风景视频素材

索朗(🎾)日是一(yī )位25岁的年轻女导(dǎo )演，有一(yī )个女儿，有丈夫(fū )却并(🚴)不住(zhù )在一起。与一位(wèi )双(shuā(♌)ng )性恋的电影明星(xīng )保持着情(🍊)(qíng )人关系，同时热(rè )衷于与陌生(🐃)人的各(gè )种短暂(zàn )激情游戏(🛋)(xì )。直到某(mǒu )天她邂逅了布鲁(👙)(lǔ )诺——与(yǔ )她是同一类人的(📪)(de )男(nán )人。 北海道の大(dà )雪山。サ(🌙)ーカスから逃げたヨーロッ(🌊)パ狼デビルは、樺太犬テツとの間に5匹の子犬をもうけ山(🆚)(shān )の中で育てていたが、人(🎅)(rén )食い熊ゴンに襲(xí )われて(🎒)デビルは殺(shā )されてしまう。し(🍐)かし子(zǐ )犬の1匹は牧場の娘(🥐)(niáng )・早苗(miáo )に救われて、タ(🈵)キと名づけられ人(rén )間に育て(🐂)られることになった。狼の血(👩)を引(yǐn )くタキは周囲に馴染(🐞)めず、カネトとヨシトの猟師(shī )親子に預けられるが、や(🐐)はり自然(rán )の中へと帰って(👫)いく。その後幾多(duō )の試練を(🌦)経験して成長したタキは、仲(🤡)間の野犬たちと共にゴンと(🐊)の宿命の対(duì )決に挑(tiāo )む。 The further adventures of 'True Grit' Rooster Cogburn which has him battling injustice in his own unorthodox way while contending with a teenage girl bent on reforming him. A simple story about simple people. A 38 old divorced woman (Marie), who now has a lover (Serge) but decides to leave him, abort his baby, and then returns with her ex-husband (Georges). Their daily life and of their friends, who have the same typical problems. 1950年(🐓)秋(qiū )，新疆和(hé )平解放。我骑兵(bī(💑)ng )团追剿土(tǔ )匪，来到天山深(shē(🤵)n )处(chù )艾尔尚山村。正(zhèng )当我发(🎲)(fā )起(qǐ )攻击时(shí )，一个"怪(guài )人"骑着一(yī )匹雪青马(mǎ )突然出(chū(📍) )现，打乱了我军部(bù )署，土匪趁(🚬)机逃(táo )走，："怪(guài )人"也跑得无(🌊)影无(wú )踪。侦察(chá )班长耿连(lián )成(👗)接受(shòu )了(le )团长交给的调查(chá(🤱) )"怪人"的任(rèn )务。当他找到"怪(guà(🥞)i )人"时，"怪人"已伤势(shì )严重，危在旦(🎯)夕(xī )。耿连成(chéng )两次输血给他(🐝)，可他却对(duì )耿连成充满敌意(🦖)(yì )，而与自己的雪青(qīng )马形影(yǐng )不(bú )离。耿(gěng )连成朝夕(xī )同"怪(🦏)人"相(xiàng )处，对雪(xuě )青马倍(bèi )加(🤪)爱护，终于使"怪(guài )人"开口。原来(🔫)，"怪人"是穷(qióng )苦的哈萨克牧民(mí(🏸)n )，叫叶尔(ěr )哈那提，雪青马(mǎ )是(😞)(shì )5年前一位住在他(tā )家的汉(💯)族(zú )商人留给他做纪(jì )念的。由(🗺)于长大的(de )雪青马(mǎ )在一次赛(🔬)(sài )马比赛中(zhōng )得了第一，扫了(🛣)(le )权贵们的(de )威风，反动牧主(zhǔ )以(yǐ )追查汉族商人为(wéi )名，逼(bī )得(💊)(dé )叶尔哈(hā )那提一家(jiā )背井(🐢)离乡(xiāng )，来到艾(ài )尔尚。叶尔哈(👛)那提救了落(luò )水维族姑娘阿依(👉)(yī )霞后，阿(ā )依霞父女也被抓(🍞)(zhuā )到水磨房(fáng )做长工，叶尔哈(🍏)(hā )那(nà )提被迫逃进深山(shān )。他复(📤)仇(chóu )心切，深夜只身(shēn )冲进巴(💫)依尖的帐篷(péng )，将他(tā )刺倒，但(👹)(dàn )自己也被(bèi )击中，幸好被耿(gěng )连成搭救(jiù )。叶尔哈那提伤(shā(🤢)ng )愈(yù )后，听到巴依尖(jiān )没死，阿(⛲)(ā )依霞又(yòu )被抓去，不顾劝阻(🌎)(zǔ )，又深入(rù )匪穴。经过深入的研(🏠)究，耿连成请求带侦(zhēn )察班潜(🛢)入(rù )匪穴，保护叶尔(ěr )哈那提(🍑)和(hé )阿依霞，和大部(bù )队(duì )内外(🎆)夹击敌人。正当叶尔(ěr )哈那提(📛)背着伤重(chóng )的阿依霞被围时(🦋)，耿连成(chéng )率部队掩护他们的(de )脱险。叶尔哈那(nà )提也参加(jiā )了(📼)战斗。巴依尖(jiān )逃(táo )跑时，妄图(👇)抢走(zǒu )雪青马(mǎ )，叶尔哈那提(🎨)一声(shēng )哨响，召(zhào )唤雪青马。巴依(🕎)(yī )尖开枪打中了雪青(qīng )马，叶(👕)尔哈那提(tí )满怒火，杀死了巴(💡)依尖。雪青马的(de )死，使团长很难(ná(➖)n )过(guò )，原来他就是5年(nián )前在叶(📗)尔(ěr )哈那提家住过的(de )商人。叶(🌸)尔哈那提(tí )要求参(cān )军，阿依霞把亲手(shǒu )缝绣的"塔合"挂在(zà(📓)i )他的脖子(zǐ )上。 “Jon Jost’s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’ of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’(🤑)s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption. 手塚治虫(chóng )原作のファ(🎌)ンタジーメルヘン『ユニコ』(💉)を原作とした短編オリジナ(🐡)ルビデオアニメーション作(💾)品。 1964年，六名(míng )来自新泽(zé )西州的(🎽)青少年跑(pǎo )去(qù )观看披头士(🐛)乐队(duì )在Toast of the Town (1948)上的表(biǎo )演，希望能(💰)见到(dào )他们的偶像。但是(shì )，他们(men )没有票。在这个过(guò )程中，他们(🔮)学到(dào )了关于友(yǒu )谊和成长(🧢)的新东(dōng )西(xī )。 第二次世界大(😥)(dà )戦下、オランダのアムステ(🤣)ルダムにある隠れ家で、ナ(🙋)チスから逃れ身を潜めて精(💌)一(yī )杯に生きようとしたユダ(😊)ヤ人の少(shǎo )女アンネ・フラ(🔴)ンクと、その家族(zú )の軌跡(👢)。アンネ・フランクの生誕50周年を記(jì )念し、世界的なベス(🧟)トセラー「アンネの日記」(💰)を元に制作されたアニメー(🔑)ション。アンネの実父オットー(🈲)への取材を行い、現存する(🔻)ナチスの収容所の映像やオ(🏇)ランダの景観などの実写映像(🎣)もふんだんに盛り込まれて(💙)いる。 《寧靜海》是一部愛(ài )情倫(🚂)理喜劇，有(yǒu )父子相見不知，母(mǔ )子相遇(yù )卻不認的橋段。男(ná(👇)n )主角是一位年輕(qīng )的工程師(👝)(shī )，他最親愛的姐(jiě )姐，卻輕生(🐰)人世，他最敬(jìng )重(chóng )的父親，卻不(🚕)認(rèn )識這個兒(ér )子。工程師被(🤬)億(yì )萬富翁的千金小姐(jiě )愛(😠)上他，他卻又(yòu )憐惜一個(gè )孤苦(👅)無依的女護(hù )士，這令(lìng )他在(🌌)兩份感情中(zhōng )彷(páng )徨難捨。工(📈)程師(shī )徘徊在千(qiān )金小姐和女護士(shì )之間不知道如何取(qǔ(🚽) )決？一(yī )個對他有恩，提拔(bá(🔘) )他，遷就他；另(lìng )一個對他(tā(🌩) )有情有義，為他(tā )默默保存骨肉(💷)，替(tì )他重拾(shí )慈(cí )母恩情。同(🤮)時，工程師有(yǒu )一個因經商失(🥠)敗(bài )而變為神經兮兮的(de )父親，色(😰)笑迎人(rén )捨弃他的(de )母親，教他(🚭)怎麼(me )對人說？如何抬得起頭(🏽)來(lái )？本片充滿人性的(de )光輝，歌(gē )頌天倫骨肉之愛(ài )，有人情(🖕)味，令人(rén )感動和(hé )同情。