In early seventies Italy, plagued by criminality and political terrorism, a fearless police commissioner ( Enrico Maria Salerno ) is sent to restore law and order in a northern industrial town devastated by a recent wave of violence and kidnappings. When a gang of criminals steals his son, he has to decide whether to stick to his principles or follow his feelings. His decision will lead him to discover corruption at the highest levels of the police administration, with tragic consequences.
马克斯(🧑)（吉(🙊)恩·(🥠)哈克曼 Gene Hackman 饰）和莱恩（阿(🍃)尔(ěr )·(🚠)帕(pà(🎆) )西诺(📵)(nuò ) Al Pacino 饰）都觉得彼此相见恨晚，因(💒)为个(🍙)人原(🤴)因不(bú )得不(bú )分手(shǒu )的两(liǎng )人(🌛)约(yuē(🛰) )定了(🍥)再次(🆕)相见的日子。莱恩是一名(🐌)船员(yuá(👍)n )，在(zà(📗)i )结束(📅)(shù )了长(zhǎng )达七(qī )年的海(🐦)上漂泊(🚙)作业(🚏)后，他(🚑)终于可以回到(dào )家乡(xiāng )，回(huí )到(🥢)思(sī(🧐) )念多(😗)(duō )年的妻子身边。马克斯是一名囚犯(🦖)，在(zà(💑)i )监狱(📗)(yù )里服(fú )完刑(xíng )的他决(♓)定开一(🛵)家洗(😐)车店(🧢)，并且修复他和(hé )妹妹(mèi )可莉(lì(👋) )（桃(➰)(táo )乐(🚄)茜(qiàn )·崔斯坦 Dorothy Tristan 饰）之间的亲情(🏜)。
Light-hearted and occasionally unclothed adaptation of a British comic strip in the over-the-top, on-beyond-Bond spy fantasy vein...
While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film.
剧情(⛔)梗概(🦃)：描(🏷)写(xiě )查理(lǐ )成功(gōng )地抢(qiǎng )劫了(👵)新墨(🐲)西哥(♿)的银行，但在抢劫过程中(🔟)(zhōng )遇到(⤵)(dào )了(👺)许(xǔ(📗) )多意(yì )想不(bú )到的事，且这笔钱(🥓)是黑(😣)手党(📭)准备抢劫的(de )，这(zhè )样他(tā )就成(ché(😉)ng )了警(🍫)(jǐng )方(🔮)和黑(🍍)手党的共同敌人。最后他(👫)凭聪明(🌿)(míng )才(🧤)智(zhì(🕒) )将黑(hēi )手党(dǎng )炸死(sǐ )，并摆脱警(✊)方携(🔎)带赃(🛑)款溜掉了。
瑞(ruì )典唯(wéi )美派(pài )情(🈷)色(sè(➰) )大师(🚢)(shī )乔(🌰).萨诺（JOE SARNO）1972－1974年的名作“少女三部(✨)曲”之(👊)一(yī(🛒) )
Doctors at a rejuvenation clinic discover a formula that will prevent aging. However, it involves harvesting the blood and body parts of young men, a process that the doctors aren't particularly averse to.
一个(gè )涉世(shì )未深(shēn )的(♑)年轻海(🍃)军士(🔟)兵，因(🤨)偷窃被叛处重刑。二个(gè )面露(lù(🤲) )凶恶(☔)(è )但(🐝)内(nèi )心善良的士官，受命押解。在(🏣)漫长(📪)的押(👓)(yā )送(🀄)路(lù )程中(zhōng )，他(tā )们不(bú(🍗) )忍再让(🧕)那孩(🌏)子受(🏯)死板军规的折磨，于是(shì )，三(sān )个(🔸)人(ré(🍪)n )到处(🛌)(chù )胡天(tiān )胡地，狂欢纵欲，姿情放(🐮)荡，结(🤒)果(guǒ(💩) )小水(shuǐ )兵竟(jìng )起意(yì )开溜(liū )。
A sleazy pimp meets a suicidal ex-priest and dares him to indulge all of his most base carnal desires for a week before killing himself. The former padre says "what the Hell?" and the two of them embark on a sex and crime spree across an unsuspecting Toronto. An ultra-obscure exploitation rarity directed by Ed Hunt, with a theme song by Bo Diddley!