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在怀特(🚛)纪念医院重(👀)症(🍊)(zhèng )病房里,躺着(zhe )一位(wèi )伤(👃)势严重的女(🎓)士(🛁)(shì )安基尔,在(😳)她(tā )的回(huí(💤) )忆(yì )中我们(🏄)进(✔)入了(le )这个故(🍕)事。
Sophie loved Edmund, but he left town when her parents forced her to marry wealthy Octavius. Years later, Edmund returns with his son, William. Sophie's daughter, Marguerite, and William fall in love. Marguerite's sister, Marianne, also loves William. Timothy, a lowly carpenter, secretly loves Marianne. He kills a man in a fight, and flees to New Zealand. William deserts inadvertently from the navy, and also flees in disgrace to New Zealand, where he and Timothy start a profitable business. One night, drunk, William writes Octavius, demanding his daughter's hand; but, being drunk, he asks for the wrong sister.
An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches.
Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is able to share a place with Nick, the janitor of his old High School, and get a job as a singer in a music store. He also meets Leo, a talented pianist and his teacher Anne, whose dream is to singing Opera. When Jamie arrives from England, Danny tries to show him the Brooklyn experience and help him compose modern swing music. Together, these four also try to help Leo get the Brooklyn Music scholarship
少女阿(ā(🐄) )翠(cuì )家境清贫(🕶),跟(gēn )作画的(🦕)江涛为邻,感(🆗)(gǎn )情要好。江涛(🍪)(tāo )绘下(xià )阿(🐩)翠画像,并小(⤴)(xiǎo )心珍藏。江涛(😭)(tāo )有旧(jiù )同(🎍)(tóng )学丁其昌(🕴),对(duì )阿翠一见(🥣)钟情。其(qí )昌(💕)(chāng )实出于富(❄)裕(👽)之(zhī )家,妻子早年病逝(shì(🏅) ),遗下一女小(🛥)凤(🗑)(fèng )。其昌极力追求,阿(ā )翠(🛑)迫于生活,答(🌺)应(🦀)(yīng )下嫁。无奈(🕝)阿翠(cuì )出身(😩)清贫,婚(hūn )后(🕚)饱(😫)(bǎo )受(shòu )恃财(✏)骄横的丁(dī(🏂)ng )父白眼。丁父更(🏪)迫(pò )使(shǐ )其(🎵)昌携同小凤(🕗)(fèng )回北平老家(🏿),离开阿(ā(🍣) )翠(😙).阿翠独居多(🌙)(duō )年,待她再访(🏈)寻江涛(tāo )时(🌙),只见画像(xià(😦)ng )仍在(zài )画(huà )室(🛰)架上,可是(shì(💘) )江涛已淡忘(🛀)昔(🔼)日之(zhī )情(qíng )。及至丁父去(🎡)(qù )世,其昌与(🥘)小(📊)凤回(huí )到(dào )家中,其昌不(⚪)(bú )独(dú )不解(🛷)别(🚔)离之痛,更(gè(🏬)ng )怀疑阿翠与(🕘)商(shāng )人王(wá(🔳)ng )少(♑)伯有染,对妻(🌊)(qī )子日渐冷(🎧)淡。此时(shí )小(xiǎ(📿)o )凤跟其昌助(🥖)手(shǒu )陆超恋(🈚)上,可是旋(xuán )又(🎆)(yòu )移情少(➡)伯(📘),并(bìng )打算随(📺)他私奔美国。为(🐪)保女儿声誉(🏒)(yù ),阿翠刻意(🔗)替小凤隐(yǐn )瞒事实。岂料(lià(🌕)o )此举(jǔ )却(què(🎖) )令(⛑)其昌误会更(gèng )深,以为妻(🗳)子不忠(zhōng ),最(🔱)后(🗑)更与小凤(fèng ),陆超返回北(📖)平,剩(shèng )下阿(🧕)翠(🤷)孤独终(zhōng )老(📓)(lǎo )。
"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’(⛏) negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’(🐕)s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’(🎢) brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."
珍接(jiē )受(💳)了(le )照顾盲人(🐃)西诺比(bǐ )娅的(👮)看护工作(zuò(🤣) )。可(kě )是(shì )慢(🎺)慢地,珍意(yì )识(🔶)到,西诺比娅(💻)正(zhèng )在(zài )慢(🤐)慢地取走她(tā(🚘) )的血...
Specter of the Rose (1946) is a film written and directed by Ben Hecht, starring Judith Anderson, Ivan Kirov, Viola Essen, Michael Chekhov, and Lionel Stander and with choreography by Tamara Geva.
李文华(🐸)告别未婚(hū(🛒)n )妻梅玉奔赴抗(kàng )战前线。梅(⏯)玉和母亲(qī(🔫)n )生(🎌)活艰难,被(bèi )迫嫁(jià )给(gě(🧘)i )汉奸陈彼得(🏿)。战(🚏)后,文华返沪,与(yǔ )沦为交(🧐)际花的(de )梅玉(🔻)重(🆔)逢,两人旧(jiù(🌿) )情(qíng )复燃。梅(🎟)玉因(yīn )不愿拖(🌚)累而离开文(💙)华(huá )。文华追(😲)至舞(wǔ )场,与彼(👚)得发生冲突(💸)(tū )。混战中,梅(🕴)(méi )玉被(bèi )彼(bǐ(🎼) )得枪击,却也(👚)(yě )同时将彼(🐦)得击毙。临(lín )终(😔)之际,梅玉(yù(🏊) )向文华表白(🐌),对他的(de )爱始终不渝。