花木兰剧情介绍

The film is best known today for Scorsese’s claims that it was his inspiration for New York, New York, but it’s not the plot that found its way into his film. It’s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures Hoping to find everything just as he had left it four years ago, soldier Jeff Compton, who is home on a two-week furlough, visits the New York City department store in which he worked and surprises his former co-worker and sweetheart Jean Kendrick with a kiss. Jean, who is now an executive with the store, has since fallen out of love with Jeff, however, and is dating Walter Medcraft in the accounting department. As Jean never returned the engagement ring that Jeff sent to her while he was away, Jeff believes that she is still his fiancé. Realizing that Jeff is about to get his heart broken, Dilworthy and other department employees band together and, with Jean's consent, work diligently to prevent Jeff from learning the truth about his failed engagement. While Walter is out of town on business, Jean is temporarily assigned to the stock room to keep her away from the other store employees, who might reveal the truth. Jean tries to make the best of her temporary demotion while clumsily hiding her ineptitude at menial stockroom tasks, but trouble mounts when Jeff makes plans for an immediate wedding. After stalling Jeff's rush to marriage, Jean makes hasty arrangements to move back into her former, and more modest, West Tenth street apartment so that Jeff will not suspect that she become more successful. Professor Boris Riminoffsky, a music teacher and a romantic idealist who is currently living in Jean's old apartment, gladly gives up his apartment for two weeks when he learns that it will be done in the name of love. No sooner does Riminoffsky step out of his apartment than Jeff arrives ready to seduce his sweetheart. While Jeff plays a romantic tune for Jean on the piano, Riminoffsky and Dilworthy, who have been getting drunk in a bar, decide to help keep things moving along for the couple by returning to the apartment after Jeff and Jean leave and turning it into a "garden of Eden" honeymoon suite. Jeff, still with marriage on his mind, takes Jean for a drive up the coast to visit his great-grandfather and to present her with a gift. Soon after Jeff and Jean return to New York, Jeff visits Walter, who has returned from his trip. Jeff informs him that he plans to marry "Miss 916," and Walter is happy for Jeff until he realizes that "Miss 916" is Jean. When Jeff ducks out of Walter's office to buy Jean a wedding ring, Jean tells Walter the truth about her relationship with Jeff. Meanwhile, Jeff learns the truth about Jean and Walter from the jeweler, who has the ring that Walter ordered for Jean ready for delivery. Jeff is devastated by the revelation, but the situation is soon remedied when the department employs a new scheme to reunite Jeff and Jean, and Jean forsakes her relationship with Walter. The department staff, watching anxiously as Jeff and Jean are brought together in a store display, declare the couple "sold" when they profess their love for each other. High school music student Sherry Williams is excited that her actress sister Jo has taken time off from her New York stage career to visit Sherry's school to see her perform in a musical play. Jo is about to step off the train when she hears that a famed Broadway show producer, Arthur Hale, is also stepping off the same train, leading Jo to depart from the other side of the train and make her own way to Sherry's play. In a film that was closer to being a "sanitized" version of and contained more elements akin to Mae West's and W.C. Fields' "My Little Chickadee" than it did from anything John Ford had done, or was to do, a traveling show arrives in a small Arizona town and finds much opposition from local townspeople. They plan to stage the show in the saloon and the leading lady, Katie (Martha O'Driscoll), gets involved with the local school teacher, Tod (Noah Beery, Jr). and a mysterious masked bandit, King Randall (Leo Carrillo). 从收容(📻)所(👏)(suǒ )里(lǐ )跑(pǎo )出来的姑娘(🏊)阿(🧚)兰(⏹)特因为没有身份证(zhèng )，便(🎢)(bià(🛸)n )来(lái )到一所专门培养窃(👔)贼(💂)的寄宿学校上(shàng )学(xué )，但(🦑)她(🍳)并不想成为小偷。阴差阳(🦌)错(⏹)，她(tā )遇(yù )到(dào )了一位青(🛄)年(🔖)外(🌝)交家比埃，从而展开(kā(🚝)i )了(🛵)(le ) A man dreams he committed murder, then begins to suspect it was real. 华(🉑)(huá )生的朋友很喜欢收集(🚁)各(🕓)种不同的音(yīn )乐(lè )盒(hé(😓) )，他(🥓)在一个拍卖会上买到一(🚒)个(🌇)很普通(tōng )的(de )音(yīn )乐(lè )盒(😡)，结(📄)果他的音乐盒却被人偷(🚵)走(🤼)了(🈺)(le )，更(gèng )令人奇怪的是，小偷(⏫)只(🌃)偷走了不值(zhí )钱(qián )的(de )，为(🚅)此(🈺)他找到了福尔摩斯，福尔(🌕)摩(🃏)斯(sī )参(cān )观(guān )他的收藏(🦀)，并(🔨)提醒他注意自己的收(shō(🥑)u )藏(😠)(cá(🥘)ng )，结(jié )果没有任何作用(🛀)，当(🗾)他(🚛)们离开的时(shí )候(hòu )，来了(🐳)一(🤺)位神秘的女子，第二天就(😿)发(♎)(fā )现(xiàn )了(le )收(shōu )藏家的尸(🙌)体(🖤)，为此福尔摩斯展开了(le )调(👗)(dià(🔛)o )查(chá )，原来这件案件牵涉(🔦)到(🌎)几(🏹)年以前的一(yī )个(gè )伪(wě(😭)i )钞(⏯)案，聪明的福尔摩斯这次(🙇)又(🏙)该如(rú )何(hé )破(pò )解(jiě )此(🈹)案(🈴)呢？ Beautiful Mary returns to her small hometown after many years from Chicago wearing a mink coat and carrying an expensive cigarette case. Her arrival causes long standing enmities to surface between two of her old boyfriends, Kenny Veech, a loafing gambler, and debonair Lew Lentz, owner of a local nightclub. Their deep-seated animosity repeatedly results in antagonism and fights as they compete for Mary's affections. Kenny's friend Gitlo, a bartender in Lentz' club, enlists Kenny in an aborted plan to rob Lentz of $15,000 in profits from sponsoring a local carnival. Lentz retaliates by framing both men for murder. This movie is an early horror film classic and certainly one that a well-rounded horror movie aficionado should not miss. An invalid concert pianist dies, leaving a will that does not include his personal secretary Hilary Cummins (Peter Lorre) as a beneficiary. Furious, the left-out yes-man cuts off a hand from the corpse and plots revenge. Unfortunately for Hilary, the hand inherits a life of its own and relentlessly stalks the wild-eyed Lorre as he flees in vain. Special effects keep the audience jumping as they dread the next appearance of this gruesome walking hand. The film is directed by Robert Florey, who also directed Murders in the Rue Morgue (1932).