厨艺大师第五季

「ミ(👲)ナ(😝)ミ(🌳)の(📺)帝(🤦)(dì(💪) )王」シリーズの竹(zhú )内力(lì )主演の(😯)日(🙇)本(běn )の闇社会を鋭く実録社(shè )会派(pài )ドラマ。実在した最後(hòu )の大物(🔝)総(⏫)会(🎶)(huì(🚈) )屋(✝)の(🛂)半(🤕)生(🖇)を(🤛)赤裸々に描(miáo )いた大下英治作の「最(zuì )後の総会屋」を映画化した(📙)。監(💐)督(🌯)は(🦃)『(🗞)ボ(♏)ー(🤬)ダ(🚃)ー(💹)ライン』の渡(dù )辺武(wǔ )。 警察(chá )埃布(bù )尔（让·雷诺 Jean Reno饰）一贯(guàn )以英(🤤)勇(☔)无(⛓)畏(🏹)(wè(🚤)i )、雷厉风行(háng )的形象呈于(yú )人前(qiá(🐪)n )，他(🦖)对待犯人的手(shǒu )段几(jǐ )近残忍，从(cóng )不手软。可(kě )是硬汉的内(nèi )心却(què(🐀) )隐(🌸)藏(🥤)了(🥨)一(👥)段(🎑)尘(🚀)封(🗯)已(🎓)(yǐ )久的(de )情伤——19年(nián )前，他的日本女友蜜子(zǐ )不告(gào )而别，埃布尔整整(🚎)(zhě(🙋)ng )思(🐢)念(🗼)(nià(🍬)n )女(🍣)友(🚙)19年(🏓)，不(🧕)(bú )曾移情。 40岁的Erika Kohut（伊莎贝(bèi )尔·于佩尔(ěr ) Isabelle Huppert 饰）表面上(shàng )是一(yī )个优雅(🏦)(yǎ(⚫) )的(🍮)钢(🤴)(gā(🌚)ng )琴老师，外形独特、气(qì )质出众，但(dà(🚮)n )对(🤤)学生却无(wú )比严厉。同(tóng )时她(tā )的母亲专制又无理(lǐ )，无(wú )休止的折磨(💎)(mó(❗) )令(📊)Erika的(✈)各(🚑)种(🍬)欲(🌛)(yù(💷) )望(⌚)都无法发(fā )泄。于是Erika只好躲在厕所(suǒ )用剃(tì )刀伤害自己(jǐ )以求快感，嗅(💏)着(⛓)内(🐲)裤(🚿)上(🥈)(shà(💵)ng )的(🍠)味(🏳)(wè(🍣)i )道以发泄欲望，还(hái )去租(zū )看色情录像(xiàng )带。当18岁英俊冲动的Walter（伯努瓦(🐵)·(🆘)马(🍸)(mǎ(🦂) )吉(♉)梅 Benoît Magimel 饰）闯进(jìn )她的生(shēng )活时(shí )，一切(🔎)都改变了。他们(men )互相需索互(hù )相慰藉，Erika以(yǐ )为她终于找(zhǎo )到了(le )自己的幸(🚞)福(🤬)，然(🍑)而(🧐)(é(🌊)r )年(🧙)少(✈)(shǎ(👛)o )的(⬅)Walter有一日厌(yàn )倦了这种关(guān )系…… 全新(xīn )的高(gāo )科技游乐场Space Land在外太(tà(🌷)i )空(🍰)正(🎨)(zhè(🎓)ng )式(💾)开(🍪)张(💈)，正(🦍)(zhè(🅿)ng )好适逢猫型机器人同窗(chuāng )会，一向吵闹喧哗的哆(duō )拉A梦(mèng )小子们也跑(📮)(pǎ(🍓)o )来(😔)凑(♟)热(🥕)闹。偏偏哆拉A梦(mèng )前一天吃坏(huài )了肚子(💪)，于(yú )是只(zhī )得由哆(duō )拉美(měi )（よこざわけい子 饰）带着这群小(xiǎo )家(📸)伙(🧠)们(🏸)前(🧘)往(🥉)(wǎ(💣)ng )Space Land。不(🗓)过(🕗)，游(📩)(yóu )乐场(chǎng )的情况有些奇怪，这里(lǐ )既看不到客(kè )人，工作人(rén )员也全不(👧)见(💷)(jià(🖍)n )踪(❎)影(🎦)(yǐ(🧖)ng )。糟(🌕)糕(💟)的(🕐)是，哆拉(lā )美他(tā )们还被卷入(rù )各种疯狂的设施之中不(bú )得抽(chōu )身。似(💚)乎(👋)有(😅)某(👏)些(🤴)坏(huài )蛋占(zhàn )领了这座乐(lè )园，哆拉美他(🌅)们最终能(néng )否摆脱危机(jī )？拯救乐园(yuán )呢？ A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended. ビッグシティ・TOKYO。クラブ(🥅)に(🛺)集(🈂)う(🌞)仲(🌞)(zhò(🍂)ng )間(✡)の(㊗)ひ(👉)とり・PLATIMUMの女が何(hé )者かに誘拐(guǎi )され、彼女の命と引き換えに、CD-ROMを(📦)隠(🎗)し(🤖)た(🦊)テ(🏜)デ(😗)ィ(🔡)ベ(📞)ア(🧤)を新宿の廃病(bìng )院から東京タワーの展(zhǎn )望台まで、行く手を阻む(💟)敵(🌟)の(🚣)攻(🏽)撃(😥)(jī )をかわしながら夜明けまでに届け(🚢)ることになったHIRφとZEEBRAと仲間(jiān )たち。だが、これは謎(mí )の黒(hēi )幕によ(🕶)っ(🚙)て(😉)仕(⛄)組(🎐)ま(🔌)れ(👿)た(🏹)ゲ(🐉)ームで、その全容は大金をベットし興奮する客(kè )たちのもとに同(🌚)時(😈)(shí(🌍) )中(🚐)継(🥪)(jì(🎦) )さ(🧀)れ(🔥)て(🕥)いた。病院から首尾良くテディベアをゲットしたHIRφとZEEBRAたちだったが(🖱)、(🆔)新(🍇)宿(⬛)の(🧚)カ(🐀)ラス軍団(tuán )、渋(sè )谷のオオカミ軍(👭)団(tuán )、六(liù )本木のトラ軍団たちの攻撃に、HARU、リオ、純が次々に殺(💅)さ(🗒)れ(🎛)て(🏼)い(🔒)く(💚)・(🐆)・(🦖)・(💔)。 詹姆斯道爾奉命領隊(duì )前往非洲的(de )剛果執行秘(mì )密任務，結(jié )果全(quá(🎴)n )體(🈺)隊(🐻)員(🕘)均(🏇)遭(🎡)屠(📯)殺(🕒)，詹(🥞)姆(mǔ )斯的生死未(wèi )卜，於是主(zhǔ )導任務的潘(pān )波將(jiāng )軍又派詹姆斯的(🛠)哥(🌘)(gē(🛅) )哥(💖)彼(🛣)(bǐ(🦑) )特道爾，偕(xié )同喬依絲達爾文中尉一(🚶)(yī )起領(lǐng )隊，前往剛果的魯(lǔ )比孔(kǒng )基地進行調(diào )查，並關閉該基地的(🗓)保(🎬)(bǎ(🐞)o )全(🧚)裝(⏱)置(👱)，不(🙋)(bú(📦) )料(🍊)隊員卻接(jiē )連地(dì )遭到不明怪(guài )物所殘殺，道爾在抵達(dá )基地之後，才(👽)發(🏃)現(㊗)這(👽)一(🔦)(yī(🛴) )切(👌)都(💿)是(🚕)潘波(bō )將軍(jun1 )的陰謀，他們將面對的(de )是來自外太(tài )空的異形戰(zhàn )士.....