The story is about two couples, one whose the marriage - and the baby - are hidden to the husband's father. The father is angry that his son is still "a bachelor" and decides to organizes his marriage. The other couple, still unmarried, is reluctant to marry, being afraid of an old legend that circulates in the city, of a ghost who appears periodically at some marriages, kisses the bride and she dies the following days.
This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'. Written by Sujit R. Varma
Sixth chapter picks up about two weeks after the previous chapter's end, and the trail has gone cold. Another murder in Fontainebleau, possibly by Les Vampires, puts Phillipe on their trail again. Irma Vep and another are soon spotted at a nearby theatre, and followed by Phillipe. Retrieval of a parcel left for Les Vampires informs them that The Grand Vampire is hiding at a hotel under an assumed name, and of a $200.000 robbery of an American. The hotel is located and, ultimately is discovered to be the base of operations of Les Vampires. What appears to be green-tinted bullfighting footage seems out of place. Sepia-tinted scene of Irma Vep rummaging about in hotel room is creepy looking, she is then captured and held for ransom by Moreno-- but the serial is wearing a bit thin now, with treasure maps and hypnotism being thrown into the plot, and the chapters are not only getting more convoluted, but also longer.
取材自(🗡)欧(📙)洲民(mí(🆒)n )间(🌏)的古老(🚹)传(😯)说，由霍(📛)尔(⬆)格•德(📳)(dé(📏) )莱(lái )克曼（Holger Drachmann）创(chuàng )作为五幕童话剧(jù )，德莱叶改编并(bìng )搬上银幕。
赌(dǔ )城(chéng )拉斯维加斯(sī )，除夕夜。轮盘(pán )赌盘在疯狂地旋(xuán )转，纸牌的(🗯)(de )劈(pī )啪声(👧)愈发刺耳(🐓)(ěr )。老虎机(🔀)鸣响，香槟(⛅)酒气熏天(🚗)。突然间，灯(🍡)(dēng )火(huǒ )骤(🍀)熄，一片黑(🛒)(hēi )暗。这是(🍞)一个多(duō(🕺) )么完美(🍄)的(💭)时刻，无(🧘)论(🔵)你是去(😹)(qù(🏞) )偷(tōu )吻(🎤)香(🏂)艳的女(📗)郎(🤐)(láng )还是(🤫)顺(🥝)手牵羊(👍)地(💋)(dì )私密几张钞票(piào )。当然，对于(yú )丹尼·奥逊（弗(fú )兰克·辛纳特拉(lā ) Frank Sinatra饰）和他的(de )十(shí )一(yī )个犯罪团伙(huǒ )来说，这更是一(yī )个偷天换(💢)日的绝(jué(👄) )佳盗窃机(🙊)会(huì )。以丹(👲)尼为首的(🕘)(de )十一罗汉(🔂)，均是(shì )二(🥣)战退伍后(⛵)最优(yōu )秀(🧜)的空降部(🌙)(bù )队(duì )成(📐)员，个个身(🌮)(shēn )怀绝(🕠)技(🚂)。丹尼伙(🚙)(huǒ(🎌) )同山姆(🍀)·(📪)哈蒙（(♋)迪(🧛)恩·马(⚪)丁(💜)(dīng ) Dean Martin饰(shì(🌐) )）(🌑)、约什·(⌛)霍(huò )华（小萨米·戴(dài )维斯 Sammy Davis Jr.饰）、吉(jí )米(mǐ )·福斯特（彼特·劳福德 Peter Lawford饰(shì )）和康纳斯（乔(qiáo )伊·毕晓普(pǔ ) Joey Bishop饰(shì )）等人，开始(shǐ )了(♿)一场有史(⛴)以来(lái )最(👭)大的赌场(😞)抢劫(jié )案(🧒)。然而这(zhè(☔) )场(chǎng )看似(✏)天衣无缝(🚐)(féng )的“完美(🚥)”盗窃(qiè )案(🥊)，却纰漏百(😌)出(chū )、(🤡)波(🏮)澜起伏(🌁)(fú(🛠) )。
For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence.
Detective Haffigan investigates the disappearance of a mysterious singing bone that has fallen into the hands of an attractive actor with a gorilla arm.