通天狄仁杰

Mun-ho takes Jeong-hw for a prostitute and is very rude to her on a public street. Despite this, Jeong-hwa, who is actually very innocent, falls in love with him. Yeong-su and Jeong-ah experience many problems as their budding romance defies the strict rules of the co-ed highschool they attend. After graduation when it looks like they can be free to live their own lives, Yeong-su joins the military and their relationship will never be the same. 新(xīn )西(xī )班(🍻)(bān )牙(🕊)(yá )电影早期经典(⏬)之一，柏林电影(🍹)节银熊奖。 This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. Basically the story takes place during the end of the Pacific War and the aftermath period and it focuses on Mizoguchi, who is the son of a Buddhist Priest. When his father dies, he’s sent to the Temple of the Golden Pavilion in Kyoto. Mizoguchi is physically unattractive and becomes, in some way, jealous of the beautiful Temple that he loves so much. 维斯(🥉)康蒂(🕯)压卷之作，也(🍏)(yě )翻(📰)(fān )译(yì )作(zuò )《无辜(🛳)的人》，直至其去(⏪)世后方才上映。影(🔌)片依(😏)然是(shì )他(tā(🔺) )最(zuì(🦄) )为(wéi )心(xīn )仪(yí )的(🤦)(de )贵族没落主题，由意大利著名影(🚽)星吉(🔁)安尼尼领衔(🎪)，扮演(🌉)一位好色公(💸)爵(jué(🍔) )，经(jīng )常(cháng )在(zài )外(👤)招蜂引蝶；不(👇)料后(🥪)来他得知妻(🍖)子与(🦌)人有染并生(🚂)(shēng )下(😦)(xià )一(yī )子(zǐ )时(shí(📹) )，恼(nǎo )羞(xiū )成怒(🕡)，竟然将孩子在寒(💙)风中(🎈)冻死。最为讽(❔)刺的(🤲)是，他并不恼怒妻(🔱)子(zǐ )与(yǔ )人(rén )私(sī )通(tōng )，而是因(🛳)为她(🗞)的情人并非(👝)贵族(🐀)，而是贫苦作家！最(🍽)(zuì )后(hòu )公(gōng )爵(jué )因(yīn )放(fàng )不(bú(🍲) )下面(🐉)子而自杀。豪(🥏)华的(🚦)美工设计、(🎣)还原(📄)贵族生活的奢华(👠)摆设是维斯康(🛄)(kāng )提(tí )晚(wǎn )年(niá(🗝)n )创(chuà(🐳)ng )作中不可或(🧠)缺的(🕚)一环，出生于贵族(👯)世家而又对贵(🛎)族(zú )腐(fǔ )朽(xiǔ )陈(🌽)(chén )旧(👥)(jiù )的(de )生(shēng )活(🔅)方式(🤲)进行唾弃批判，想(🎹)彻底革新而又无法割断世袭的(🥦)高雅(🈚)文化格(gé )调(📽)(diào )，是(🌯)(shì )维(wéi )斯康提一(🥍)生所困扰的话题，也是他电影主(🙏)要的(🔍)创作(zuò )方(fā(🥫)ng )向(xià(🧣)ng )。