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Сотрудничеств(💵)о р(💑)ежи(😙)сс(🕟)ёр(🐝)а Александра Бе(🕑)ли(🖍)нск(😙)ог(🍡)о, балетмейстер(🤦)а В(⬅)ла(🕥)дим(🙊)ир(🔅)а Василье(🦌)ва и ко(✉)мп(🛒)озитора(🌎) Валери(👕)я Г(🚈)аврил(🤭)ин(🔭)а, начавш(✏)ееся в ф(🕓)ил(🦎)ьме-ба(🖕)ле(🛋)те "Анюта", оказал(🤣)ос(🏨)ь мн(🚑)ог(🐧)ол(📓)етним и плодотв(🤹)ор(🎟)ным(⏮). В 1984 г(🏟)оду ими был созд(🏘)ан(🐬) ба(🍏)лет(📕) "До(⏲)м у дороги(🗒)" по мот(🚄)ив(🐈)ам поэзи(💔)и Алекс(📔)ан(💳)дра Тв(📷)ар(🔔)довског(♉)о. Главн(👪)ый(🦈) герой(😕) Ан(👤)дрей - русский кр(🏻)ес(🍢)тья(🐕)ни(🏆)н, с(⏸)тавший солдато(👟)м. 退(🕎)伍军(jun1 )人(🏺)兰(lá(🧕)n )博（西尔维(wéi )斯特(tè )•史泰龙(🤖)Sylvester Stallone 饰）(🚾)从(có(🤱)ng )越南回国，他(🐨)(tā )回到(dào )已显得陌(🥌)生(shēng )的原(yuá(🤬)n )居小(🎙)镇，当地(dì )警长（(🌱)布莱恩•丹内(🖊)利 Brian Dennehy 饰(🎲)）看到(dào )这(🌚)个(gè(😀) )退伍军人的第(dì )一眼起，就开始(🐲)(shǐ )对(⏫)兰博百般挑(🚰)剔(tī(📦) )，甚至将他带回警(jǐng )局肆意侮辱(📧)(rǔ )，不(⛱)(bú )堪忍(🔴)受责(🎻)打的兰(lán )博袭警之后逃跑(pǎo )。警长召(👕)集大(💑)(dà )批警(😵)(jǐng )察(♍)展开对兰博的(de )追捕，兰博逃(táo )至(🐕)荒(huā(❣)ng )山野林之中(zhōng )，不(👚)(bú )断用自己在越战(📗)(zhàn )中掌握的(🚔)游击(😏)(jī )战术(shù )对警察(🐊)展开(kāi )反击(jī(🎃) )，他抢(👹)劫了一(yī )辆(🥋)武器(👶)运输车返(fǎn )回小镇烧毁了商(shā(📨)ng )店，法(🍴)律和武器都(👂)(dōu )不(🍲)能阻止兰博了(le )。兰博在越战时(shí(🍋) )的长(🏀)官上校(🐜)（理(🗄)查(chá )德•克里纳(nà ) Richard Crenna 饰）出现，劝说兰(📬)博(bó(🕍) )放下枪(📏)械，愤(🎋)懑(mèn )已(yǐ )久的兰博(🚲)吼(hǒu )出了(le )自(📄)己的(⏭)困惑与不(bú )甘…(🥗)… Lady Chatterton asks for Poirot's assistance when she comes to fear for the safety of her friend, Marguerite Clayton. Specifically, she is convinced that Marguerite's husband Edward Clayton, known for his violent temper, will kill her. Poirot is invited to a party in order to meet Clayton, but he never shows up. The next day, Poirot finds himself being interviewed by Inspector Japp when Edward Clayton's body is found hidden in an elaborate Spanish chest located in the same room as the party the previous evening. When Marguerite's friend Major Rich is arrested for the murder, Poirot correctly deduces the true nature of the crime and the identity of the culprit. 一个由(yóu )催眠(miá(👀)n )师沃格勒率(🎥)(lǜ )领(💿)的(de )剧团在前往斯(😥)德(dé )哥尔摩途(🧡)中的(📛)(de )一个(gè )小镇(🍍)上，被(📌)(bèi )当地(dì )的警察局长和(hé )相关(🥟)人等(🔰)扣留盘(pán )查(🈶)，他们(🈶)被勒令(lìng )要当(dāng )众表演魔术，以(🏓)验证(😪)是否存(♒)在(zà(🏔)i )超自然现象。结(jié )果他们的耍宝把戏(🦀)(xì )露(💻)馅，但在(🏕)(zài )逗(🔫)留(liú )过程中他们却(🚾)经(jīng )历了许(😫)多意(❕)想不(bú )到(dào )的奇(🤣)遇和变(biàn )化，最终剧(💥)团受到国(guó(🗼) )王的(📽)召见而重(chóng )新上(🥎)(shàng )路。 KBS歌谣大(dà(⚡) )祝祭(🍷)(jì )MC：miss a秀智、(😔)尹施(🎇)允(yǔn )、李辉才出席(xí )艺人(rén )：(😜)柳喜(❄)烈、李承(ché(😉)ng )哲、(🌦)李孝利、IU、K-will、Dynamic Duo、许阁、Ailee、EXO、Crayon Pop、(🍛)少女(🐉)时代、(📛)SHINee、INFINITE、(🌁)BEAST、2PM、Miss-A、4minute、KARA、Sistar、Teen top、B1A4、Girls Day、A-Pink、Secret 电影讲(jiǎng )述(🤤)了无(💐)政府主(⛔)义(yì(😏) )法国青年提出一个(😧)(gè )口号：“停(📌)(tíng )下(🏊)来(lái )思考”并以这(💫)个(gè )口号为出发点(🎖),整个(gè )巴黎(🦓)不再(🍦)工(gōng )作城(chéng )市陷(🏃)入混乱，于(yú )是(🔬)..... 故事(🛄)发生在(zài )第(⌛)一(yī(🔯) )次世界大战(zhàn )期间(jiān )，弗兰克、(🛬)泰斯(💮)(sī )、斯科蒂(🌈)和伟(🕐)(wěi )斯是(shì )隶属于同一(yī )分队(duì(😞) )的占(🏑)有，枪林(🚶)(lín )弹(🏘)雨之间走过，彼此(cǐ )之间结下了(le )深厚(🍦)(hòu )的(🍤)友谊。一(☔)场(chǎ(🈳)ng )意外中，弗兰克(kè )不(➡)幸去世，上级(🥘)(jí )派(💍)来了名叫戴夫的(🍂)(de )新兵顶替弗(fú )兰克(🏈)(kè )的位置。戴(🛄)夫的(🌀)(de )到来并没有收到(🌀)其(qí )余几人的(🚛)欢(huā(😴)n )迎，他们极度(🚟)怀疑(🍱)这(zhè )个年轻的男孩(hái )是否(fǒu )能(🔅)够担(🎎)负重(chóng )任。 盖(🔭)瑞（(📯)马丁·弗(fú )瑞曼 Martin Freeman 饰）是一(yī )名(🦀)音(yī(💓)n )乐制作(🔉)人，曾(🖤)经(jīng )在职业上小有(yǒu )成就的他如今(🕓)陷(xià(⭐)n )入了(le )瓶(🍁)颈之(🐎)中，而他(tā )的好友保(🍌)罗（西蒙·(🕞)佩吉(🏈) Simon Pegg 饰）却迎来了事(🚭)业的(de )高峰，这让盖瑞(🔫)的(de )心中十分(🚳)不是(➕)滋(zī )味。与此同时(🏑)，盖瑞和女友朵(🌁)拉（(🧕)格温妮斯·(🏤)帕特(🤷)(tè )洛 Gwyneth Paltrow 饰）之间的感(gǎn )情亦跌落(🚩)到了(🎱)冰点(diǎn )之下(📦)。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. 高级(🤮)(jí )舞男(nán )朱利安（李查•基尔(🖐)）的(🌮)谋生(shē(🏝)ng )手段(🔰)(duàn )是，在经纪(jì )人的(de )安排下，凭借其出(👵)众的(👫)相貌和(🆔)(hé )出(😈)色(sè )的身体条件(jià(🚐)n )，帮(bāng )助有钱(🕳)女人(🐃)解(jiě )决掉性的饥(😘)渴，换得数目不菲的(🎴)(de )“酬劳”。但在结(🌉)(jié )识(🥃)某位参议员的(de )妻(🍚)子米雪儿后，朱(🙋)利安(🈺)与她生出了(🛄)(le )真情(🈵)。