如果岁月可回头

真木(📔)栗勉(miǎn )，作(🏮)家，住在(zà(🈲)i )一座破旧(❓)的(de )大厦里，生(shēng )活(huó )窘迫，这次终于接下了(le )一(yī )个比较大(dà )的(de )活-写一部(🏚)情色小说(🛩)。指(zhǐ )望(wà(🏤)ng )着这个翻(🧞)(fān )身(shēn )的(🥒)他不断的(de )在思索着题材(cái )，在屋中不(bú )断的踱步时(shí )，他发现(㊗)了墙(qiáng )上(📍)有一个小(🈵)(xiǎo )洞，可以(😩)看(kàn )到隔壁空着(zhe )的(de )屋子，于是(shì )他每天都期(qī )待着能有年(nián )轻女孩搬(🚎)来这(zhè )里(🏆)，可以提(tí(💕) )供他写作(😋)的(de )题材。一天，终于有一个(gè )女孩搬来这(zhè )间(jiān )屋子，于是他…… 謝洛(luò(💞) )美(měi )·漢(⛎)尼耶(yē )飾(✏)(shì )演一名(💪)剛進入巴黎一家(jiā )規(guī )模龐大的(de )顧(gù )問公司任見(jiàn )習職員的年輕(qī(🏘)ng )人，而負責(🌳)(zé )訓練他(🙀)的是(shì )公(🤢)司的一名紅(hóng )人，這人自(zì )視甚高，完(wán )全不接受任(rèn )何(hé )爭辯或意見(🈳)(jiàn )。年輕人(🛍)被(bèi )派往(⚾)外省負(fù(🐦) )責督導一間鋼(gāng )鐵公司的核(hé )數工作，他(tā )很快發現自己(jǐ )的工作其(🚹)實(shí )是為(⚡)公司的(de )全(📝)(quán )線裁員(🚤)作準備。他突然(rán )很(hěn )懷念與身(shēn )為(wéi )單親母親的女友在巴黎(lí )那(nà(🧑) )較簡單，不(📎)(bú )需要作(⛩)出那(nà )麼(🍊)多妥協的生(shēng )活。但事實(shí )往往並不是(shì )那麼簡單的…… 1968年，为攫(jué )取(⏲)北九州关(🌉)(guān )门海峡(💵)毒品(pǐn )走(⬅)(zǒu )私生意，大(dà )友田组成员(yuán )楠铁弥（山(shān )崎努 饰）及其(qí )流浪者好(📄)友(yǒu )黑田(😱)修次（菅(🤕)原文太 饰(🚰)）行刺敌对帮(bāng )派共荣会首(shǒu )领(lǐng )正木严。刺杀成功后，黑(hēi )田担下所(🤬)(suǒ )有(yǒu )罪(😱)名，入狱七(💛)年；而大(🐗)(dà )友(yǒu )田组则从(cóng )此(cǐ )独霸关门海峡，风头无两(liǎng )。 小四川（黄凯 饰）(🔥)来(lái )上海(🍐)打工，被(bè(🧙)i )风满楼老(♓)板(bǎn )王小姐（许(xǔ )晓丹 饰）看中(zhōng )，从此，他(tā )成了风满楼(lóu )的茶房。风(💨)(fēng )满楼的(🚒)另一个(gè(🐕) )老板（马(🏆)仑(lún ) 饰）姓苏，宁波人，是个(gè )地道的暴发(fā )户。负责收(shōu )银的是陕西妹(🗒)小丫子（(📻)马(mǎ )伊(yī(👓) )琍 饰），她(🍡)(tā )的理想是将来有了钱在(zài )上(shàng )海安家。小(xiǎo )四川对工作认真负责，但(📑)(dàn )天天和(🔈)他作(zuò )对(🐁)的是无处(🏒)(chù )不在的玻璃门(mén )，由于每次(cì )服务一溜小(xiǎo )跑，看似透明(míng )的玻璃让(🌘)他(tā )一再(🎽)吃苦头(tó(💀)u )，不光碰破(🎫)(pò )了鼻子，还吃(chī )了王小姐耳(ěr )光，有一次(cì )连小丫子也受(shòu )了牵连。连(🤤)(lián )续碰壁(😤)让小(xiǎo )四(📫)川提高了(🐤)警惕，但他发(fā )现(xiàn )人与人之(zhī )间(jiān )远比透明的玻璃复杂得(dé )多(duō )，你(🎎)不定(dìng )什(🥘)(shí )么时间(📎)就突然撞(👡)上。风满(mǎn )楼日复一日(rì )上演着各种(zhǒng )各样的市井人(rén )生，最后王(wáng )小(🛣)姐走了，小(🎉)丫子成了(➗)老(lǎo )板娘(🚦)。原来(lái )苏老板离了(le )婚...... No matter what you believe... no matter what you have learnt... Setu Creations presents... from the oldest living city on the planet... the truth so powerful... that it will change the course of your life... forever. Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo. Jazz（卡特莉(lì )娜•卡芙 Katrina Kaif 饰）是个从小生(shēng )活在伦(🆘)敦的(de )印度(🎫)女孩，生(shē(⛱)ng )活的各个(🥙)方(fāng )面都浸染在(zài )英式的熏陶下，甚至把自(zì )己(jǐ )原来的名(míng )字(zì )Jasmeet改(📬)为Jazz。新潮时(🎤)尚的女孩(⛺)(hái )和(hé )她(💰)父亲观(guān )念(niàn )上的矛盾让他们争吵不断(duàn )，父女战争(zhēng )的升级终于(yú(👅) )让她父亲(🐬)带她(tā )回(💗)了印度，开(👍)始接受各(gè )种相 亲。父亲(qīn )决定让她嫁(jià )给乡下的男(nán )孩Arjun （阿克谢(xiè(🔺) )•库玛尔(😼) Akshay Kumar 饰），Jazz觉得(😬)自己(jǐ )和(👺)这个不会(huì )说英语的传统(tǒng )印度男人没(méi )有任何的话(huà )题，然而形势(🕣)所迫，在朋(🔄)(péng )友(yǒu )Imran的(🥕)建议下(xià(♏) )她(tā )假意和Arjun举行了印度的结(jié )婚(hūn )仪式得以(yǐ )回(huí )到伦敦。回到伦敦(🏗)的Jazz告诉(sù(👼) )父母和Arjun这(🤞)个(gè )婚姻(🙀)在英国(guó )不具有合法性(xìng )，然后答应(yīng )了男友Charlie（克(kè )莱夫•斯坦登(dē(🚦)ng ) Clive Standen 饰）的求(👅)婚(hūn )。Arjun对Charlie一(🎤)行人(rén )的(📽)印度偏见(jiàn )的据理力争让(ràng )Jazz对他有所改(gǎi )观，朝夕相(xiàng )处让她甚至觉(🤪)(jiào )得渐渐(🌭)爱上(shàng )了(🚓)这个印度(⛵)(dù )男人。 经过16岁绚烂的夏天(tiān )之后，这条(tiáo )神(shén )奇的牛仔裤一直轮流陪(⏮)(péi )伴(bàn )着(⤵)卡门、堤(💣)(dī )比、莲(💟)娜和布莉姬四个挚(zhì )友，她们把(bǎ )各自的经历(lì )作为图案绣在(zài )牛仔(🛰)裤上，相互(🎷)传递和(hé(😿) )分享着彼(💤)此的(de )心路历程。3年时间过去(qù )了，四个女(nǚ )孩子进入了不(bú )同的大学，有(🚋)了新的朋(🛩)(péng )友，大一(⛺)暑假(jiǎ )即(📂)将来临，新的奇遇正(zhèng )在等着她们。 李旭东（宗(zōng )惟康 饰）是(shì )一(yī )位(🔂)非常富有(🦅)才华的音(🌐)乐(lè )家(jiā(💿) )，创作出(chū )了(le )“楼东怨”，他的女儿李(lǐ )月英常常喜(xǐ )欢唱这首歌(gē )。一天，李(♊)月(yuè )英的(👟)歌声被(bè(☝)i )银汉公司(🌚)的(de )工作人员凑巧(qiǎo )听到，惊为(wéi )天人，他们(men )看到了李月(yuè )英身上隐藏的(📮)(de )商业价值(🥤)和(hé )无限(👤)潜力，邀请(💲)她加入公(gōng )司。在层层(céng )的包装之下(xià )，李月英以歌星的身份出(chū )现在(💶)了大众(zhò(✌)ng )的(de )视野之(🐻)中。 孙文虎(💭)（黄(huáng )正(zhèng )利饰）是(shì )一(yī )名具有日本血统的忍者杀(shā )手，闯入中(zhō(🛀)ng )原进行教(🛺)会(huì )的计(🖤)划——除(🦊)(chú )去一切判教(jiāo )人士；武林(lín )高手狂龙(巨龙(lóng )饰）无端被(bèi )卷入一(😐)场无(wú )辜(🍗)的杀戮，当(🐑)他的爱人(🛸)被(bèi )残害，他决(jué )定不惜牺牲(shēng )自己的生命来(lái )拯救他的同(tóng )胞...