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This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. 一个患有慢性心脏(💠)病的孩子，用(🔏)一种(zhǒ(📭)ng )智慧而(ér )冷(🐺)酷的(de )方(🕌)式谈(tán )论着(🎾)自(zì )己的病(⛽)情，直至(😃)痛苦和疲倦(👥)耗尽她所有(🚌)的力量(🚎)。 Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops. 《继母劳拉》是(📢)一部由(yóu )Andrea Bianchi导演，Carroll Baker、Adolfo Celi主(🎬)演(yǎn )，片长(zhǎ(🗽)ng )1小时28分(fèn )钟的剧情(🔻)片。 一个(🌮)记者正在寻(📒)找一条独家(🚬)新闻，会(🎊)见一位部长(👡)的(de )女儿，与她(🤯)展(zhǎn )开(😭)生意(yì )，损害(⛸)(hài )了自己的妻子。 Philip Hinchcliffe era 本(🐟)片由張徹導(🌕)演兼與倪匡聯手編(🎓)劇，午馬(📦)聯合(🐃)導(dǎo )演(💽)，於(yú )1976年拍攝(🙀)(shè )，並為(🌚)(wéi )張徹兩(liǎ(🔻)ng )大乾兒子傅(🔦)聲與戚(🥘)冠軍領銜主(📈)演，分飾少林高手方(⛪)世玉與胡惠(🍗)乾(qián )。故事(shì )描述武(⏱)(wǔ )當派敗(bà(🥟)i )類白眉(méi )道人、馮(🌦)道德、(🤚)雷老虎等，勾(🧞)結清廷，甘受(🙆)驅使來(🕎)殘殺武林中(🖐)人，方世(shì )玉(🍶)之父(fù(♓) )母方濟(jì )亨(🥞)、苗(miáo )翠花，胡惠乾(🚪)之父皆為雷(🧔)等所殺；胡一次尋(😇)仇不遂(👖)，為方(🤮)所救，後(😑)隨方(fāng )往少(🦕)林(lín )寺(🐘)練就(jiù )高強(🗿)武(wǔ )功……(👼)影片最(💷)後少林與武(🕰)當之武林自相殘殺(🌵)的畫面，出現(🛴)一幕令人怵目(mù )驚(🍒)心的(de )大結局(🚘)(jú )…… 郷(xiāng )ひろみ(🔤)の映画(📷)(huà )初主演作(🍑)。遠藤周作の(👢)同名の(🌕)青春小説を(👲)映画化。『愛(💃)と誠』(💼)以(yǐ )来、青(👏)(qīng )春映画(huà )を撮り(🎚)続けてきた(🎹)山根成之監督がメ(🏐)ガホン(🏘)を取り、脚(🍣)本をジェー(🚆)ムス・(🌘)三木(mù )が手(🔓)がけた。郷ひ(🌞)ろみが(🛣)主(zhǔ )題歌「(📛)さらば夏の光」を(🌊)歌っている(🥓)。共演は、女友達の(🥩)ハンバーガ(🖱)ー・ショップ店(dià(🆑)n )員役に(🎸)秋吉久美子(🖨)が、大学浪(📿)人の親(❇)友役に川口(🦒)厚がキャス(📸)ティン(🚳)された。地(dì(📓) )方出身(shēn )の貧しい(🌉)青年(nián )が愛(👕)し始めた女友達を(📁)親友に(🥓)譲ったこと(⛓)から、明る(🐘)く生き(🌀)ながらも愛(😌)(ài )に苦しみ(🛬)、人(ré(⚓)n )生の厳(yán )し(📱)さを知っていく姿(🎞)が描かれる(⏺)。