第１弾。同時上(shàng )映は「(⬜)超(🦒)劇(🎙)場(🔞)(chǎng )版(bǎn ) ケロロ軍(jun1 )曹(cáo )」。