兀兀穷年

本片讲述(🛥)的是一个(gè )家庭(✊)(tíng )的悲欢(huā(👼)n )离合。巴尔拉(🚁)杰·卡普尔(🎦)是个(gè )富有(🐪)而(ér )又精(jī(⚓)ng )明的商(shāng )人。他有(🐖)一个美满的(➕)家庭，妻(qī )子(🐩)和儿(ér )子是(📮)(shì )他生活(huó(🌌) )的依靠。儿(ér )子阿维纳什海外(🐐)留(liú )学归来(🔇)(lái )，不(bú )久便(📠)与(yǔ )一个叫(🍓)米莉(lì )的女(🚐)孩坠入爱河。婚后(🍭)生下了(le )一个(❣)可(kě )爱的男(➰)孩--安(ān )什。然(😙)而，美满的(de )生(😇)活(huó )并没有(📸)(yǒu )维持多(duō )久。阿(🛡)维纳什因为(🥈)一场车祸撒(😐)(sā )手西(xī )去(🎨)，抛(pāo )下了年(🍓)(nián )轻的妻子(😘)米莉和可爱的儿(🤘)子。米莉(lì )不(🎾)堪打(dǎ )击而(🌾)近乎崩溃。痛(🕉)失爱子的巴(🎬)(bā )尔拉杰(jié )也沉(chén )浸在无(wú(👾) )边的伤痛之(📍)(zhī )中，但是为(🕣)了让儿(ér )媳(📕)米莉(lì )振作(✊)(zuò )起来，他找来米(🌋)莉(lì )的好友(🐀)拉雅。拉雅(yǎ(😡) )一直暗恋着(🌌)(zhe )米莉。巴尔拉(🏝)杰希(xī )望撮(🈁)合两个人，但(dàn )是(👿)受到拉雅(yǎ(🌠) )思想保(bǎo )守(😓)的兄长巴尔(😵)万特的阻挠(🦗)。善(shàn )良的(de )公(⛺)公能(néng )否如愿(yuà(🌸)n )以偿？有情(🥍)人能否终成(🐙)眷属？答案(🆚)(àn )就要从(có(💝)ng )影片中去寻找了。 高考落榜后(🥅)(hòu )，步太(tài )（(🌎)市(shì )原隼人(🎃)(rén )饰）选择(🏳)继(jì )续备考(🛀)美术大学，由于家(🚇)(jiā )中还(hái )要(🌻)赡养(yǎng )患精(🛵)神分裂(liè )的(🔎)父亲，经济和(🏂)精(jīng )神负担(🏕)都很(hěn )重。女(nǚ )朋(🌑)友夏姬（沢(🏸)尻エリカ饰(🌯)）是(shì )个活(🖲)泼开朗(lǎng )的(👩)小女(nǚ )生，几(🥗)乎整颗心都扑在(😬)步太身(shēn )上(💷)，但步太(tài )对(🏢)她似(sì )乎总(📍)是心不在焉(💰)。 明朝年间，朝廷(tíng )屡贡不(bú )休(🕣)，导致马贼猖(🖕)獗为患，遭受(🗝)(shòu )马贼洗(xǐ(😿) )劫涂(tú )炭的(🚷)民(mín )众无不提心(⏰)(xīn )吊胆惶惑(⛲)不安。在(zài )没(🎪)有朝(cháo )廷出(🙁)(chū )兵清剿(jiǎ(♓)o )的援助下，民(🛤)间惟有以自己有(🐍)(yǒu )限的能(né(✂)ng )力与(yǔ )马贼(🖌)对(duì )抗。但在(🏥)灭(miè )绝人性(🎧)的马贼面前(🚝)(qián )，民间的抵(dǐ )抗(🤖)显得(dé )无济(🍙)于事，常常是(👮)马贼肆虐过(💺)(guò )的地(dì )方(🔢)，尸(shī )横遍野(yě )血流成河。为救(📵)民众免遭马(👢)贼(zéi )的涂(tú(📯) )炭，佛(fó )界、(👳)道界和江湖(🍇)武林纷纷出手(shǒ(♉)u )。这其(qí )间，天龙派(pài )高手(🚓)赵龙夫(fū )妇(🐓)在与马贼首(📚)领交(jiāo )手中(🏨)，双双(shuāng )中毒，危在(🌕)旦夕。 相传警(🤙)方派驻了上(🏉)(shàng )千卧底(dǐ(🐚) )深入(rù )黑帮(🕵)，就等时机成(🐃)(chéng )熟把社团一网(🍝)打尽(jìn )。此时(🚾)警方(fāng )雄图(🍺)大(dà )志，将潜(🌠)伏已久终于(🐭)爆发的行(háng )动命(mìng )名为“百年(🤺)孤(gū )寂”。洪兴(👓)社树大招风(📽)，社团(tuán )里各(🎚)(gè )个话事(shì(🚆) )人开始草木皆兵(🤙)。相反洪兴老(lǎo )大淡定(dì(🐍)ng )自若(ruò )，他的(⛳)(de )女人苏菲（(🥃)秦海璐饰）(🛹)替他周(zhōu )旋于各(⚡)(gè )帮派(pài )期(🏯)间，力稳局势(🤷)。 个性偏执的(💬)稻田怜(lián )（(📸)上野(yě )树里(😍)(lǐ ) 饰）离(lí )开了(✍)家独自(zì )到(🏷)东京发展理(🌩)想，可是所在(🎾)设(shè )计会社(🕓)(shè )为了经营不得不采取商业(🎅)的做(zuò )法，冲(😬)动之(zhī )下怜(💖)辞(cí )去了工(🥋)作。 One day a woman named Maude (Catherine Jacob) walks into a swimming pool and sees a young girl splashing about with her friends--in that one instant everything changes. Twelve years ago, someone stole Maude's baby girl, and ever since she has devoted her life to finding her missing daughter. Twelve-year-old Zita, who has a birthmark eerily the same as Maude's lost child, lives with her breezy gypsy mother Joana (Arly Jover) in casual squalor. The girl's vague history, combined with a doctored birth certificate, no baby pictures and an absent father confirm Maude's suspicions that she has finally found her missing child, and she goes after the girl with all the tact of a hostile takeover. Cold and abrasive Maude is not a woman who invites easy sympathy, she drinks too much, smokes constantly, and wears a slash of lipstick as harsh as fresh blood. In marked contrast is Joana, whose easy manner makes her seem the more naturally maternal of the pair. But as Maude begins to infiltrate Zita's life (with expensive presents and promises of wealth and privilege) the struggle between the two mothers intensifies into a pitched battle between nature and nurture. Writer-director Virginie Wagon invests this intense drama with sympathy, compassion and keen intelligence. Ultimately, the one thing that separates the two women is a Solomon-like decision, as heart wrenching as it is necessary. This compilation represents 30 years of work from independent filmmaker David Markey. From his beginnings as a pre-teen experimental film auteur to his music videos for major labels, Cut Shorts displays Markeys unique and askewed view. Markey employs a frenetic Documentary-style approach mixed with punk fiction on the dime. He feverishly produced these backyard films much like the Do-It-Yourself attitude found in punk zines and bands. Featuring Thurston Moore, Kim Gordon, Jordan & Jennifer Schwartz, & Sofia Coppola Music by Devo, Ciccone Youth, Sonic Youth, The Shaggs, The Posies, Abby Travis & others.