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Anna is married to her teacher, Professor. Their marriage is a mutual agreement with no great feelings. Marriage gives both a status they need; love must be found elsewhere. Roland is a young man, beautiful body, transparent skin, clear eyes, a keen mind for wisdom. He falls in love with Professor, a man older than Roland's father. Affection grows to be mutual. Roland is eager to give all he has to give, he even tries to be a part of the family. When he finds out that there is no family, his focus is Professor and his happiness. This elder man is also intellectually highly affected by the love Roland gives. They have beautiful conversations, the likes that we seldom hear in movies anymore (not even in books). They speak of virtue, honor, love, affection, and integrity, which are all the cornerstones of their relationship. But they don't speak of flesh. Professor nearly faints down when he sees Roland's bare breast since the beauty of youth has its own reasons and own power. He listens behind Roland's door as if to get a non-physical touch of that beauty. The story is really intense and when the separation of those two is evident, not only Roland is in tears; anyone who remembers will shed tears for his or her own dreams that did not come true. 私家侦探史(🆙)(shǐ )燕(😆)德(dé )，其侦探社门堪罗(🏰)雀(🧖)(què )，惟有兼职各行各(👐)业(📡)(yè )。一日，实雄电影(🚏)(yǐng )公(🎳)司(sī(🚒) )请来(lái )大批临时(🎪)演(📝)员拍(pāi )片(piàn )，史是其(🅰)中(🍺)之一(🏜)。岂(qǐ )料女秘书错(💯)把史(🥋)之名(míng )字误(wù )置(📌)于锺(✒)老闆的嘉(jiā )宾名(mí(🏛)ng )单之(🏪)内。锺在豪华(huá )别(🥅)墅举(🙀)行气派不凡的(de )酒(🆘)会(huì(🏌) )，史溷集在宾客(kè )群中(👂)(zhō(🏻)ng )闹出不少笑话。锺(🤶)展(zhǎ(🥖)n )示(shì )其近购之唐(🐧)朝御(📎)(yù )用宝(bǎo )物 - 宝石尿壶(🍓)，以(💛)(yǐ )炫耀(yào )家财。其太(🥟)太(👅)安娜与(yǔ )武(wǔ )术(🌅)指导(🚢)刘家(👀)班，早(zǎo )已(yǐ )佈置(🍛)好(🕔)一个夺宝(bǎo )阴谋(mó(📪)u )，却(🐑)(què )被(🆎)煳涂的史破坏(huà(🥑)i )了(le )计(🤼)划。安娜迁怒于(yú(🌰) )史(shǐ(👆) )，故用诡计聘请史调(♒)(diào )查(➖)夺(duó )宝主使之人(🤫)，再(zà(🤸)i )乘机(jī )除之。相反(🙋)锺却(👤)怀(huái )疑安娜与史有不(😐)寻(🕶)常(cháng )关係(xì )，製造(😎)机会(♉)来对(duì )付二(èr )人(🕷)。此次(🐷)意外也引起(qǐ )了(le )保险(🐙)公(🐥)司的关注(zhù )，特(tè )派女(👆)调查员May溷入(rù )当(🚱)演(yǎ(👔)n )员，史与May日夕相对，有(yǒ(😏)u )如(🈸)一双情侣。锺和(hé )安(📢)(ā(🅾)n )娜分(🏌)别聘请杀手(shǒu )对(🍪)史(shǐ(🎼) )下毒(dú )手，史却不(🅾)知生(shēng )命(mìng )危在旦夕...... This is a story of a physically handicapped but extremely well adjusted young woman named Noriko. The title role was played by Ms. Noriko TSUJI herself. The film begins with her telling her personal history in a high school classroom just before graduation. She talks about difficulties and prejudices she and her mother experienced when she entered a primary school. She was finally allowed to enter Sekidai Primary School by its head teacher who believed that she, having the disadvantage of lacking arms, had no disability. Since then her challenges started as to what she could do with her feet. Now employed in the Kumamoto Municipal office in Kyushu, this is her first professional position, and she carries it off with great skill. 乾(🔥)隆年(🔰)间(jiān )，国泰民安，然(🛬)此时(✉)反(fǎn )清势(shì )力也(🤭)甚为(🀄)活跃。反清(qīng )帮会红花会(🏚)第四把(bǎ )交椅文(🥠)泰来(🖇)（邓伟豪(háo ) 饰）(🈸)和妻(💕)子骆冰（陈(chén )琪琪(qí(⚡) ) 饰(✖)）被朝廷鹰爪困在(zà(🍲)i )三(sān )道沟，经武当(🔂)派(pà(🚧)i )名宿(xiǔ )陆菲青（王戎(🈴) 饰(🧜)(shì )）的(de )引荐前往名(🌥)震(🛶)西北(💷)的(de )老(lǎo )英雄周仲(🚘)英（(Ⓜ)谷峰(fēng ) 饰(shì )）的(🤺)铁胆庄避难(nán )。与(yǔ )此同(🐯)(tóng )时(🤛)，陆菲青的师(shī )弟(👿)(dì )、(🦀)效力朝廷的张召(📟)(zhào )重(👯)(chóng )（罗烈 饰）尾随而至(🐤)(zhì )，以(yǐ )重兵要挟(🕧)铁胆(🍗)庄(zhuāng )交出(chū )文泰(🙄)来。虽(🥁)然文藏(cáng )身暗道，却被(🚈)张(🚱)诱骗(piàn )周仲(zhòng )英年幼(🌲)的儿子指(zhǐ )出文(🈶)(wén )等(🚑)人的藏身所在。骆(luò )冰(⚡)(bī(👯)ng )和余雨同（顾冠(guà(🧓)n )忠(🐇) 饰(shì(💏) )）侥幸逃出，路(lù(💓) )遇红(😘)(hóng )花会总舵主陈(🎱)家洛（狄(dí )龙 饰），众人(✌)一同(🎊)(tóng )返(fǎn )回铁胆庄(🐠)。与此(📈)(cǐ )同时(shí )，外(wài )出(🦅)归来(💸)的周仲英(yīng )得(dé )知庄内(💐)的变故，愤(fèn )而(é(🔦)r )打死(🐖)自己的儿子。经(jī(💖)ng )过一(📏)(yī )番拚斗，铁胆庄(zhuāng )与(⚫)红(📰)(hóng )花会消除误会，冰(bī(🉐)ng )释前嫌，周亦带着(🚜)女(nǚ(🚽) )儿随(suí )红花会同行营(🚏)救(❤)(jiù )文泰(tài )来…… 男(😠)に(🦉)棄て(🚩)られ電(diàn )柱に手(🤗)錠で(💞)繋がれていた千(😿)里（原田(tián )美枝(zhī )子(🕕)）(🦖)と名(🏄)乗る女を拾(shí )っ(🤛)たバ(🛬)ーのマスター、(📿)市雄(🌔)（宇崎竜童(tóng )）。二人(ré(🚲)n )の前に百科事典(💥)(diǎn )の(🖍)編集者を名乗る(🧗)謎(mí(🎖) )の男、三崎（原田芳(🆖)雄(🕙)(xióng )）が現れて、15億円(🎆)強(qiáng )奪計(jì )画を(🍀)持ち(📺)かける。三人は市雄の(🚗)パ(🍶)トロンで相場師の(🐔)宗(🎄)像（三國(guó )連太郎）(📻)をう(🔊)まく罠(mín )にかけ(🍟)ることに成(chéng )功した(🌎)か(👁)に見(😫)えたが･･･ 1975年(🎬)越战(🎎)结束后，香(xiāng )港(gǎ(🌁)ng )一度(🆕)成为“第一收(shōu )容(róng )港”，接(👽)收了大(dà )量越(yuè(🔆) )南难(📅)(nán )民、船民。这些(✌)(xiē )人(☔)(rén )到港后，会被港府(fǔ(👲) )统(🏚)(tǒng )一安置在羁留营。对(🍋)(duì )于混(hún )在他们(📋)中间(🚫)的越(yuè )共，特工（特务(🏏)）(🖖)发现(xiàn )后会秘密杀(🖼)害(🍺)。 Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. 一年(nián )一度(dù )的万圣(🤫)节再(👈)度来(lái )临，大街小(🔣)巷都沉浸在欢(huān )乐(lè(🥃) )气(🚯)氛中(👈)。然而，这个(gè )节日(🐯)对于(🌛)卢米思(sī )医生(shē(📮)ng )（唐(🛶)纳德·普利森斯(sī ) Donald Pleasence 饰(shì(⛲) )）来说却是一个(👝)彻(chè(🕹) )头(tóu )彻尾的灾难(🎓)，因(yī(🆑)n )为他(tā )负责(zé )控制的(😠)杀(✈)人狂迈(mài )尔(ěr )斯（Tony Moran 饰(🌇)）逃走了，很(hěn )显(🌂)然，他(📹)想在这个属(shǔ )于他(tā(😙) )的(🕹)节日中再度大(dà )开(🚬)杀(👦)(shā )戒。 北陸の海沿いの(🏐)ある(🈯)町。実業家で町の(⛓)実力者でもある旧家(🧝)(jiā(🦔) )、宇(⏳)島家の主人、理(🚇)(lǐ )一(🦑)(yī )郎は、ある朝(📙)、海(🥍)辺(fǎn )でずぶ濡れになっ(🔒)て倒れている気(🦍)憶を(🅿)失(shī )った女を助(🍵)けた(⭕)。このひとりの不思議(🏿)(yì(🐎) )な女(nǚ )を迎え、宇島(❤)家の人(rén )々の心(🛡)は様(😁)々に揺れる。一人娘の(🐝)伊(🧢)代も少(shǎo )女らしい(🈂)と(📭)まどいと興味を抱い(😥)た。女(🚆)手ひとつでこの(⛲)家を守ってきた祖母(🧔)の(🕛)図世(🌷)は、息(xī )子の嫁(⛹)を早(🈶)く失ったことも(🚕)あり(🌪)、女を家に置こうとす(🌧)る理(lǐ )一郎(láng )に(🙉)異議(🥟)を唱えず彼女(nǚ(🎯) )を看(🅾)病する。理一郎は次第(🛎)に(🌫)女に魅せられていき(🌷)、伊代は幼い頃(🚲)(qǐng )の(⌚)母の記憶に胸を痛(tò(🚾)ng )め(🌠)ながら、大人たち(🤧)の(✅)成(chéng )り行きを見守る(🔵)。ある(🐞)日、理一郎の亡(🛏)(wáng )妻の弟、伊代の叔(📁)父(🏣)(fù )に(🎂)あたる征夫が都(💓)会(huì(❄) )の生(shēng )活を捨て(🛳)て、(🤑)この町に帰ってきた。征(🏩)(zhēng )夫は理一郎に(⭐)仕事(🏝)の世話(huà )をして(👅)もら(☕)っていたが女を家に(📢)と(🙋)じこめる理一郎に批(🦃)判的(de )で、やがて(🏻)二人(🤭)は対立する。征夫は姉(🛋)と(📓)理一(yī )郎(láng )の結婚(🎢)に(🏖)深い傷痕を残してい(📳)たの(🦉)だ。だが、征夫は(🎐)家を守る男(nán )の自信(🎟)と(🗃)尊厳(🎏)のある理一(yī )郎(🤢)にか(🏎)なうはずもなく(🏯)、思(👪)いを寄せるさちこと別(🕯)れ、ひとり町(dī(🤪)ng )を去(👪)っていく。しばら(🍸)くし(🔋)て、女に気億(yì )が蘇(❌)っ(🍐)た。心中したが、男だ(🚡)け死に、自分(fè(✋)n )は生(📉)き残ってしまった。理(🌨)一(🐕)郎の望み通(tōng )り、(🌃)こ(🏷)の家に留るには辛す(🤕)ぎる(🌌)気憶。だが、理一(🕵)郎の女に対する感情(😄)は(🛤)極ま(👥)っていた。謎(mí )の(🌿)女の(🙋)出現で、大人(ré(🧢)n )たち(⏲)の未知なる世界に直面(🎞)した伊代は、幼(👅)(yòu )い(👖)体に宿る激しい(👉)感(gǎ(🌽)n )受性ゆえに、父や女(🦌)(nǚ(🍕) )に殺意も覚えるのだ(📬)った。