永井荷風(fē(🕖)ng )の没(méi )後一(📌)(yī )周年を記念して、(🏄)豊田(🏬)四郎監(😝)(jiān )督(dū )が同(tóng )名小(xiǎ(🎃)o )説を(🤷)映画化した文芸作。東京(jīng )の(🚑)郊(jiā(🦆)o )外(wài )、隅田川の(🐶)東に(🛣)ある遊(😙)廓で(👧)中学教(jiāo )師(shī )・(🚴)順平(🍁)(píng )は、(📎)お雪(🐸)という娼婦と出(📬)会い(🎼)恋に落(luò )ち(🖋)る。だが、そんな(🏢)ふた(🏒)りの関係(xì(🕖) )が、順平(píng )の妻(🔍)・光(🎧)子の知ると(🌏)ころとなり…。
战争(zhē(📮)ng )中，一架美国(📚)轰炸机坠落山中(zhōng )，一(🈵)(yī )个(🧥)跳(tiào )伞(👱)逃脱的黑人士兵跌落(🦔)在村(🐓)民(mín )们(men )设(shè )下(xià )的陷(xiàn )阱而(🚗)被捕(🗳)。村公所不想释放(🈯)他(tā(🔝) )，决(jué )定(⏰)将他(🎥)放在村里“饲养”。战(🍫)争末(🏃)期(qī )，村(✡)(cūn )里(🌯)来(lái )了一批来自(🅿)东京(🐊)的疏散者，村(🚰)(cūn )里由(yóu )此(cǐ )发(🎯)生了(🧘)很多纠纷。终(👘)于，封闭的村(cūn )子(🥟)里(lǐ(✒) )发生(shēng )了恐(🔛)慌，此时，狡猾的村长把(🏮)(bǎ )村民(mín )的(📢)(de )愤怒(nù )转向被捕的黑(📮)人士(🌨)兵。黑人(😨)士(shì )兵终(zhōng )于被(bèi )杀(🌅)害了(🌧)，村民的烦恼也暂时平(píng )息(xī(🌺) )了(le )。然(🦖)而(ér )，日本战败的(👤)消息(💰)传来，村(🏇)民(mí(🈹)n )们又(yòu )惊慌失措(⚪)地把(🌤)黑人埋好，并(🏇)建立了对(duì )付(fù(🛵) )调(dià(🤹)o )查的(de )攻守同(😓)盟。只有对黑人感(🍾)到亲(🛌)(qīn )切并(bìng )助(🥢)(zhù )了一臂之力的孩子(📣)们，是不会顺(💘)从(cóng )大人(rén )的谎(huǎng )言(😔)的，他们在埋(⛺)尸的对面燃起(qǐ )了一(🌞)(yī )堆(📉)(duī )篝火(huǒ )。
Harold Gern，一个最近深陷法律(🚐)纠纷(📊)的(de )纽约(yuē )商人(ré(⭕)n )，正和他那迷(🤵)人的(🚳)妻子Evelyn在Puerto Rico享受(shòu )假(🦅)(jiǎ )期(🚚)(qī )。前来(🖱)(lái )洽(⛩)谈相关法律事宜(📍)、兼(🎖)Gern的朋友(yǒu )及(👧)律(lǜ )师的Martin Joyce和他们(🍮)一起(🏤)。Gern没心情谈公(🌶)事，他(tā )邀(yāo )请(qǐ(🕳)ng )Joyce一起(😰)(qǐ )潜水。浮出(📎)水面时，他们惊奇(qí )于(🎏)自(zì )己(jǐ )不(🗣)用氧气罐就无法呼吸(🐝)！他们爬上(shà(🎈)ng )船时(shí )发现(xiàn )仆人Manuel死(🔢)于窒(📬)息。由于无法启动(dòng )引擎(qíng )，他(😮)们(men )合(⚡)力把船划上岸。40分(🔖)钟后，他(tā )们(🤙)来(lá(🛣)i )到一(yī )片丛林，在(🗿)那里(🐩)，植物供(🍴)给的(🧞)(de )氧(yǎng )气(qì )使(shǐ )他(🔏)们(men )马(🚣)上可以正常(🦔)呼吸（并点燃香(🕜)(xiāng )烟(🌬)冷(lěng )静下来(👊)）。他们渐渐明白(🛍)他们(👤)或许是(shì )这(🍋)(zhè )片(piàn )区域(yù )最后的(⏮)幸存者，甚至(👀)可能是这(zhè )个世(shì )界(🚆)(jiè )最后的幸(🐀)存者······
A Hitchcockian narrative and noirish atmosphere characterise this effective, taut thriller, made the same year as the director's magnum opus, JIGOKU (Hell). Set in the present day, DEATH ROW WOMAN is at once a prison film, an innocent-man/woman-on-the-run story, a police procedural, and a family melodrama, that is equal parts Hitchcock, Samuel Fuller and Douglas Sirk.
布(🕦)匿战(🕣)(zhàn )争题(tí )材电(diàn )影
八六年正(🏡)大剧(💍)场播放的老电(dià(⬜)n )影了(le )。一直(zhí(🙆) )记得(🔥)。
1960年，上海美术电影(🐼)制片(🔃)(piàn )厂摄(💋)(shè )制(🔏)了(le )一部短片《水墨(🔅)动画(🥟)片段》（编(biā(🌋)n )剧(jù )、导演(yǎn )、(🗿)摄影(🙀)均为集体创(⚾)作），长度(dù )1本，作(🔟)为水(🛋)墨动画的实(🕕)验。这是世界上首(shǒu )部(😱)(bù )水(shuǐ )墨动(😬)(dòng )画。在该片成功摄制(🎻)后，该厂(chǎng )同(🤮)年(nián )又(yòu )拍摄了第一(🍖)部正(🖍)式的水墨动画片《小蝌(kē )蚪找(🎖)(zhǎo )妈(🥍)妈》。（
IMDB review: "This now-campy soufflé is an indispensable time capsule of the decadent 60s, and is a lot more erotic than the harder X material that it helped open the door for. José Benazeraf, before he decided to take artistic control of his material, served as producer, and his idiosyncratic touch is ubiquitous -- gorgeous jaded players, elliptic dialog, arty milieux, jazzy (now retro) music, and bizarre striptease acts (including one at the legendary Crazy Horse Saloon), all with sensuously tactile b&w photography. Radley Metger released it in the States, and apparently added or altered some footage -- the Roman orgy party scene does bear a striking resemblance to the prison party in Camille 2000. If you can deal with the now politically incorrect view of alternative sexuality (which was de rigueur in the cinema of the era), this is a superb treat for the eyes and ears, accompanied by a martini or two."
张达之(👈)女宝宝(bǎo )屡(💡)被(bè(🎰)i )继(jì )母杨(yáng )碧珍(📄)虐打(🍹)，后达撞(🚑)破珍(♎)与术士(shì )周锦(jǐ(💪)n )有染(🐺)(rǎn )，竟遭锦丢(🔩)进古井，幸达亡妻(🆑)(qī )显(🤷)(xiǎn )灵(líng )，指示(👊)(shì )宝往救父。古井(🗻)内有(📍)巨人、巨(jù(🆔) )蛙，父女(nǚ )俩险象环生(🎄)，后宝拾获夜(🧛)光杯，只(zhī )要(yào )保守(shǒ(✋)u )秘密，可随时(😙)召唤杯仙施法。杯仙(xiā(👐)n )救(jiù(👏) )宝父女离开古井，又变出耕具(🦌)让达(🎪)(dá )开耕(gēng )，更(gèng )变(👝)来酷肖宝生(👈)母的(🏆)宝灵公主作(zuò )其(🛩)继(jì(🆒) )母(mǔ )。惟(🔅)(wéi )灵(🎿)在国土失踪多时(🚜)，国王(😇)悬赏(shǎng )寻女(💥)(nǚ )。锦(jǐn )透过金钵(🍧)照见(🐱)灵所在之处(🔑)，为(wéi )夺(duó )赏(shǎng )金(💌)(jīn )，即(🥓)(jí )状告达窝(🍾)藏公主罪。