取材自莎(🕰)(shā )士(🎢)比亚的喜(xǐ )剧《威尼斯商(🌿)人(🤔)》，以(📟)(yǐ(🙊) )舞台剧的形式拍(pāi )摄，辛(🔬)辣的(⛺)讽刺(cì )、巧妙的布控无(🗽)处(😎)(chù(📈) )不在，同时充分(fèn )地利(lì )用(🚶)夸张(🛋)表演的(de )技巧(qiǎo )，传承莎翁(📺)(wē(👿)ng )的(⛽)人(rén )本精神，表达了创(💥)(chuàng )作(👝)主题思想(xiǎng )。
弗(fú )朗哥统治时(😓)期(🔓)的(de )西班牙马德里，女(nǚ )童(🐉)安娜(👿)（Ana Torrent 饰）与(yǔ )两个(gè )姐妹(🛶)在军(🎩)官(🛁)父(fù )亲安(ān )赛莫死后被(🍲)(bèi )过(🚇)继(jì )给姨妈抚养，安塞(sā(🕹)i )莫(🎖)在(😥)世(🚉)时风(fēng )流成(chéng )性，母亲玛(🚈)莉亚(🌤)(yà )（Geraldine Chaplin 饰）为他放(fàng )弃事(💙)(shì(⚽) )业(🔹)最后落得在寂(jì )寞压抑的(📬)生活(💾)中痛(tòng )苦不堪，早早去(qù(🕸) )世(📈)。关(💇)于母亲的记(jì )忆不(bú(🎡) )时浮(🖍)现在安(ān )娜脑(nǎo )海，这些记忆(⛽)混(🚎)同(tóng )她对死亡的(de )臆想(xiǎ(🙊)ng )慢慢(📼)影响了现实(shí )生活。姐妹(🚑)三人(🥞)在(👱)(zài )姨妈的看顾下并(bìng )不(🃏)安(ā(💉)n )分，姨妈正陷(xiàn )入一场同(🚀)安(📲)赛(🐨)莫(🔯)(mò )已婚(hūn )战友的恋情，安(🤴)娜(nà(🔎) )的举止让她(tā )愈发(fā )感(🐝)到(🏊)威(🌀)胁。安娜(nà )试(shì )图用一瓶所(🗻)(suǒ )谓(🤸)毒(dú )药帮助生活不能(né(🍌)ng )自(😨)理(🤩)的祖母自杀，而那瓶物(🏚)事不(🐪)过(guò )只是(shì )苏打，祖母拒(jù )绝(🕒)服(⬛)(fú )毒，安娜又(yòu )将目(mù )标(🗑)对向(🧒)了姨妈……
门罗是好莱(🛷)(lái )坞(📇)最(🥐)(zuì )大牌的制片人之(zhī )一(✒)，但妻(😶)子的突然(rán )离世让门罗(♓)备(🐃)受(🆕)(shò(🗡)u )打击(jī )。突然的一场(chǎng )地(🥢)震过(⌛)后，大家(jiā )都跑(pǎo )到片场(📸)查(🖥)看(🌨)受损状(zhuàng )况，门罗也(yě )不例(📆)(lì )外(😌)。在那里他与(yǔ )一(yī )个系(🤸)着(🙀)银(🍵)色(sè )腰带(dài )的女孩擦(🥣)肩而(🖐)过(guò )，一瞬间门罗联想(xiǎng )到自(🏫)己(🥠)的妻子。为了(le )找到这个女(💻)孩(há(😼)i )，门(mén )罗发动手下(xià )所有(🚞)(yǒu )人(🗑)搜(〰)寻女孩的信息(xī )，终于与(🐢)这(zhè(🚲) )个名(míng )叫凯瑟琳的女孩(🤭)(há(📕)i )相(🆔)识(🏘)。
Like in the novel of Jules Verne four persons try to get to the centre of the world by entering into a world of caves by a volcano. On their way they discover among other things also prehistoric animals like some dinosaurs.
"The film takes place during the German occupation of Denmark in a provincial town in the summer of 1943. Kirsten falls in love with a German soldier from the occupying authorities. She slowly becomes entangled by her own feelings and. when it dawns on her that he German is the "enemy" and her love "wrong" it is too late. She chooses love..... and pays the price.
由布莱恩·德·帕尔马(🎵)（Brian De Palma）(🌽)指导(dǎo )， 保罗·施拉(lā )德(⛑)（(😙)Paul Schrader）(🤑)编剧的《迷情(qíng )记》（Obsession / 1976）是一(🥈)部文(🐛)(wén )艺气息相当(dāng )浓厚(hò(🍫)u )的(📰)悬(❗)疑片。帕尔(ěr )马(mǎ )导演(🌠)一反(🍓)常(cháng )态，并没有在影片中(zhōng )过(🚟)分(🙁)卖弄血腥暴力(lì )，而是以(🏄)细腻(🍓)的(de )手法(fǎ )把一个奇异的(👝)(de )故事(🎧)(shì(🌴) )拍得如梦如(rú )幻，韵味十(🆙)足。
该(🚧)片主(zhǔ )要讲述的是(shì )富(🤺)家(🚒)(jiā(🤥) )子(🚐)高原（邓光荣(róng ) 饰）与(😱)大学(🧦)生李锦(jǐn )文（林青霞 饰(🎓)）(🛁)的(👜)恋(liàn )情受到高父极(jí )力阻(👘)止，因(😘)高父(fù )知道(dào )李母曾开(🔊)酒(🎍)馆(🎭)，认(rèn )为双方家世(shì )悬(🔕)殊(shū(🍺) )，不能婚配。高(gāo )原(yuán )与锦文不(🚉)顾(🐽)(gù )一切(qiē )，私奔到乡间结(🕢)(jié )婚(👦)。二人勤劳工作(zuò )，高原且(🏯)半工(🙅)读(🎰)(dú )完成(chéng )大学课程，但(dà(🌜)n )好景(🤶)(jǐng )不常，高原(yuán )患上(shàng )脑(🍥)瘤(🈷)，变(🧞)成(🎦)失明，锦文多方奔(bēn )走筹(🐨)(chóu )钱(🆎)给他动手术。
이백호와 효(🍖)정(📶)의(🔴) 두딸 중에서 언니 추하는 음(😁)악에(🍜) 소질이 있고 조용하나 추(🖍)운(🏣)은(🔧) 말괄량이다. 백호는 추(🛄)하가(📱) 불치병에 걸렸기 때문에 편애(🖱)한(⛸)다. 함께 자란 자량은 추하(🦆)를 좋(🌭)아하고 추운은 자량을 좋(🏳)아하(🚹)나(🕣) 추하는 맹아학교 선생인(📷) 국휘(⬛)를 사귀고 맹아를 가르치(💏)기로(🚂) 한(➖)다. 추하는 자신의 병을 알(📄)고 국(😲)휘 곁을 떠나나 설악산에(🌵)서(🥕) 둘(🏗)은 다시 재회하게 된다. 그러(🐱)나 국(🏙)휘의 품에서 추하는 숨을(🍵) 거(👍)둔(🛴)다.
朝廷密史、南拳(quán )沈英(🦒)伟（王(wáng )道）为了追查大内(🙌)失(🚭)窃(qiè )的100万两库银(yín )，追(zhuī(📲) )踪到(🙌)韩国，与为(wéi )亲人报仇的北腿(🔰)萧(💬)(xiāo )逸飞（刘忠良）联手(🏎)(shǒu )击(🍻)毙潜逃到韩(hán )国的(de )铁血(🦃)银狐(🦇)（(🏉)黄正(zhèng )利）。
This extremely obscure Italian production tells the story of a modern day neo-Nazi youth gang that meets in a place decorated with swasticas and a poster of the "Führer". The members of this gang are all bored teenagers from rich families. One of the gang prefers playing pin pall to getting a girlfriend, because playing pin ball literally gets him off. The leader of the gang indulges in violent sexual fantasies, which ultimately leads to rape and murder. This inspires a teen gang from the streets, whose members are poor kids from the ghetto. The story is quite interesting, especially the aspect of the impact the neo-Nazi gang has on the street gang in the end, although the gangs as such have nothing in common. Unfortunately, the film becomes extremely slow paced after a good first 20 minutes, and it never really returns to a faster pace. The interesting cast, unknown faces even for connoisseurs of obscure Italian films of the Seventies, does a good job throughout, which makes it even more sad that the movie as a whole is merely a disappointment. All in all, "I Ragazzi Della Roma Violenta" is a movie that could have been far better than it eventually turned out to be. However, it's remarkable that the film precedes some of Larry Clark's issues in his films "Kids" and "Bully" for about two decades.