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Nigel Dennis publishes a scandal magazine. But for each story he writes, he first approaches the person whose scandalous behavior is described (or rather implied, to avoid any libel suit) and says he will suppress the story in return for money. Several of his victims first decide individually to kill him instead of paying, but fail in amusing ways. Then they find that to protect their various secrets they must now join forces for a rather different purpose... 1950年代(🔉)，合作化时(shí )期。复(🐱)员军人刘杰(jié )（(🔲)张(🚝)子良 饰）回乡(🚅)(xiā(😝)ng )后与贫雇农办起(🥟)农(nóng )业社，走集体(🗺)化道(dào )路，不(bú )料(🏷)被(🥉)县委书(shū )记安(🐲)振(🐕)(zhèn )邦（范莱 饰(shì(🚪) )）指责(zé )为无组(🛎)织无(wú )纪律，刘杰(🚐)很是苦(kǔ )恼。身(shē(🌿)n )为(🏯)村长的王(wáng )金魁(🛢)（仲星火 饰）不(🗨)顾广(guǎng )大贫雇农(🚫)利(lì )益，一(yī )心考(➰)虑(😉)个人(rén )发家致(zhì(😛) )富，他拉拢一帮实(🍬)(shí )力雄厚的富裕(💫)中农(nóng )办起另一(🤞)个(☕)农业社(shè )，跟刘杰(🈸)的穷社唱(chàng )起了(😯)对台戏。团支(zhī )书(⚫)杨依兰（王云霞(🌝)(xiá(🚓) ) 饰）非(fēi )常看(🎮)不(📱)惯村(cūn )长的嫌(xiá(🚢)n )贫爱富，她(tā )坚定(🔰)地(dì )站在刘杰一(⏯)(yī(🥇) )边。刘(liú )杰针对(🍑)当(🏁)时(shí )农村出(chū )现(🏂)的情况，决心写(xiě(🌦) )信向党中央(yāng )反(🛬)映，他的想法得(dé(🔭) )到(📺)贫雇(gù )农的支持(🎓)，收到信(xìn )后中央(🏾)非常重视，特委派(🚍)副省长（于(yú )飞(🆗) 饰(🌧)）深入基层调(dià(🛐)o )查处理。结果，犯(fà(😤)n )严重官僚主义错(🚊)误(wù )的安振邦受(👉)到(🙀)严厉(lì )批评...... 梁(🏢)(liá(🤸)ng )宽义助孤女(nǚ )凤(🚵)娇，并得师傅黄(huá(😚)ng )飞鸿答(dá )允收留(🕧)娇(💨)于(yú )宝芝林(lí(😒)n )，因(💄)而与恶(è )霸李龙(😖)(lóng )结怨。龙骗(piàn )宽(💊)，娇(jiāo )回马鞍山，迫(🐈)娇未(wèi )婚夫诬指(🦊)宽(🔷)(kuān )与娇有(yǒu )私情(🕰)，煽动(dòng )乡民用(yò(🌺)ng )石头掷死二(èr )人(🛍)，幸(xìng )鸿率众徒弟(🎞)及(👕)时赶(gǎn )至，大败龙(🦉) In the 1950s Neo-realism style was given a boost, in part by what was happening in Italy. The films of Rossellini, Antonioni and De Sica made a powerful impression on Brazil's nascent film community. A series of pivotal pictures were made in the 1950s that responded to the wake-up call of the new Italian masters. Needle in a Haystack (1953) by Alex Viany, The Road (1957) by Oswaldo Sampaio and The Great Moment (1958) by Roberto Santos are a few of the better titles. The energy of these films was felt far north of Rio in the state of Bahia, where several pictures were made. (History of Brazilian Cinema) Noi runs a rural bar and guesthouse called the Paradise Hotel. He tends bar and arm wrestles any challengers. The hotel, which has only one room, already has a guest, a man named Chana. 故事梗(gěng )概: