A pair of brothers, Baby Toto and Pietro, sons of different mothers, live stealing suitcases at the Termini Station in Rome. After a theft they discover that the stolen suitcase they got from an apparent sweet old lady actually contains a corpse. In an attempt to discard the suitcase they mistakenly exchange it with the one of two German hitchhikers, Helga and Inga. Forced to retrieve the “corpus delicti” they are discovered by Count Mischa who blackmail them: in exchange for his silence with the police, they will help him to kill his rich wife. After killing the woman, and following a binge of marjuana mistaken for lettuce by the brothers, Baby Toto will turn into a sadist serial killer. After killing the Count and a half-dozen people, he will soon start torturing his brother.
Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general, as referred to by the title. Prior to this feature, Gassman had worked with both screenwriter Ruggero Maccari and Ettore Scola (who also co-wrote rather than directed) in the 1962 feature Il Sorpasso from director Dino Risi. It was Risi and Maccari's teamwork which helped Gassman win a "Best Actor" award at Cannes Film Festival in 1974 for Profumo di Donna/Scent of a Woman. Gassman would later work with Maccari and Ettore again in episodic fashion with Signore e Signori Buonanotte/Goodnight, Ladies and Gentlemen (1976) and yet again in the drama Famiglia (1987).
六十(❎)年代南(🤺)洋(🤫)亲王(🐄)(wá(✋)ng )之子(📁)邓(🐢)允通(🏨)(tō(🏻)ng )遵(zūn )父(🏸)命到港求(qiú )学(xué )苇，入读男(nán )校(xiào )培士中学，除了监护人梅伯外，无人知晓他(tā )的背景。通样(yàng )子俊朗(🕊)，乐(lè )于(🥫)(yú )助人(🌾)，在(🦑)校(xià(📥)o )内(🕘)(nèi )羸(🧐)得(🕹)“学生(🗺)(shē(🧔)ng )王子(📚)”美(😡)誉。通欣(👔)赏女校校花黎紫荆的歌唱才(cái )华，欲推荐(jiàn )她(tā )到领事馆表(biǎo )演(yǎn )，于是千方(fāng )百(bǎi )计结识(🏡)荆。通同(🚞)窗富商(🗞)之(📓)(zhī )子(🐄)董(🔫)福士(🌓)亦(🛎)热烈(🔬)追(😚)求荆(🤮)，惟(🕔)荆对(duì(🚂) )他不屑一顾(gù )。荆在领事馆(guǎn )献(xiàn )唱一鸣惊人(rén )，获奖学金往(wǎng )外国深造，可是荆的父母反对。通为替(💚)荆筹措(🎨)(cuò )出国(📻)经(🦑)费，不(❄)(bú(♑) )惜典(🤥)当(🔃)了父(🔷)(fù(📑) )亲(qīn )给(💕)他的钻(🤧)戒(jiè )，恰巧士向父(fù )讨钱不遂，亦盗取了父亲的钻戒(jiè )变卖。士父发(fā )现钻戒失窃(qiè )报(bào )警，通(🦈)被捕(bǔ(🖌) )，幸而士(💎)父(🥣)认(rè(😉)n )出(🌠)通，并(🌔)证(🔈)明(mí(🌜)ng )赃(👪)物是(🍐)他(🕟)赠予通(🦉)父的礼物。通的(de )王子身份大(dà )白(bái )，荆感其乐(lè )于(yú )助人，倾心(xīn )不(bú )已，士则被(bèi )父亲狠狠教训了一(📘)顿。
The lady is Mrs. Hilyard, a wealthy poetess who lives in a three-story city mansion and her cage is her elevator, which stops a dozen feet short of the main floor due to an electrical failure on a July 4th weekend. She rings her outside alarm, eventually noticed by a drunken derelict, who breaks into the house, ignores her plight and helps himself to various items and alcohol. He leaves with his loot but returns a while later with a plump prostitute and three teenage hoodlums, who proceed to terrorize Mrs. Hilyard as they wreck her home.
Having pulled off the smallest ever train robbery, Little Walter and his crew decide to get out of London. The six of them set up business in a disused monastery off the Cornish coast, despite the fact that none of them really qualifies as a monk - least of all Walter's moll Bikini. Bit by bit, the quiet way of life starts becoming a habit.
arbara Stanwyck (in her last theatrical feature) stars with a wealthy woman who's terrorized by recurring dreams regarding her jealous, blind husband who supposedly burned to death in a recent fire. She tries to convince her attorney played by Robert Taylor (the real-life ex-husband of Stanwyck) that the nightmares are real. Exploitation king William Castle produced and directed from a screenplay by Robert Bloch ("Psycho"). Written by alfiehitchie