Thyra arrives in Chekia to wed its old and ugly king. The Duke falls in love with her. A revolution erupts and the king is assassinated. Chief revolutionary Gigberto also falls in love with Thyra. The revolutionaries plan to drown Thyra and Gigberto in a boat, but the Duke takes Gigberto's place. And the loving couple are rescued.
故(gù )事发(🖋)(fā )生在(zài )新(🦊)年(nián )来临之(🛺)夜(yè )，传(chuán )说(🔱)每年的这个(👆)夜晚(🎰)，死神就会来(🚔)到人间挑选(🔗)一个(gè )罪孽(💖)(niè )深重的人(🐘)(rén )来(😞)驾(jià )驶(🐆)他(tā )的马(mǎ )车。这次(cì )被选(xuǎ(💭)n )到的是个抛(🌖)妻弃子又嗜(🌋)酒如命的流(➗)浪汉，在流浪(📬)汉由(🐡)于自己的(de )作(🥫)风(fēng )问题(tí(🐛) )而即(jí )将被(👻)(bèi )夺走(zǒu )生(🛀)命(mìng )时，一个(👌)孱弱(🔟)的修女用基督之爱拯救(🖖)了他
德国移(💡)民的名导演(🔦)埃(āi )里克(kè(🎚) )．冯(féng )．施(👖)(shī )特罗(luó )海(😵)姆(mǔ(📌) )花费(fèi )了一(📙)百三(sān )十万(📕)(wàn )美元和十(😮)一个月的时(⬛)间摄(🐾)制而成的超级文艺片，原拷(kǎo )贝长达(📅)五(wǔ )小时(shí(🥌) )，公(gōng )开上(shà(🐞)ng )映时(shí )浓缩(🍞)(suō )成三(sān )小(🚌)时半(🚈)。由于耗资惊(🕔)人，好莱坞大(🥍)亨本来对埃(👶)里克颇有微(😨)词，后因(yīn )本(👕)片(pià(🏓)n )获得(dé )意外(wài )的卖(mài )座(🚄)成(chéng )功而作(🤦)罢。故事以1919年(💜)的蒙地卡罗(📎)为背景。埃里(📺)克扮演一个(⏯)欺骗(🤗)(piàn )美国(guó )外(🥟)交(jiāo )官女(nǚ(🎴) )儿的(de )白俄(é(🌙) )亲王(wáng )，靠着(🧜)剥(bā(⏹)o )削他(tā )的情妇----一个貌丑的女仆为生(🏃)。由于性虐待(➰)狂的驱(qū )使(🙏)，他强奸了(le )一(🥧)个(gè )不幸(xì(🔏)ng )的白(🐏)(bái )痴女(nǚ )子(🗯)。最后(hòu )，他被(🛢)人杀死，他的(🥢)尸首很有象(🔹)征意义地被(🚅)扔在(⛸)臭水沟里。埃(āi )里克(kè )对(🗻)自(zì )然主(zhǔ(🖼) )义情(qíng )有独(👶)(dú )钟，希望把(📦)一切情史都(🧥)在画面中表(🚖)现出(🐢)来。他特地在(➕)加州海边搭(🕡)建(jiàn )起蒙(mé(🗝)ng )地卡(kǎ )罗的(💉)(de )赌场(🍊)(chǎng )和雄(xióng )伟宫(gōng )殿的布景(jǐng )，并(bìng )且(🤑)在采光上有(🍵)十分大胆的(🚹)处理方式。影(🌲)像上也富(fù(🐼) )于感(👙)(gǎn )官刺激的(🍙)(de )煽情(qíng )暴力(🕵)(lì )场面(miàn )，甚(🦏)(shèn )至劳(láo )烦(🚜)电(diàn )检单位(🐍)剪掉(🖥)了其中的一些镜头。在片(🐯)中，埃里克用(📑)一种辛酸的(🚎)(de )悲观(guān )主义(🥁)(yì )眼光(guāng )来(📎)观(guān )察人(ré(🎇)n )类，对(🛵)上层社会的(🔀)腐朽和封建(🕌)作出激烈的(😕)抨击，流露出(💘)一种(👪)愤而感(gǎn )伤的(de )怜悯(mǐn )色彩(cǎi )。而(ér )对(🏘)低(dī )下层(cé(🍻)ng )的人物和(hé(🎾) )被骗(piàn )上当(🈺)的女子，则寄(👧)予同(✌)情的关注，表(👺)现出独特的(🍖)(de )“埃(āi )里克式(🐉)人(rén )道主(zhǔ(🐓) )义精(jīng )神"。
丹(🕚)麦(mài )人斯(sī )特伦(lún )•赖伊在(💱)柏林导演了(❔)几部影片（(🤑)如《一切罪恶(🕛)都在地上》）(💹)之(zhī )后，给德(🖼)(dé )国(🐿)电(diàn )影制(zhì(🍣) )作了(le )他的(de )第(🙅)一部重要作(🏈)品《布拉格的(🆗)大学(👟)生》。这部摄制费达两万马克(kè )的影(yǐ(💥)ng )片是(shì )根据(🦓)(jù )小说(shuō )家(🌃)汉(hàn )斯•埃(🍚)弗斯所(suǒ )写(🏎)的(de )剧(🍽)本、由摄影(🚂)师基杜•齐(🍇)佩尔在波希(🌅)米亚拍摄的(🔑)(de )。它(tā )的主要(📹)演(yǎn )员是(shì )保罗(luó )•威(wēi )格(😊)纳(nà )和丽(lì(🅱) )第亚(yà )•沙(🤸)尔莫诺瓦。保(🥕)罗•威格纳(👩)当时是马克(😻)斯•(🚽)莱因哈特手(🚞)下最(zuì )有名(😿)(míng )的一(yī )位(🍈)演(yǎn )员。
After 16 years' experience on stage, the actor and playwright Curt Goetz (1888-1960) made his debut as a film director and producer with the silent movie Friedrich Schiller - Eine Dichterjugend (1923). Writing razor sharp dialogue was his profession; acting comic parts in the theatre - without having to renounce speech - was his craft. And that is why the silent cinema presented such a special artistic challenge to Goetz, a task whose accomplishment was prompted by a difficult subject: the poet Friedrich Schiller's adolescence. An enthusiast of the spoken word makes a movie about the early life of a powerfully eloquent poet, but has to eschew the cadence of poetry. Under such circumstances, the artistic potential of a film director must prove itself.
在奥(🔆)(ào )利(🌊)维(wéi )拉那部美得让人心颤的杰作《聚(🏂)会》中，那些内(🧠)心欲望和禁(💊)忌(jì )交织(zhī(👏) )的男(nán )男女(🐦)(nǚ )女(🔻)聚(jù )集在(zà(🏎)i )一个(gè )岛上(🏙)，其(qí )间一(yī(🔫) )男一女伫立(🗞)在海边的礁(✌)岩上，下面是激荡的海浪(làng )，内(🚔)(nèi )心是激荡(👺)(dàng )的欲(yù )望(💳)，女人(rén )看着(📃)(zhe )一汪(wāng )在岩(📹)(yán )石上凿出(🍘)的泳(👨)池说：“看看(🍶)这个游泳池(💢)。是在岩石上(🥊)挖成的。这是(😻)(shì )我(🍅)丈(zhàng )夫的(de )母亲(qīn )送给(gěi )她儿(ér )子的(🛃)礼物。在我看(🐣)来，它象征着(♿)女人的子宫(🏢)。”而男人只是(🏀)回(huí(🗻) )答：“我(wǒ )对(🔯)种(zhǒng )种象(xià(🍲)ng )征都(dōu )无动(😰)(dòng )于衷。您(ní(🍫)n )喜欢(huān )赌博(🎄)吗？”女人的回答是：“不喜欢(🐺)，我喜欢散(sà(🎤)n )步。”这个男(ná(🍐)n )人对(duì )这个(♋)(gè )女人(rén )的(🧘)询(xún )问与(yǔ(🐩) )回答(🍟)(dá )，这个女人(🥖)对这个男人(♋)陈述与回答(➖)，都包裹着欲(🦑)望的(🙋)攻击和对(duì )欲望(wàng )的遮(zhē )掩和(hé )逃(🔓)避(bì )。人(rén )在(💬)自(zì )己欲望(🎬)面前的审慎(🏰)和闪躲，直接(💕)指点(🔭)出这些欲望(🤡)本身的虚饰(🎍)和(hé )沉沦(lú(👂)n )，这(zhè )个世(shì(🍢) )界变(biàn )得如(🐈)(rú )此暧(ài )昧和纠缠，那(nà )些低(🤘)垂在耳边被(🥘)语言所裹胁(🥪)的欲望，被语(🤵)言所放(fàng )逐(🎋)的(de )欲望，成(ché(🔟)ng )为从(😕)(cóng )红唇(chún )中(🐖)吹(chuī )出话语(🚪)，内心(xīn )的陈(🚼)述看似整洁(🌈)和典(👶)雅，但是一如碎片和泡沫交待给我们(🍅)对自(zì )己历(♊)(lì )史的(de )测不(💈)(bú )准的(de )回忆(🔞)(yì )，对(duì )现实(📗)的测(🏡)不准的把握(😌)，对未来的测(Ⓜ)不准的忧郁(🥌)。这就是奥利(🎲)维(wéi )拉对(duì(🛩) )情感(gǎn )世界(jiè )的展(zhǎn )示，在静(🚣)(jìng )寂中还原(🚁)情感运动的(💝)紊乱了的轨(🏧)迹，这个轨迹(🚝)向一条无法(💏)测准(⛑)(zhǔn )的曲(qǔ )线(🗃)。——cinekino
Gotthold Ephraim Lessing published his "dramatic poem" in 1779 as a direct response to censure by official orthodox religious circles, to which he was subject after publishing a work by Samuel Reimarus that was critical of religion. He set his story in Jerusalem at the time of the Crusades, where Christians, Jews and Muslims were in constant and close confrontation. It threatens to end tragically in religious conflict, but the main character succeeds, with insight and shrewdness, in reconciling the religious communities. Lessing's drama is acknowledged in German literary history as a "humanist manifesto" that defends "religious tolerance and the freedom of ideas". Scriptwriter Hans Kyser adapted the drama to great cinematic effect, incorporating as a powerful prologue, the opening episode that Lessing resolved only at the end of his drama. Manfred Noa used the brutality of the Crusades and their exotic setting to stage visually impressive crowd scenes. Experienced actors from box-office hits were magnificent in the leading roles, among them Werner Krauss (Das Cabinet des Dr. Caligari / The Cabinet of Dr. Caligari by Robert Wiene) as Nathan, and Carl de Vogt (Die Spinnen / The Spiders by Fritz Lang) as a young Templar knight. As in the original drama, this emotionally charged production ends in an impassioned plea for reason and for tolerance towards people of other faiths.
根据(jù(🥌) )德国(guó )古典(📑)(diǎn )史诗《尼(ní(🍹) )贝龙(🐮)(lóng )根之歌》改编。本片共两部，第一部的(🚽)副标题是《西(🍋)格弗里德(dé(🤤) )》或(huò )《西(xī )格(➿)弗(fú )里德(dé(🕸) )之死(💚)(sǐ )》，又译《斩龙(💘)遇仙》；第二(🤲)部《克伦希尔(🥦)德的复仇》。第(⭐)一部剧(jù )情(🚈)：库山(shān )王子(zǐ )西格(gé )弗里(🎚)(lǐ )德从(cóng )传(🍴)说中得知，如(🍑)果能用丛林(💵)内的巨龙血(🦈)液沐浴，就能(🎰)全身(⛄)刀剑(jiàn )不入(📉)(rù )，乃立刻(kè(🚹) )启程(chéng )斩龙(⛺)(lóng )取血(xuè )。不(🔢)料飘(❎)(piāo )来一(yī )片树叶 贴在他的背上挡住(🚨)了龙血。他自(🥥)恃刀剑不入(👐)，乃出兵讨(tǎ(😖)o )伐矮(ǎi )人国(🤴)(guó )，夺(💝)(duó )取隐(yǐn )身(😮)头(tóu )巾和(hé(🏟) )尼伯龙根的(🌩)国宝。后来，他(🚪)更凭这两样(🛳)法宝之助打败冰岛女王(wáng )的(👝)武(wǔ )士，跟王(🤔)(wáng )妹克(kè )伦(🦑)希(xī )尔德(dé(👠) )结婚。武士哈(🚒)根获悉，将长(🔉)矛对(📠)准被树叶贴(🎢)住而未沾龙(🦉)血的背(bèi )部(🌕)猛(měng )掷，西格(🥘)(gé )弗(👼)里(lǐ )德应(yīng )声倒(dǎo )地。第二(èr )部描(miá(🌁)o )述西格弗里(🤕)德死后，克伦(🧚)希尔德嫁给(🚨)了匈奴国王(🧣)(wáng )伊(🚚)泽尔，生下(xià(🌂) )一个(gè )孩子(💒)(zǐ )。她(tā )邀请(⌚)(qǐng )她的(de )兄弟(🤱)(dì )前来参加(❗)派对，并鼓励伊泽尔向杀死她(🕧)前夫西格弗(🦀)里德的凶手(🔨)(shǒu )哈根(gēn )报(🗑)仇(chóu )。不(bú )料(♋)哈(hā )根得(dé(⏭) )到她(🔓)(tā )兄弟们的(👨)保护，于是她(🏕)必须为逼迫(🛐)自己的兄弟(🎍)交出(📒)哈根而展开(kāi )一场(chǎng )激战。
A young woman marries the wastrel son of a British aristocrat. Her husband, who has been disinherited by his father, loses what little money he has left gambling in casinos and then dies, leaving her penniless and with an infant son. When her former father-in-law tries to get custody of the child, she leaves him with a couple she trusts, but when she later goes to reclaim her son, she can't find the people she left him with.