由(🖥)邵氏(😢)兄弟影业公(gōng )司，导(😛)演楚(chǔ )原、(🏭)演员(🌧)岳(yuè(🐌) )华、 陈鸿(hóng )烈、金(♟)峰、 施思等(🏌)倾情(💸)(qíng )打(🚮)造，剧情跌宕起伏(fú )，值得一看(kàn )。
財界(🐐)の黒(🏋)(hēi )幕(🆎)･大和田青巌から(🌵)剣琢磨へ、(🎫)警官(🧙)隊に(🚊)包(bāo )囲されている(📶)弟・剛(gāng )を(🔃)助け(👈)てく(🎖)れとの依頼の電話(👜)が入る。早速(sù )、(👑)琢磨(🙂)は機(jī )動隊にまぎれ込み、剛を救(🍆)出す(🍌)るが(🔦)、青巌(yán )の本当の(🕵)狙いは剛が(✳)手に(😐)入れ(📲)た東光化学の内情(💑)を暴(bào )露す(📈)るカ(🧔)セッ(🎛)ト・テープで、琢磨への礼金(jīn )と(🐇)して(💰)ニセ(👺)札を掴ませたのだ(🧐)った。
Returning from retirement, Frank Sinatra gives a concert that includes both old standards like "I Get a Kick Out of You" as well as newer fare such as "Send in the Clowns". Much of the program consists of Sinatra solo, but he is reunited with former MGM co-star Gene Kelly during one charming segment.
An architect and his wife are flying from London to L.A. with an altar from an ancient abbey secured in the plane's cargo hold. Also aboard the flight are Buddy Ebsen as a pushy millionaire, William Shatner as a drunken, cynical ex-priest, Tammy Grimes as a nutcase, and Chuck Connors as the lantern-jawed pilot. Crew and passengers come into jeopardy when an invisible demon escapes from the altar, and threatens the plane in an effort to destroy the architect's wife.
In Victorian London, a beautiful young man is given a portrait of himself by an admiring artist. Soon after this, he treats a young woman cruelly and then notices that his portrait seems to look meaner than it used to. Eventually, he cannot endure the portrait and hides it in the attic. As the years pass, he becomes ever more unscrupulous and dissolute. His friends remark how he is as handsome as ever and never seems to age. But up in the attic, his picture becomes uglier with his sinful ways
在一个(📠)(gè )小(🌬)岛上(🃏)，有(yǒu )一伙横行霸(bà(😠) )道的海盗(dà(🚍)o )。他们(❓)用计(♎)(jì )使一艘客船(chuán )在(🧙)小岛附近沉(🛰)没，他(🐼)(tā )们(🚜)开始抢劫(jié )船上的金银(yín )珠宝，不久(🤟)从海(❓)中游(⬅)(yóu )来了两名逃(táo )难(🏌)的女子，她们(👽)正好(👾)(hǎo )和(🚠)海盗们碰(pèng )头了。海(👟)盗(dào )中的两(📅)名成(💺)员将(🎻)两名(míng )女子强暴后(hòu )殴打致死，而海(🚃)盗船(🎓)长也和她的(de )情妇在岩石(shí )上做爱。
Even amongst exploitation junkies "Ricco, the Mean Machine" doesn't get a lot of attention and that's a shame because it's a very sadistic, effective and all around excellent Italian Crime movie with lots of nudity. Ricco (Christopher Mitchum) is out to get his revenge on the crime lord that killed his father with the help of the very sexy Rosa (Melisa Longo). He takes each of Vito's (Arthur Kennedy) men down one by one, bringing him closer and closer to his prize.
Giulio Borsi (Marcello Mastroianni), a reactionary pharmaceuticals executive, has just set off for a weekend with his young mistress (Carole André(🏃)) when the two are taken hostage at a gas station by three anarchists. Hunted by the police and transformed into media stars by the press, the trio escapes with their hostages to an isolated villa. For a brief moment, it seems as if class contradictions can be overcome, but then there is a showdown between the authorities and the far-left outlaws. Dino Risi’s darkest political satire was loosely based on a true story and anticipated the armed struggles between the Brigate Rosse and state power. It is also a clairvoyant account of the increasingly sensationalist and bloodthirsty media. At times, it almost seems like a model for the Gladbeck hostage crisis of 1988.
A crime boss is assassinated and witnesses to the crime are subsequently killed. A no-nonsense policeman decides to take the law into his own hands in bringing these criminals to justice.