海底总动员电影

This silent German film, which depicts events leading up to Danton's execution, is interesting in that all the characters get fair treatment-- NONE of them are likable. It focuses mostly on Danton, Camille Desmoulins, and Hérault-Séchelles, and the three women with whom they become involved. This leads to a few historical inaccuracies. Lucille is an aristocratic girl Camille happens to "find," and he marries her to protect her from the Revolution. She then promptly cheats on him with Danton, who is in love with her, much to the ire of his own wife, a mysterious "Julia." (His wife at the time was actually named Louise.) Meanwhile, Hérault-Séchelles has adopted a poor girl named Babette and made her over into an aristocrat. (There is a bath scene that rivals that of My Fair Lady. . . .) After his arrest, her old friends raid his house and find her. She promptly tears off her fancy dress and puts on her old clothes to be carried away victoriously by the people. Her only remorse seems to be leaving her shoes. And those six are the heroes. The Wicked Darling is a 1919 drama film directed by Tod Browning. The film was considered to be lost, until a copy was found in Europe in the 1990s. The copy now resides in the Nederlands Filmmuseum Romantic drama of manners. Lina, graceful schoolgirl, argues against the will of his father, Don Bernardo, a romance with Alvaro, a young bohemian who squanders his fortune. They decide to escape from parental supervision, but in the train station a beggar hurt Lina warns about the serious error being committed. He bandages the wound with a tissue in which are inscribed his initials and she gratefully gives him her jewels and in turn tells her boyfriend's decision not to pursue this adventure. The beggar is assaulted and murdered. His body appears with the handkerchief Alvaro, who is accused of the crime. Although he is innocent silent to protect Lina and this, above his honor, confesses the truth. Alvaro, and innocent, is gold and ends happily married to Lina. A French orphan who grew up in a convent sets out to see Paris. It turns out that she is the heir to a fortune but doesn't know it, and has been lured to Paris by one of the heirs who does know who she is; he plans to swindle her out of her inheritance so he can have everything. Written by frankfob2@yahoo.com Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33. 内(🐘)战宣传(🍒)片，鼓吹(⚾)农民向(😧)城市提(🃏)供面包(🛡) Мол(🌤)ода(🏔)я графиня Вера Дубровс(🔫)кая(📺) меч(❎)тае(♋)т пр(🌁)ине(🍥)сти(💃) пол(🥪)ьзу человечеству. Она п(🔊)осе(🆙)щае(🚇)т бе(🍣)дны(🦈)х, «б(❤)ывш(🍹)их л(🏣)юде(🔚)й» и помогает им в меру с(📫)ил. О(🎅)дна(🤷)жды(🕉) Вер(💘)а ок(🥌)азы(🍴)вае(✈)тся в каморке пьяницы М(🥫)акс(⛩)има(🍉) Пет(✈)ров(😜)а. На(🙂) пом(🌩)ощь(🔇) графини он отвечает те(👈)м, чт(🚄)о об(⏭)есч(😝)ещи(🔲)вае(🍥)т ее(💐), ост(👙)ави(🌃)в незаживающую рану в е(👡)е ду(💪)ше. П(👳)рид(🐟)я в с(⛩)ебя(📉), Вер(👊)а уб(🐙)ивает негодяя. A scientist creates a mechanical man but thieves steal it and send it out to kill and destroy a city. The only way to stop the creature is by creating another mechanical man to destroy it. This Italian horror film seems to have had an influence on Fritz Lang's Metropolis, at least in the look of the robots. It's hard to really judge the film since so much of it is missing but they did a good job at taking the current length and adding enough background so that we know what's going on. Sylvester, by the hugely underrated Lupu Pick is one of the least known films of the silent era, and unjustly so. Pick, the director of the slightly less obscure Scherben (Shattered), is almost as forgotten as this, his masterpiece... a film that without doubt, in it's time, was one of the most important of the German silent era.