萤火虫之墓

这(🤯)是史诗片巨(jù )匠冈(gāng )斯的(👊)早期(😇)作(zuò )品，原版长达九(🔄)个小(xiǎ(🚔)o )时。 哈(🏬)罗德是(shì )一位(wèi )坚(🏾)持自己(🚹)有(yǒ(👖)u )病并(bìng )待在＜有钱(♊)人(rén )修(🔄)养身心俱乐部(bù )＞(🏫)里(lǐ(🧤) )的年轻(〽)富豪(háo )。医(yī )生们某(🆑)天终(♌)于(yú )受(🈁)不了哈罗德，他被(bè(🌃)i )建议(💻)到南方(fāng )的(de )度假岛屿(💵)养病(🎂)，没想(🤦)到却阴错阳(yáng )差碰(pè(🤥)ng )上当(🛵)地的(🏊)军(🕐)(jun1 )阀革命，还被误认(rè(🗑)n )为是(🐄)世界银行联(lián )盟的代表。身(🍜)体(tǐ(🦌) )健康却坚持要(yào )养(🗨)病(bìng )的(🤗)他，该(🎚)如何在(zài )这一团混(😋)乱的小(😳)(xiǎo )岛(🛬)获得自己想(xiǎng )要的(⛺)(de )生活呢(🚶)？ A Parisian museum director believes his wife has lost interest in him and so places a poisoned cigarette in the box on his desk - thus allowing chance to decide the moment of his death. Sigrid, A French dancer, diagnosed with a weak heart, is ordered by her doctor never to dance again. But when her dancing skills are needed by her lover's father to help quell a native uprising on the East Indian frontier, she determines to dance whatever the cost. Walt Disney's 7th and last retelling of an old British fairytale from the Laugh-O-Gram Studio. Jack is trying to impress Susie by showing her a story how he will win her heart. Catherine is a servant girl working for the local mayor and victim of the sharp tongues of the mayor's wife and her friends. This is made clear in a first scene where she is asked to get the key of the mayor's desk at a cultural party the wife is attending. She is harassed by the whole elite who dislike the intrusion of the maid. In this scene it's made clear also that the wife has a secret lover who will later challenge the mayor's political career and will use Catherine as a scapegoat for his own ambitions. This role of "bad guy" is played by Renoir himself. The mayor who is fond of Catherine and is afraid that she'll be more victimized by his wife asks his sister to give Catherine a position in her own household. The sister has a son with tuberculosis (role played by Dieudonné). He's so weak he has no success with women of his class but of course Catherine will like instantly this fragile man. He dies after kissing Catherine while the rest of the town is celebrating carnival. The kissing scene at the window mixed with the fireworks is a brilliant moment of silent melodrama. Catherine is in mourning and because of that driven away by the mayor's wife and her friends. It is indecent that a servant girl is in mourning and shows public affection for someone who is not from her own social status. The emotions of Catherine are the element of disorder in the social ordered world of the rich. Catherine goes away and hides in a cheap hotel in the city where she is also bullied by a local pimp who sees in her an easy target to exploit. By accident Catherine is seen in the hotel window with the pimp, so more reason for gossip by the elite. When she returns to the village looking for a job she is rejected everywhere, even by the local Christian relief organization of which the mayor's wife became president. She meets the mayor again who is shocked by the attitude of the town, takes her in his home again and promotes her to his secretary. The wife is furious of course and leaves her husband to live with her mother. It is start of a slander campaign against the political credibility of the mayor. The lover of the mayor's wife sees what is happening as a golden opportunity and makes a public attack on the moral character of the mayor (what's new under the sun?) Catherine wants to avoid the downfall of her protector and leaves the mayor, explaining herself in a note. She hides in an old tram for the rain while the mayor is driving around in his car frantically looking for the girl. Two vagabonds are thrown out of a pub and out of frustration push the tram car, so it starts a crazy race up and down the hills towards the bridge and the valley abyss. Catherine is already accepting her death but is saved in time by the mayor who has made his choice for the girl. The social implications of his choice are not shown but are clear for all. Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. 电影配图(➿)是错(👡)(cuò )的，1922年(🚦)的睡美人(rén )在IMDb上(shà(💯)ng )都没(🎡)有图片(🎙)(piàn )。这(zhè )张图上的睡(🚨)美(mě(🚤)i )人是1990年捷克斯洛(luò )伐(🏧)克(kè(🌥) )版的(🌈)Sípová Ruzenka，豆(dòu )瓣链接在此(🎼)： 芷(🗼)(zhǐ )芳(🗃)的(☔)丈夫王其伟(wěi )爱上(🔕)(shàng )另(🗑)一个女人(rén )月凤，回到家后(🏫)与(yǔ(📖) )他的母亲合谋抛(pā(🚡)o )弃了芷(🥒)芳。一(📞)直(zhí )不甘在家中所(🥊)(suǒ )处的(🌉)(de )奴隶地位的芷芳(fāng )对她(🚬)的好友(🏬)素贞(zhēn )说：“我与其(🛩)(qí )做(⛔)罪(zuì )恶(🔄)家庭的奴(nú )隶，不如(💡)做黑(🎃)暗社(shè )会的明灯。”于(yú )是她(😵)(tā )与(🦅)她的陪嫁(jià )丫头(tóu )采(🉐)兰一(🚶)起离(🤸)开(kāi )了其伟的家，芷(zhǐ(🏃) )芳自(⚓)(zì )己(🥊)到光明书(shū )局(jú )做书(⌚)记，把(👴)采兰(lán )送到自强女子中(zhō(😏)ng )学去(🌞)(qù )念书。他们(men )仿佛两(🎭)片飘浮(🤹)在人(🏃)(rén )海之中的浮萍，以(🖤)为暂借(🥟)芦荻之(zhī )荫可以安稳下(🔀)(xià )来，岂(💆)知社会也是十(shí )分(🎬)险恶(🧘)的，先是(🏆)(shì )书局经理垂涎(xiá(🕥)n )芷芳(🍒)(fāng )的美貌，同(tóng )事们(men )嫉妒芷(🏄)芳的(💆)才(cái )高，继而学校里(lǐ(🔖) )的同(🍏)(tóng )学(🏼)讥笑采兰(lán )出身(shēn )低(✉)微，校(🚋)役也(📑)(yě )欺负她。同命相(xiàng )怜(💕)的(de )主(🧜)仆二人只(zhī )有(yǒu )互相安慰(🤣)，芷芳(🧤)(fāng )在社会上的经历(♉)(lì )，启(qǐ(🌯) )发了(🎨)她对女(nǚ )权重要性(👜)的认识(👄)，于是辞掉书局的(de )职务，专(🈲)门从事(👇)(shì )女权运动。王(wáng )其(🏣)伟(wě(😰)i )逐去芷(🏑)芳后将月(yuè )凤迎进(🤥)家门(🍂)。月(yuè )凤是一个好虚(xū )荣的(👩)(de )女子(😴)，她的(de )精力(lì )都放在如(🌏)何打(🅱)(dǎ )扮(😗)自(⏩)己上面，而(ér )她打(dǎ(🧟) )扮得(😠)越好，其伟(wěi )欠债越多，由(yó(🤴)u )于其(📎)伟渐渐不能(néng )满足(zú )她的(🥫)挥霍(🐅)，她(tā )与其伟的感情(🙍)便(biàn )日(📮)趋冷(⛸)淡，最后(hòu )终以(yǐ )一(👢)件小事(👿)为(wéi )借口，离开了其伟(wě(🚶)i )。月凤走(🚦)了以后(hòu )，其伟不甘(🤡)寂寞(✂)(mò )，又去(🎱)找芷芳(fāng )，求(qiú )她回(🍓)家。已(😞)经做(zuò )了女子参政协会(huì(✨) )会长(🌻)的芷芳，此刻(kè )正在尽(⌛)心尽(🌚)(jìn )力(⛷)地(🕳)(dì )为谋女子幸福(fú(🚻) )而奔(🕧)忙，她们提(tí )出了(le )争取女子(🈳)参(cā(💙)n )政权(quán )，提倡平民教(jiāo )育等(🏯)，事业(📩)干得(dé )轰轰(hōng )烈烈(📗)，当然(rá(🍚)n )不(bú(😛) )会再回到家庭的(de )牢(🏚)笼里去(⏩)做奴隶(lì )，其(qí )伟因羞成(🗃)怒(nù )，竟(🚙)勾结劣绅王大(dà )年(🚽)，诬蔑(🚖)女子参(⏯)(cān )政协会是过激党(👁)(dǎng )，致(❌)使女子参(cān )政协(xié )会被解(🎺)散，然(🐾)后(hòu )，其伟又诬陷芷(zhǐ(🕶) )芳为(🏸)逃妇(💞)。芷(🍂)(zhǐ )芳先(xiān )被家庭所(🤳)不(bú(🤱) )容，又被社会所不(bú )容，只得(🛍)被迫(🐴)与(yǔ )采兰(lán )避入空谷，与明(⏺)(míng )月(😙)为朋，和微(wēi )风为伴(🕰)，把过去(🕘)(qù )一(📅)切(qiē )都丢掉，以(yǐ )此(⏭)(cǐ )了却(😱)一生。谁知(zhī )空谷亦非世(🔱)外桃(tá(😰)o )源，盗贼光顾了(le )他们(👥)的住(🆖)所，抢掳(👡)(lǔ )了他们的衣物，烧(🅰)毁了(⛽)他们的房(fáng )子，无家可归(guī(❓) )的芷(🏮)(zhǐ )芳和采兰，幸好(hǎo )得(💻)到一(➖)个老(🌖)尼(⛳)姑(gū )的收留，住进(jì(🐣)n )了白(💱)(bái )云庵。身心(xīn )俱疲(pí )的芷(😘)芳病(🐾)倒了(le )，她回想起自己(jǐ )曾经(🖐)(jīng )走(🦐)过的人生(shēng )道路(lù(🏺) )，又看到(😲)目前(🔢)(qián )与古佛青灯作伴(🎃)(bàn )的处(🥋)(chù )境，愈想愈(yù )伤(shāng )心，病(🎙)势也愈(🥡)加(jiā )沉重，终于，怀(huá(👅)i )着对(📭)(duì )女子(💠)参政的(de )热烈幻想，撒(🖲)手尘(🔐)(chén )寰。 Пастор Тал(🤯)ьн(🚣)окс яростн(🛍)о п(🎪)ри(👳)з(🚱)ывает пас(🧠)тв(🚩)у бороться с и(🍷)ск(🤞)ушениями, одн(⏩)ак(💥)о сам стан(💯)ови(🐈)тс(🗒)я жертвой(🚾) соб(🚻)лазна. В его д(⚪)оме(🍦) появляет(🚍)ся(🚝) сат(🚋)ана, подта(📲)лк(💥)ивая героя к в(🌱)ор(🚯)овству и ду(👢)хо(🐖)вн(😩)о(🍌)му падени(⛵)ю.